Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Mujra song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 6
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Hmmm, that is interesting.  As I review the list of missing films for 1962 prepared by Khyati Ben, then starting from ‘Baaje Ghunghroo’ (which was the last film we introduced in the previous segment of this series), I had to drop down to the seventh film below it (in alphabetical order) to reach a film for which songs are available.  After ‘Baaje Ghunghroo’, the films listed are ‘Balidaan’, ‘Bapu Ne Kahaa Tha’, ‘Bijli Chamke Jamuna Paar’, ‘Deccan Queen’, ‘Durga Pooja’ and ‘Fakiron Ki Basti’ – six films for which songs are not traceable.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“”Beqaqoof”(1960) was written, produced and directed by I S Johar. The movie had Kishore Kumar, Mala Sinha, I. S. Johar, Pran, Leela Chitnis, Bipin Gupta, Sabita Chatterjee etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aankhon Aankhon Mein”(1972) was produced by Shankar Singh, J Om Prakash and Vijay Kumar and directed by Raghunath Jhalani. The movie had Rakesh Roshan, Rakhee, Pran, Raj Mehra, Tarun Bose, Sachdev, Tun Tun, Pran, Dara Singh Randhawa, Achla Sachdev, Pankaj, Indu Shivraj, Krishan Dhawan, V Gopal, Coca Cola, Madhu Apte, Sanjana, Meena T, Lata Arora, Jay Shree T, Madhumati, Moolchand etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As is my wont, my attention to films of recent origin is scant and very selective.  Rather, I must say that my attention has to be drawn, nay, dragged towards a recent film, by others in my family, to make me watch one.  The 2005 film ‘Parineeta’, is one of them.  A film that I watched after it was recommended to me.  I would still consider the 1953 edition starring Meena Kumari and Ashok Kumar as the better, more mature portrayal, but nonetheless, I am verily impressed by this newer incarnation of this filming of Sarat Chandra’s classic starring Saif Ali, Vidya Balan and Sanjay Dutt.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Apne Huye Paraaye”(1964) was directed by Ajit Chakraborty for Mars and Movies, Bombay. The movie had Mala Sinha, Manoj Kumar, Shashikala, Agha, Lalita Pawar, Sundar, Chand Bark, Dulari, Naina etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Benazir” (1964) was produced by Bimal Roy and directed by S Khalil. The movie had Ashok Kumar, Meena Kumari, Shashi Kapoor, Tanuja, Nirupa Roy, Tarun Bose, Lata Sinha, Asit Sen, Paul Mahendra, Durga Khote, Bela Bose etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all at Atuldom
So the world (Atuldom I Mean 😉 ) has changed in the period when I was away in Mumbai. There has been a change on many fronts.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 2
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I am sure everyone remembers Dr. Bhaskar Bannerji.  A very young rookie doctor, who is very troubled with the state of health affairs in general.  An introvert and reserved person, living a very sedate life.  The story is ‘Anand’ and the actor behind the Babu Moshai character captured the attention and the imagination of the audiences and critics alike.  He was new, and struggling and still to land a lead role for himself.  That was 1970.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 1
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The decade of 1930s will continue to remain a shaded mystery for the lovers of Hindi film music.  In the decade when the Hindi film song was born and took its first fledgling steps, the creators and the keepers of this art probably did not envision the significance of this new medium and expansive influence it would go on to exercise on an entire culture, generation after generation.  When the films, and more so, the talking films came into being, their predecessor was the various forms of folk theatre and formal stage drama.  From time immemorial, since these art forms have existed, these have simply been live performances, with no thought or effort applied to somehow catalog and preserve them.  The play was written, and its script was the primary record of its existence.
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