Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This post is a special post that celebrates the 400th song of Mukesh on this blog. Given that the total list of all known recordings of songs by Mukesh ji is just a little below one thousand (including all songs from Hindi films – 861, all songs from regional language films – 62, and non film renditions – 69), we are very close to hosting 50% of all the known film songs of Mukesh here. The numbers listed above are all the songs that are currently identified and for which the recordings are available. There definitely are more songs that have been recorded, but that have not been released and are not available, at least at present. Maybe someday, more songs may be uncovered and brought into circulation, but the thinking is that the number of such songs may not be very large in any case.
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Philosophical songs is a genre of songs that are calming to the nerves and they help us see things in perspective and make us realise that we are mere specks in the grand scheme of things and so one should not entertain delusions of grandeur about oneself. We are mere puppets and someone far more omnipotent is running the show.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KHAZAANCHI (1941) was produced by Lahore based Pancholi Art Picture owned by Dilsukh Pancholi and directed by Moti Gidwani. The star cast included Ramola, S D Narang, M Ismail, Durga Mota, Manorama, Ajmal etc. Recently, I watched this film on the internet and felt as if I was watching one of the films of 50s with a familiar story line – romance, a villain, murders, court proceedings, climax scenes of chase etc and finally victory of truth over evil. No doubt, this film was a blockbuster at the box office front. I am giving below a synopsis of the film story just to get an idea as to how this type of the story line became familiar in the films mostly produced in the 50s.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KEECHAKVADH (1959) as the name of the film suggests, was a mythological film. It was produced in Marathi and Hindi versions by Balasaheb (P K) Pathak under the banner of Manik Studios and directed by Yeshwant Pethkar. The star cast included Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc. I had seen the Marathi version of the film on the internet mainly to get to know the song situation of the iconic song ‘dhund madhumati’. In that process, I had to see the full film as this particular song was almost at the end of the film before Keechak is killed by Bheem. I had no regret in watching the full film as the crisp screen-play made the already known story a still interesting one to watch.
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“Ek Kali Muskaayi”(1968) was a Panchdeep Chitra Production. The movie was directed by Vasant Joglekar. This movie was meant to introduce the director’s daughter, viz. Meera Joglekar as a lead actress in Hindi movies. Here she was cast opposite Joy Mukherjee. Other actors in the cast included Ashok Kumar, Mehmood, Om prakash, Nirupa Roy,
Lalita Pawaar, Nana Palsikar, Sunder, Neelam, Malika etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Roshan, a name that immediately brings to mind the iconic qawwalis of ‘Barsaat Ki Raat’ (1960), or the perennial sentimental favorite “Caarvaan Guzar Gayaa, Gubaar Dekhte Rahey” from the film ‘Nai Umar Ki Nai Fasal’ (1965). A master musician who would blend the classical and the folk with graceful ease, Roshan had his training under famous masters such as Ustad Allauddin Khan and Ustad Bundu Khan (saarangi king). After working with All India Radio in Delhi for about a decade, he moved to Bombay in 1948 in search of a career as a music director in films. He got introduced to Kidar Sharma, who was so impressed by his musical acumen that he actually made some changes to his next production. Plans were underway for the film ‘Neki Aur Badi’, and Snehal Bhatkar was already assigned the music direction responsibility. After meeting with Roshan, Kidar Sharma had a talk with Snehal Bhatkar, who agreed to let Roshan handle the music department. That is how the debut break came Roshan’s way.
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I have discussed songs from “Ham Bhi Insaan Hain”(1959) in this blog. It turns out that there was another movie of the same title which was produced in 1948. This movie was produced by Ghanshamdas and directed by Phani Majumdar. This movie had Dev Anand, Ramola, Anand Pal, Ganshamdas, Jerman, Vinodini etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A very remarkable song indeed. Not just for the words and music, but the way the music is arranged, and the manner in which it has been rendered. The special feature of remark-ability can either be told, or can be perceived by listening to the song itself. Maybe some of the readers would pause reading this write up, listen to the song and then come back to read the rest of it. And possibly, some readers can recognize what is special about this song.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About a month back, I stumbled upon a song ‘aankhen to huyi band magar dard jagaa re’ from the film BEGUM (1945) sung by Ashok Kumar. Until then, I had neither heard of this song nor of the film which had Ashok Kumar and Naseem Bano in the lead roles. I liked the song so much that I must have listened to it umpteen times. The song is written by Gopal Singh Nepali and set to music by Hari Prasanna Das (H P Das) whose name also I heard for the first time. From the Indian Film Trade Data website, I observed that H P Das had given music to 10 Hindi films between 1935 and 1948 including 2-3 films jointly with Manna Dey.
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