Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raajraani Damyanti”(1952) was a mythological movie which was produced by Mahipat Rai Shah-Anupchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Vikas, Baby Tabassum, Ratan Kumar, Prakash, Vasant Kaanse, Shakeela, Shakuntala, Uma Devi, Yashwant Dave, Ram Singh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Leela” (1947) was directed by Dattaram N Pai for Filmistan. The movie had Shobha, Kanu Roy, Veera, V H Desai, Agha, Leela Mishra, Krishnan Kutty, B M Dixit, Satyanarayan, Sunalini Devi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maryaada”(1971) was produced and directed by Arabind Sen for Lalit Kala Mandir. The movie had Raj Kumar, Rajesh Khanna, Mala Sinha, Helen, Rajinderanath, Pran, Bipin Gupta, Asit Sen, JankiDass, Abhi Bhattacharya,Dulari,Gurnam, Master Babla, Abhimanyu Sharma, Arun, K.Shukla, Lata Bose, Sanjana, Jankidass, Bunty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Readers may have noticed that very few posts were appearing in the blog for the last several days. That tends to happen during festival seasons/ holidays when I am unable to find much time to devote to blogging. As a result, backlog of blogging work piles up. In addition, I have been unable to discuss several topics that I have been wanting to discuss for quite some time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The heydays of New Theatres lasted about one and a half decades, from its foundation in 1931 to around mid 1940s. The war and the famine drastically impacted the film industry in Calcutta. Majority of the artists migrated to Bombay, and the production houses in Calcutta suffered on account of that. Given the circumstances, New Theatres was also impacted. We do not see any significantly notable films come from that banner after the mid 1940s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to Vinod Khanna on his 68th birthday. (6 october)

A commanding personality to contend with on screen. In whatever role he appears, he has the capacity to be the center of gravity in every scene. In the last scenes of ‘Mere Gaon Mera Desh’ (1971), appearing as the sardaar (leader) of a gang of dacoits, he is down and beaten, by Dharmendra. Even in that scene, he exudes strength, and gives the perception of being the stronger.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #22 – Dwelling in the Lover’s Eyes
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And so wrote the scribe

oooo
meri aankhon mein bas gaya koi re
mohey neend naa aaye main kyaa karun

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 23
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(1971 – Solo – Regional – Chhattisgarhi)

One more song, the final one of this series – it belongs to the category ‘heard- just-once-o-but-never-forgotten’. And once again, another dramatic reunion, this one just two days ago.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Sandhya Mukherjee – a voice that is comparatively heard less frequently on the Hindi film screen, is a big name in the world of Bangla music and Bangla film music. In fact her association with Hemant Kumar as a duet singer, is almost as legendary as the on screen pair of Uttam Kumar and Suchitra Sen. Majority of the duets of these two actors in Bangla cinema, have been playback sung by these two singers.

Greetings to Sandhya ji on her 83rd birthday (4th october).
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

During my recent communication with Pradeep ji when we were appreciating each other for our ‘love for music’ and I mentioned about how I feel fortunate to have a company of people like ‘Team Atul members’, I wrote to him that “I always thank god for getting me connected to people like you and others in our team ,

It is all by destiny 🙂 and our “musical karmas’”

In reply to this Pradeep ji wrote to me;

“I like the term “musical karma” :). One of a very well known HR trainers that I know here (he also has a filmi connection, he acted as Manisha Koirala’s father in the movie Bombay), once told me that I would describe you and me as “Rasikas of life”, I liked that term too.. So we are all Rasikas of life and music :)”
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