Archive for the ‘Rare song’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my native place in Mangalore district (and perhaps other places in India specially in villages), it was a tradition in almost every house that all family members would assemble in the Pooja Room soon after the dusk for singing some devotional songs. In a joint family system, this tradition also worked as a means of creating bonding among large family members. After shifting to Mumbai in early 50s, with a nuclear family and a city culture, this tradition slowly got discontinued. But my mother would sing at least a couple of devotional songs every day after dusk while doing her kitchen chores. One of the devotional songs which I had often heard in my childhood was in the Konkani language, my mother tongue. I was very much impressed by the lyrics and the tune of the song.
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Rehne do chanda badli mein
Posted on: April 5, 2012
“Chowkidaar”(1974) was produced by Gopal Ralhan and directed by Shyam Ralhan. The movie had Sanjeev Kumar, Yogita Bali, Vinod Khanna, Jeevan, Asit Sen, Jaishree T., Zebunissa, Om Prakash etc in it.
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Man morey gaa jhoom ke
Posted on: April 5, 2012
“Mangu” was a Sheikh Mukhtar Production movie. It was directed by M A Ansari. Starcast of the movie had Sheikh Mukhtar, Nigar Sultana, Aroon, Mukri, Ansari, Sheila Ramani etc.
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Babam babam bam bam lehri
Posted on: April 4, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This post is a special post that celebrates the 400th song of Mukesh on this blog. Given that the total list of all known recordings of songs by Mukesh ji is just a little below one thousand (including all songs from Hindi films – 861, all songs from regional language films – 62, and non film renditions – 69), we are very close to hosting 50% of all the known film songs of Mukesh here. The numbers listed above are all the songs that are currently identified and for which the recordings are available. There definitely are more songs that have been recorded, but that have not been released and are not available, at least at present. Maybe someday, more songs may be uncovered and brought into circulation, but the thinking is that the number of such songs may not be very large in any case.
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Sochne ko laakh baaten soche insaan
Posted on: April 4, 2012
Philosophical songs is a genre of songs that are calming to the nerves and they help us see things in perspective and make us realise that we are mere specks in the grand scheme of things and so one should not entertain delusions of grandeur about oneself. We are mere puppets and someone far more omnipotent is running the show.
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Manwa kaahe phir tadpaaye
Posted on: April 4, 2012
“Waapas” (1943) is a very old movie, nearly seven decades old in fact. Not too many details are known about this movie. And it does not help matters when conflicting information is available about this movie.
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Saawan ke nazaare hain
Posted on: April 4, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
KHAZAANCHI (1941) was produced by Lahore based Pancholi Art Picture owned by Dilsukh Pancholi and directed by Moti Gidwani. The star cast included Ramola, S D Narang, M Ismail, Durga Mota, Manorama, Ajmal etc. Recently, I watched this film on the internet and felt as if I was watching one of the films of 50s with a familiar story line – romance, a villain, murders, court proceedings, climax scenes of chase etc and finally victory of truth over evil. No doubt, this film was a blockbuster at the box office front. I am giving below a synopsis of the film story just to get an idea as to how this type of the story line became familiar in the films mostly produced in the 50s.
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Aaj milan ki raat hai raat hai
Posted on: April 3, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
KEECHAKVADH (1959) as the name of the film suggests, was a mythological film. It was produced in Marathi and Hindi versions by Balasaheb (P K) Pathak under the banner of Manik Studios and directed by Yeshwant Pethkar. The star cast included Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc. I had seen the Marathi version of the film on the internet mainly to get to know the song situation of the iconic song ‘dhund madhumati’. In that process, I had to see the full film as this particular song was almost at the end of the film before Keechak is killed by Bheem. I had no regret in watching the full film as the crisp screen-play made the already known story a still interesting one to watch.
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Pyaar kyaa hota hai
Posted on: April 2, 2012
“Ek Kali Muskaayi”(1968) was a Panchdeep Chitra Production. The movie was directed by Vasant Joglekar. This movie was meant to introduce the director’s daughter, viz. Meera Joglekar as a lead actress in Hindi movies. Here she was cast opposite Joy Mukherjee. Other actors in the cast included Ashok Kumar, Mehmood, Om prakash, Nirupa Roy,
Lalita Pawaar, Nana Palsikar, Sunder, Neelam, Malika etc.
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Raam duhaayi hai raam duhaayi hai
Posted on: March 26, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Roshan, a name that immediately brings to mind the iconic qawwalis of ‘Barsaat Ki Raat’ (1960), or the perennial sentimental favorite “Caarvaan Guzar Gayaa, Gubaar Dekhte Rahey” from the film ‘Nai Umar Ki Nai Fasal’ (1965). A master musician who would blend the classical and the folk with graceful ease, Roshan had his training under famous masters such as Ustad Allauddin Khan and Ustad Bundu Khan (saarangi king). After working with All India Radio in Delhi for about a decade, he moved to Bombay in 1948 in search of a career as a music director in films. He got introduced to Kidar Sharma, who was so impressed by his musical acumen that he actually made some changes to his next production. Plans were underway for the film ‘Neki Aur Badi’, and Snehal Bhatkar was already assigned the music direction responsibility. After meeting with Roshan, Kidar Sharma had a talk with Snehal Bhatkar, who agreed to let Roshan handle the music department. That is how the debut break came Roshan’s way.
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