Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6262 Post No. : 19378

Today’s song is from a very old film- 87 year old- Baaghbaan-1938.

The film was directed by A.R.Kardar, for whom it was his first film as a director, in Bombay. The film had music by Mushtaq Hussain, who had an assistant called Naushad Ali from Lucknow. In the later years Naushad became a successful and very famous composer. Baaghbaan-38 had music by Mushtaq Hussain, who was considered an Ustaad in Classical Music in those days. Naushad, who became a well known Music Director later was assistant to Mushtaq Hussain in Baaghbaan and Industrial India-1938. Hussain started with Aurat ka pyar-1933 and went on to give music to films like, Step Mother, Balaa ki Raat, Zalzalaa, Bhedi trishul, Baaghbaan, Industrial India, Pati patni, Kkanyadaan etc, a total of about 30 films. His last film as Music Director was Bombay-1949. Hussain’s forte was Semi-classical songs, Thumaris and ghazals.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6261 Post No. : 19367

Today’s song is from a Mythological film – Naag Panchami-1953.

What do we know about snakes, in general ? Whenever and wherever a snake is found, the tendency is to kill it. Humans have an inherent fear about snakes. Not all snakes are poisonous or venomous and very few are capable of killing humans with their venoms. Out of all the 3500 known snake species only 20 % are venomous and only 7 % can kill humans, as per a study. Actually, snakes are very useful creatures, particularly for the farmers. They eat rats-who destroy the standing crops and stored grains. Non-Venomous snakes are eaten with relish in China and some other countries in the Far East.

The king of snakes- Vasuki, according to Mythology was born to Sage Kashyap and wife Kadru. Vasuki is considered as the leader of all snakes in the Naag Lok. Vasuki was so long and strong that he was used as a rope for Samudra Manthan by Gods and Asurs. The elder brother of Vasuki-Sheshnag balances the universe on its head He is also used as a bed for Lord Vishnu. The younger brother Vasuki adorns the neck of Lord Shiva.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6260 Post No. : 19364

Today’s song is from a C grade Costume film ‘ Taj aur Talwar’-1956.

1956 was the Silver Jubilee year of Indian Talkie Films. This year, the most successful films were entertainers. There were of course some films carrying social messages. One of them was ‘Jaagte Raho’ (‘Ek Din Ratre’ in Bangla), which tried to bring out the upper middle class hypocrisy in a metro city like Bombay. Initially, the film did not make any ripples, but after it won International awards, it became very popular. (People of other nations have to tell us that our film is good !). A social message, excellent music and solid story – the hallmarks of an RK film were all there in it.

Then, the film ‘Ek Hi Raasta’ tackled the issue of widow re-marriage and acceptance of a new father by the child. Comedy entertainer ‘Nai Dilli’ emphasized the need for inter language marriages in India. Satyajit Ray’s ‘Aparajita’- the sequel to ‘Pather Panchali’ (1955), hit the screens in India after winning accolades internationally.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6259 Post No. : 19360

Today’s song is from the ‘Social’ film – Sara Jahan Hamara-1961.

I do not understand on what basis filmmakers give titles to their films. This film is categorised as a ‘Social’ film in HFGK. The film story has a murder, lootmar, girl trading, fighting, court, Jail and such things. Embedded in all this there is a Love story. In my opinion, the film should have been classified either as a stunt/action film or a crime/mystery film.

Anyway, it is always a mystery how the film makers decide the titles of their films. When I rummaged through the The Film Title index book (1931-2012) by Hamraz ji, I found some interesting titles.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6258 Post No. : 19357

Today’s song is from a Mythological film – Sakshi Gopal-1957.

Those who write on films of the 1950’s decade can not escape religious films, because maximum Mythological and Religious films were made in this decade. I, particularly, have been attracted to ‘Dharmik’ films since childhood and have been writing on such films from the beginning. In fact, my first ever post on this Blog was on a Mythological film – ” Savitri”-1937. I do hope that even my last post, whenever it takes place, will also be on a religious film !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6257 Post No. : 19354

Today’s song is from a comedy film- Aap ki Marzi-1939.

This was a film from Sudama Productions, Bombay. It was directed by Sarvottam Badami, well known in those times, for comedy film The music was by the veteran Gyan Dutt and the cast included Sabita Devi, Motilal, Vasanti, Mazhar, Khurshid, Sunalini Devi, K.N.Singh, Jagdish Sethi and others. This comedy film was based on the popular Hollywood film “Paradise for 3 “-1938.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6256 Post No. : 19349

Today’s song is from an unknown film of 1948 – Adalat-1948.

1948 was an year when the filmmakers breathed a sigh of relief, because now there was no restriction on making films openly on our Independence efforts or having songs of patriotism and Indian culture.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6255 Post No. : 19345

Today’s song is from a Costume film- Jai Bharat-1936.

It was a Wadia Movietone film. It was produced by JBH Wadia and directed by his brother, Homi Wadia who also wrote the story and screenplay. The dialogues were written by Munshi Sarfarash. Music was by Master Mohammed, who also acted in this film. There were just 6 songs in this film, much less compared to the average of 9 songs per film for the period 1931 to 1940. 5 songs were written by Pt. Gyan Chander and today’s song was by Azeem. Gyan Chander mostly wrote for Wadia films. From 1936 to 1940, he wrote about 30 songs in 15 films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6254 Post No. : 19342

Today’s song is from a film which is almost 90 years old – Chhaaya-1936.

This was the first Marathi/Hindi bilingual film made by Huns Pictures, Bombay – a banner owned by master Vinayak along with 2 others. The other partners were Baburao Pendharkar (actor/director) and Pandurang Naik (ace Cinematographer). The film was directed by Master Vinayak. Music was by Dhamman Khan. The film story, dialogues were translated by Pt. Indra, who also acted in this film. He wrote all the 14 songs of the Hindi version.

This was the period of tragic films by Saigal. His famous film Devdas, based on a story by Sharat Babu, became famous and popular all over the Indian subcontinent. This led to a trend in other languages to make tragedy films, in which the Hero dies. In the original Bangla language film, P.C.Barua had acted as Devdas. K.L.Saigal acted in its Hindi and Tamil version, singing 2 songs in the Tamil version. Barua directed the Bangla, Hindi and Assamese versions.

Film Chhaya-1936 was also based on this pattern, where the hero dies. Initially it was thought that such tragic films would not succeed, but film Chhaya became a Hit film. It won accolades from the public and the critics equally. It won many awards too. The cast of the film was Vinayak, Leela Chitnis, Ratnaprabha, Baburao Pendharkar, Indira Wadkar, Pt, Indra, Anant Marathe etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19339

Today’s song is from a film of the first decade of Talkie films in India – Moti ka Haar aka Pearl Necklace-1937.

The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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