Archive for the ‘Rafi songs’ Category
O meri bulbul e baghdaad
Posted on: November 25, 2014
- In: "Johny Walker" song | Asha Bhonsle songs | Bird songs | Bulbul songs | Duet | expression of love | Feelings of heart | Lyrics by Nitin Shah | Lyrics contributed by readers | Rafi solo | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naya Paisa”(1958) was produced and directed by Aspi Irani for Super Pictures, Bombay. The movie had Johny Walker, Chaand Usmani, Agha, Krishna Kumari, Shammi, Tuntun, Indira Bansal, Manohar Deepak, Kanchanmala, Arun, Babu Raje, Mumtaz Ali, H Prakash, Uma Dutt, Mohan Sandow, Dalpu, Kamal Mohan, Ashok, Farida, Rukhsana, Abdul Kareem Khan, Bagla, Miss Bilkis with Nadira in guest appearance.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Chaandni raaten – Song no. 15
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This is one delightful duet song which talks of ‘chanda ki goad’, ‘ taaron ki chhaaon’ ,’baadal ki oat’ saawan ki raat ‘ and ‘roothna manaana’ and so on and so forth. This is song no. 15 of chaandni raaten series. Rafi sahab is in his elements singing this teasing duet with Chaand Wirk. Chand Wirk is a new name for the blog, which is not surprising as this is her maiden film song according to myswar.com.
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Pyaar deewaana bane kyun
Posted on: November 16, 2014
- In: Artist century song in blog | Asha Bhonsle songs | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Rare song | Song from Unreleased Films of 1950s | Song from unreleased movie | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 10400th song post in the blog.
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Songs to Tickle Your Memory – 6
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The hoof sounds of the returning horses sounded tired and beaten. It was hot and dusty. The sun beat down mercilessly on the sweaty gang members. The lonely tree provided some respite from the blazing heat. Lounging in his hammock tied to it, Mastermind lazily flicked the orangutan walking on his bare arm. The face of Kaalia appeared around the bend in the rocks.
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Koi deewaana tumhen chaahegaa
Posted on: November 15, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Teri Talaash Mein”(1968) was directed by Kewal Mishra for A G Movies Arts, Bombay. The movie had Kumkum, Shailesh, Madan Mohan, Mohan Choti, Ram Mohan, Indira, K N Singh, Amarnath, Khairati, Rani, Nazeer Kashmiri, Wazir Mohammad Khan, Kishore Sharma etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Maaya Baazaar”(1958) was directed by Babubhai J Mistri for Basant Pictures, Bombay. The movie had Anita Guha, Rajkumar Pandey, Ulhas, B M Vyas, Ram Singh, Ramesh Sinha, Mahipal, Vasantrao Pahalwan, Dalpat, Babu Raje, Shree Bhagwan, Samar Roy, Ratnamala, Krisha Kumari, Sulochana, Kanchanmala, Pal Sharma, Uma Dut, Master Prithvi, Premlata, Geeta, Ratan, Rajni, Neelophar, Manda, Bhumiya, Ajit Kumar, R S Dubey, T N Sinha , Korega etc in it.
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Dhanwaanon ke raajmahal
Posted on: November 12, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No 8
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Today’s song is from the unreleased film Chetana-53. The song is sung by Mohd. Rafi and chorus.
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Kaari kaari ankhiyon se
Posted on: November 10, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Tarzan Comes To Delhi”(1965) was directed by Kedar Kapoor for Amar Chhaaya pictures. The movie had Bhagwan, Helen, Bela Bose, Dara Singh, Mumtaz, Siddhu, Vishwa Mehra etc in it.
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- In: "Get together" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics by Peevesie's mom | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
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