Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Sudhir’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5811 Post No. : 18346

‘Mehndi’ (1947) was produced by Fazli brothers and directed by Sibtain Fazli for Fazli Brothers, Bombay. This Muslim social movie had Karan Diwan, Nargis, Begum Para, Ghory, Murad, Jillo Bai, Pratima Devi, Anwari, Jani Babu, Baby Shyama etc. in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5810 Post No. : 18345

Today’s song is from the costume film ‘Neelofar’ (1957).

Thousands of films are made as talkie films after 1931 and the tradition has been that just before its release and after it was censored, a booklet of 4-5 pages giving information about the film was published. Interested persons would buy them at throw away price of few Annas to get an idea and details about the said film at a glance. Footpath sellers outside the theaters were seen in earlier days. Later on such booklets of old films became difficult to procure and collectors of such items paid heavy prices for them.
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Blog Day :

5809 Post No. : 18344

‘Agar Tum Na Hote’ (1983) was produced by Vimal Kumar-Rajeev Kumar and directed by Lekh Tandon for Shivam Chitra, Bombay. The movie had Rajesh Khanna, Rekha, Raj Babbar, Madan Puri, Asrani, Baby Shabana, Sudhir Dalvi, Yunus Parwez, Sundar, Dulaari, Ranveer Raj, Rekha Parmar, Zubeida (II), Sunil Dhawan etc. Gulshan Bawra and Sami Malik had made friendly appearances in the movie.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5808 Post No. : 18343 Movie Count :

4968

Mukesh and His Composers – 31

Continuing with the series, we introduce the works of composer Madholal Damodar Master’s association with Mukesh. Well, the composer’s name doesn’t seem to be very familiar, but he has his own place, fame and history in the annals of pioneering days of HFM.
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Blog Day :

5808 Post No. : 18342

‘Dhoop Chhaaon’ (1977) was produced by KK Jain & SN Jain and directed by Prahlad Sharma for Trishul Arts, Bombay. The movie had Hema Malini, Yogita Bali, Shaukat Kaifi Azmi, Sanjeev Kumar, Om Shivpuri, Nasir Hussain, Gajanan Jagirdar, Yunus Parvez, Dinesh Hingoo etc in it.
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Blog Day :

5807 Post No. : 18341

‘Darling Darling’ (1977) was directed by Gogi Anand for Fortune Films International, Bombay. The movie had Dev Anand, Zeenat Aman, Mehmood, Jeewan, Nadira, Dheeraj Kumar, Poonam, Durga Khote, Sajjan, Helen, Ranjan, Raj Verma, Shivraj, Shefali, V Gopal, Janki Das, Hercules, Jhankana Desai, Geeta Khanna, Julien, Baby Guddu, Baby Padmini, Monto, Sheikh, Birbal, Shahid Bijnori, Dhanna etc in it.
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Blog Day :

5806 Post No. : 18340

‘Ek Phool Ek Bhool’ (1968) was produced by Rajhans and directed by Kedar Kapoor for Kalyug Productions, Bombay. The movie had Dev Kumar, Jayanti (South Indian actress), Sudhir, Zeb Rehman, Madan Puri, KN Singh, Helen, Sunder, Dulari, Chaman Puri, Praveen Paul, Kumud Tripathi, Ram Mohan, Shekhar Purohit, Prakash Misra, Rajkumar, Ravikant, Sheela R, Baby Farida, Khursheed, Phool, Ratna, Narbada Shankar, Master Shahid, Master Anwar, Master Vijay etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5785 Post No. : 18316

Saga Of Sleepless Nights – 10
– – – – – – – – – – – – – – – – –

raat bhar muaa sone naa de. . .

This snippet line is from a song that has not made it on the blog as yet. The film is ‘Vidhaata’ from 1982. This snippet line is from the naughty song “Saat Saheliaan Khadi Khadi, Fariyaad Sunaayen Ghadi Ghadi” (YT link). The song is kind of an item song that is performed on screen by a bearded and plump Shammi Kapoor lip syncing the voice of Kishore Kumar, with a harmonium in front of him, as he leads a local get together into a sort of celebration song. I am sure most readers will be familiar with this song. The lyrics are kind of raunchy, penned by Anand Bakshi. The song tells of the plight of seven friends whose husbands are in different professions. Each ‘saheli‘ tells of her woes as to how her husband does not let her sleep all night.

Rewind back 33 years earlier, to 1949. Another song that tells a similar story – the lady has the same complain, that her companion did not let her sleep all night. That the entire night was spent tossing and turning, and the night passed in this uljhan only.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5785 Post No. : 18315

An obscure film ‘Ranee’ (1943), which was a bi-lingual film made by Calcutta’s Barua Productions.

The film was produced and directed by PC Barua for Barua Productions, Calcutta. The music was by Kamal Dasgupta. Barring a few big movies, the Hindi-Bangla bilingual films did not become as successful as their Bangla versions. I feel the reasons were mainly two. One was that the cast of such films consisted of most names, with which the Hindi audience was not familiar. The second point was the style of acting and the dialogue delivery of the Bangla actors was deemed strange in Hindi belt. The Hindi used in films made in Bengal was too pure to be of the liking of people who were used to Hindustani language. The audience preferred ‘pyar‘ or ‘muhabbat‘ to ‘prem‘, for example.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5782 Post No. : 18312

Tu Chhupi Hai Kahaan
Main Tadapta Yahaan. . .

The anguished voice of Diwakar, the poet, that begins as a whisper from a famished throat, rises up to the heavens, as the poet is so painfully trying to search for his creativity – his muse, his love of life, a fantasy woman whom he has woven into his writings.

Mohini, whom he meets often at many a turn of the passages of life, is the romance that is rooted in his imagination, the power of creativity that propels his pen to create music and songs which are not understood, not accepted by his family and dear ones.
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