Archive for the ‘Rafi songs’ Category
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“Maaya Baazaar”(1958) was directed by Babubhai J Mistri for Basant Pictures, Bombay. The movie had Anita Guha, Rajkumar Pandey, Ulhas, B M Vyas, Ram Singh, Ramesh Sinha, Mahipal, Vasantrao Pahalwan, Dalpat, Babu Raje, Shree Bhagwan, Samar Roy, Ratnamala, Krisha Kumari, Sulochana, Kanchanmala, Pal Sharma, Uma Dut, Master Prithvi, Premlata, Geeta, Ratan, Rajni, Neelophar, Manda, Bhumiya, Ajit Kumar, R S Dubey, T N Sinha , Korega etc in it.
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Dhanwaanon ke raajmahal
Posted on: November 12, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No 8
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Today’s song is from the unreleased film Chetana-53. The song is sung by Mohd. Rafi and chorus.
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Kaari kaari ankhiyon se
Posted on: November 10, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Tarzan Comes To Delhi”(1965) was directed by Kedar Kapoor for Amar Chhaaya pictures. The movie had Bhagwan, Helen, Bela Bose, Dara Singh, Mumtaz, Siddhu, Vishwa Mehra etc in it.
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- In: "Get together" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics by Peevesie's mom | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
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Main is paar tu us paar
Posted on: November 6, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Agni Rekha”(1973) was produced by K S Melwani and directed by Mahesh Kaul for Mel-Kaul Films. The movie had Sanjeev Kumar, Sharada(known in South Indian film Industry as Urvashi Sharada), Bindu, Helen, Durga Khote, Asrani, Sajjan, Jankidas, Yashodhara Katju, Suresh Chatwal, Chand Usmani, Kumud Tripathi, Lalita Kumari, Harindranath Chattopadhyay, Pal Mahendra, Radheyshyam, Chandrima Bhaduri, Indrani Mukherjee etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Society”(1955) was produced by Ismat Chugtai and directed by Shahid Latif for Film India Corporation, India. The movie had Nimmi, Nasir Khan, Johny Walker, Ifthikhar, Kumkum, Radhika, Minu Mumtaz, Bikram Kapoor, Protima Devi, Amar, Munnan Bai, Haroon, Munsi Munaqqa, Nazeer Kashmiri, Arvind Kumar, Md Ali, Dubey, Sagar, Jerry, Chandrakant, Akkan, Tuntun, Peggy etc in it.
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Raaton ka raja hoon main
Posted on: October 26, 2014
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today is Raja Swaminathan’s second birthday! On this blog, I mean! I don’t know Raja’s age, but what I see and hear from him, he must be very young and very active. As many of you must already know, Raja is a passionate blogger. Yes, passionate is the word, which I would use to describe Raja in one word. Raja is passionate about politics, social politics and not party politics. Yes, he has a keen sense of justice and injustice. He is aware of the many wrong things going on in this world. I admire this quality in him very highly. What I admire about him is also his ability to put all his wonderful thoughts in words. When I sit and torture myself with the composition of each sentence. To him his nouns, verbs, adjectives and adverbs flow with an ease which would put a bubbling stream to shame. What’s more they flow in perfect syntax. Then he also has a wonderful sense of humour, particularly his PJs are very funny. And going by all his posts and comments on fb, Raja comes across as a very nice person. Now, you must have realized that I have not met him, although I’ve a feeling I already know him quite well. Dearest Raja, please try to always remain the person you are, Happy Birthday!
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Assalaam u alaikum wa rehmatullahi wa barakatahu
Walaikum as salaam wa rehmatullahi wa barakatahu
First is the salutation for greeting and second is the reply. Both the greeting and reply mean ‘May Allah be with you and keep you safe and sound, with his mercy and bountiful blessings ‘. There are different pronunciation used all over the world by people of different regions and linguistic groups.
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Prem ke suhaane geet gaa
Posted on: October 23, 2014
- In: Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Regulars' meet at Bangalore | Shamshad Begam Rafi duet | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 10400th song post in the blog.
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Bangalore Gangout – The Remote Version – In 10,400
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Us din mujhe achhi daant padi – got an earful to listen from the family.
But then, before I get to describe my travails of that day, and the reasons behind that, I must take a pause and announce the celebration for today. Yes, yes, we are at the 10,four00th milestone. Goodness, and here I was thinking that we are going slow, as our “fearless” leader is under the control and command of his superiors, and the pace these days is not his usual self, but when I checked the numbers earlier in the evening, of course nudged by Atul ji himself in an email message that actually got delivered 30 hours late – goodness, can you imagine something like that happen in the bookfaced world of today; ah but that is a different gripe that I will not dwell upon right now, and just say that soon as I realized that we are so smacking close to the century marker, that it all became a scramble, not that I was not ready with something, meaning this post, just that I was thinking, abhi do chaar din baad mein, to repair and finalize for posting, but Atul ji’s message changed all the priorities – and by the way don’t you also feel that this sentence now needs a full stop. Whew.
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