Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘S Balbir song’ Category


Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The mention the word ‘qawwaali’ to a Hindi film buff, and 95 out of 100, the response will be the humming sounds of ‘Ye Ishq Ishq Hai Ishq Ishq. . .’. As a poetry form, qawwali originated in Persia and traveled to the subcontinent, during the emergence of the Sufi philosophers in the 12th and 13th centuries. In its original form, its intent is to sing the praises of Allaah, the Almighty, Prophet Muhammad, and other saints. The art was exclusively performed at places of religious worship and at dragaahs (mausoleums) of revered saints and teachers. The poetry is implicitly intended to be spiritual in its context, and its central themes are love, devotion and longing (of man for the Divine).
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Today Mukesh is regarded as a legendary singer who gave us some very memorable evergreen songs. But it was not a smooth sailing for Mukesh in his earlier years. The period of 1954 to 1956 was a very lean period for Mukesh when he had decided to turn an actor as well as producer.
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Ravi, one of the most prolific music directors who tended to give hits in a clutch did not believe in lifing tunes, though he admitted to being inspired from songs that he had heard. And he would change the tunes of his inspiration so nicely that few people could guess the source of his inspiration.
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