Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi songs’ Category


“Dus Lakh” (1966) was a Goel Cine Corporation movie. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Babita, Pran, Helen, Manorama, Om Prakash, Ramesh Deo, Seema, Parvin Paul, Master Ripple, Baby Sonia, Bramhachari, Hari Shivdasani, Shefali Chowdhry, Mool Chand etc in it.
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“Gehra Daag” (1963) was a Ralhan Productions movie. It was produced and directed by O P Ralhan. The movie had Rajendra Kumar, Mala Sinha, Ratnamala, Usha Kiran, Madan Puri, Mumtaz, Tuntun, Lalita Pawar, Ragini, Bupet Raja, Moppet Shahid, Manmohan Krishna, Bihari, Ram Mohan, Sunder etc in it.
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“Jahaan Pyaar Miley” (1969) was an L R T Productions movie, where L R T stood for Lekh Raj Tandon, who produced as well as directed this movie. The movie had Shashi Kapoor, Hema Malini, Helen, Badri Prasad, Zeb Rehman, Iftekhar, Naaz, Anjali Kadam, Nazir Hussain, Nadira, Kamal Kapoor, Jeevan, Sulochana, Narendranath, Pinchoo Kapoor etc in it.
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“Reporter Raju”(1962) was a Wadia Brothers Productions/ Basant Pictures production movie. It was produced by Homi Wadia and directed by Dwarka Khosla. The movie had Feroze Khan, Chitra, Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala,
Sulochana Chatterjee, Shah Agha, Sunder, Majnoo, Shakeel Noomani, Raj Adeeb, Mintobai, Gani, Mohammed Ali, Geeta, Paro, Julian, B.M.Vyas, Anthny, Bismilla, Mithoo miyaa etc in it.
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“Do Ustaad” (1959) was a Shekh Mukhtaar Production movie. It was produced by Sheikh Mukhtaar and directed by Tara Harish. The movie had Raj Kapoor, Madhubala, Daisy Irani, Sheikh Mukhtar, Umadutt, Sulochana, Bimla Kumari, Kamal Mohan, Satish Vyas, Master Daboo, C. B. Singh, T. N. Charlie, Sood, Fazalkarim, Khan, Narula, Jerry, Ratan Gourang, Dayal Kumar, Shangloo, Ramlal, Prem Sagar, Funny Tincher, Soofi, Sadiq, Mastan Shah etc in it.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With Kundan Lal Saigal towering above every other male singing star and singer of his era, it was inevitable that many a new-comer tried to sing in the Saigal idiom in the 1940s. Mukesh got noticed sounding like Saigal in Dil jalta hai to jalne de in Pehli Nazar (1945); the self-confessed Saigal devotee Kishore Kumar sang Marne ki duaayen kyun maangoon in Ziddi (1948) and Jagmag-jagmag karta nikla chaand poonam ka pyaara in Ziddi (1949) in the Saigal style; C. H. Atma always sounded like Saigal.
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