Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


“Ek Phool Chaar Kaante” (1960) was a Parbat Films Production. It was produced by Hardeep Chatrath and Shyam Dhawan and directed by Bhappi Soni. The movie had Sunil Dutt, Waheeda Rehman, Johnny Walker, Dhumal, David Abraham, Krishan Dhawan, Rashid Khan, Bir Sakuja, Iqbal Singh, Tun Tun, Mumtaz Begum, Bela Bose, Radhika Sarathkumar, Sulochana Latkar, Reeta Roy, Madan Kenny, Kewal Kapoor, Mohan Choti etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Vintage Kishore Kumar. And I thank Shekhar Vaishnav ji, who is connected to our blog from Sydney. Thanks for the reminder for this song.

The fun songs by Kishore Da are a class apart by themselves. There is nothing at all in this world to compare them to. And during the 50s and 60s, when Kishore Da also acted in many films, there is a number of very wonderful songs that he has sung and also performed on the screen. An accomplished actor that he was, he has done the best interpretations of his own singing, and has performed his own songs, as no other actor can even consider it possible. Each one of the pictures that he acted in, contain fantastic gems that are superb both from the singing as well as from the performance aspects.
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“Aurat” (1953) was a Verma Films Production movie. It was produced by Munshi Ram Verma and directed by Bhagwandas Verma. The movie had Premnath, Bina Rai, Purnima, Ullhas, Hiralal, Roopmala, Nazirabai, Mirabai, Devkishan, Mirza, S. Pratap, Shanta Patel, Nazir Kashmiri, Rajkishore etc in it.
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“Aurat”(1953) was a Verma Films production. It was produced by Munshiram Verma and directed by Bhagwandas Verma. The movie had Premnath, Bina Rai, Purnima, Ullhas, Hiralal, Roopmala, Nazirabai, Mirabai, Devkishan, Mirza, S Pratap, Shanta Patel, Nazir Kashmiri, Rajkishore etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Aha, the 7700th. Congratulations and celebrations. 🙂 🙂

Welcome all to yet another century milestone on this blog. Habit forming, and on the dot, never missing a beat. The regularity is so predictable, that we can set our calendars accordingly. A hundred new songs on the blog – ah yes, about 18 days must have passed. Kudos to Atul ji for managing and controlling the pace of new songs, no matter what.
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“Begunaah” (1957) was a movie whose story was plagiarised from an American movie namely “Knock on Wood” (1954). Plagiarisation from foreign movies have been going on from olden days and filmakers indulge in it with impunity even today. It would seem that “Begunaah” (1957) was the only movie which has even been penalised for this act. When Paramount Pictures, the makers of “Knock on Wood” (1954) came to know about the fact that “Begunaah” (1957) was copied from their movie, they look legal action in a Bombay court. Much to the astonishment of Indian movie fraternity and legal circles, the Indian court ordered the destruction of all copies of “Begunaah” (1957). The movie, which was already released, had to be withdrawn from movie halls and the prints were destroyed. all this happened quite swiftly. The court gave its decision within six weeks of filint the case and the prints were destroyed in another three months time.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For the past few days, I have been going through the poems of Amir Khusrau. Fortunately, most of his poems are available on the internet with English translation. His love poems, riddles, dohas (couplets in Hindwi), qawwalis etc are very absorbing. I feel, it will not be an exaggeration to say that the trigger for the first literary renaissance especially in northern India was witnessed during the time of Amir Khusrau. He was one among the first in elite class to propagate the use of an Indian vernacular language in his poems which he called Hindawi ( mix of Hindi and its subsidiary dialects). I am not sure but the development of Urdu language in later years may have come as a continuum from Hindwi language.
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