Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4708 Post No. : 16413

In the initial years of sound films, some of the story, screen-play, dialogue and song writers came with literary background who had been well-known in the literary circle due to their published works. Gaurishankar Lal ‘Akhtar’, ‘Narayan Prasad ‘Betab’, Munshi Premchand, Amritlal Nagar, Dr. Safdar Aah Sitapuri, Krishan Chander, Dewan Sharar, Pandit Mukhram Sharma, Pandit Anand Kumar were some of such writers who started their association with Hindi films in the 1930s and 40s. Vrajendra Gaur, writer, poet and journalist was one among them.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4696 Post No. : 16386 Movie Count :

4508

When Imperial Movietone released India’s  first sound film, ‘Alam Ara’  in  1931, other top film production companies of Hindi films followed suit. Madan Theatre with ‘Shirin Farhad’ (1931), Ranjit Movietone with ‘Dev Devyani’ (1931), Sagar Films with ‘Meri Jaan’ (1931), Prabhat Film Company with ‘Ayodhya Ka Raja’ (1932, in Marathi and Hindi), New Theatre with ‘Mohabbat Ke Aansoo” (1932) were some of the early film production companies to release their first Hindi sound films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4694 Post No. : 16380 Movie Count :

4507

‘Sajni’ (1940) was produced under the banner of Sudama Productions and was directed by Sarvottam Badami. The cast included Prithviraj Kapoor, Sabita Devi, Snehprabha Pradhan, Noor Jahan (Sr.), Tarabai, Ghory, Kesri, Dixit, Shakir etc. The story and dialogues for of the film were written by Zia Sarhadi. P L Santoshi, Pandit Indra and Zia Sarhadi wrote the songs which were set to music by Gyan Dutt.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4691 Post No. : 16375 Movie Count :

4504

‘Bahurani’ (1940) was produced by Kishore Sahu under the banner of the then newly set up, India Artists Ltd. The star cast included Kishore Sahu and Rose in the lead roles with Anuradha, Mubarak, Pratima Devi, Masood, Nana Palsikar etc in the supporting role. The film had its mahurat shot taken in January 1940 under the direction of Mubarak. In February 1940, R S Junnarkar was assigned the direction of the film along with Mubarak. So, it was their joint directorial venture. For Mubarak, it was his maiden attempt as a director which happened to be his last film as a director. R S Junnarkar was a screen-play and dialogue writer for Huns Pictures of Master Vinayak. It was also his first Hindi film as a director.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4687 Post No. : 16371 Movie Count :

4502

‘Nai Roshni’ (1941) was produced by Mehboob Khan under the banner of National Studios and was jointly directed by Chimankant Gandhi and Lalit Mehta. The star cast included Sardar Akhtar, Harish, Husn Bano, Amar, Kanhaiyalal, Sunalini Devi, Sankata Prasad, Budho Advani, Agha, Baby Meena etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4682 Post No. : 16363

I had almost forgotten about the existence of a film titled ‘Room No. 9’ (1946) until I came across a song from the film on one of the video sharing platforms a few days back. I checked on our Blog to know that two songs from the film was covered in the Blog as early as in March 2013 but surprisingly, the song which I had heard has not yet been covered in the Blog. I liked the song so much that I decided to share the song on the Blog with a small write-up.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4677 Post No. : 16354 Movie Count :

4497

During 1966-72, I used to watch one Hindi film almost every week-end. I had only two main criteria for selecting a film. First, I should be able to procure a ticket without a long queue either in advance or current booking. Second, the film should be from a good banner which meant that ‘B’ and ‘C’ grade films were out of my reckoning.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4637 Post No. : 16292

Today, March 29th 2021, we are celebrating Holi, the festival of joy and merry-making albeit in a subdued manner due to COVID-19 guidelines, banning public and private celebrations of Holi.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4632 Post No. : 16286

With the advent of sound films in India in 1931, many actors faced difficulties in on-screen performances with their voices. Only few actors of silent films who could, fluently or otherwise, speak Urdu and Hindi made a transition from silent to talkies. Master Vitthal, Master Nissar, Mazhar Khan, Prithviraj Kapoor, Baburao Pendharkar, Raja Sandow, Hiralal, Patience Cooper, Zubeida, Sulochana (Ruby Mayers), Gohar Mamajiwala, Madhuri (Beryl Claessen), Sabita Devi (Irin Gasper), Gulab, Jillo Bai, Lalita Pawar, Durga Khote etc were some of the actors who switched over from silent to talkies without much of difficulties. A few of them even learnt speaking Hindi and Urdu during the transition.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4618 Post No. : 16259

‘Lalaji’ (1942) was produced by Mehboob Khan under the banner of National Studios and was jointly directed by Chimanlal Gandhi and Lalitchandra Mehta. The star cast included Krishnakant, Yashodara Katju, Yakoob, Vatsala Kumthekar, Amar, Sunalini Devi, Maya Devi, AR Kabuli, Kayam Ali etc. I have no idea about the story of the film. The montages of the film indicate that it was a comedy film with Yakub having an important role as Hiralal and A R Kabuli as Lalaji though the lead pairs of the film were Yashodara Katju and Krishnakant.
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