Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A wonderful ghazal, presented in qawaali style of singing, and sung and performed by Kishore Kumar. Some combination you might say. Yes, the results are appealingly captivating. Well at least for Meena Kumari on screen, who appears to be completely bowled over by this roadside performance by the simple looking and freewheeling Kishore Kumar.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Many online sources of information indicate that Khaiyyaam made his debut in 1953 with the film ‘Footpath’. This information is erroneous. Zahur Khan, better known as Khaiyyaam, has actually been active as a music director since 1947/48. During the years from 1947 to 1953, he was using a different pseudonym. In this period, he composed music under the name of ‘Sharma ji’. He once shared in an interview, the reason for why he used the name ‘Sharma ji’. His strong interest was music and he moved to Bombay to make a career in films. The years of 1946-47 were very intense with the issues of independence and also the partition of India. A deep divide had occurred between the communities, and a large contingent of film wallahs opted to move to Pakistan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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“Samundar” (1957) was a P N Films production where P N Stood for Premnath. The movie was produced and directed by Premnath. It was quite an all family affair in the sense that Premnath, Bina Rai (his wife), Rajendranath (his brother) figuring in the movie. Others in the cast were Nishi, Tuntun, Anmol Krishan, Ram Avtar, Ullas, Heeralal, Sundar, Ridkoo, Paul Sharma, Rajan Kapoor, Habeeb, Azeem, Mahesh, Manohar, Niranjan etc.
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Hindi movie makers have helped create some long lasting myths that most movie watchers tend to believe firmly by now. For instance, one of the myths created by Hindi movies is that Daakus in India ride horses. If Daakus could really afford horses, then why would they need to become daakus in the first place ? This is a rhetorical question that one real daaku had asked, when a movie reporter asked him about his horses.
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In old Hindi movies, especially those of 1950s and 1960s, we often see songs picturised on “Taanga”, also called “Tonga”, not to be confused with a country of this name. 🙂

“Taanga” was actually a mode of public transport in India those days. With time, Taanga has all but vanished as a mode of public transport in India. But they have not become extinct. One can still find them in some small towns of India. I have noticed them in small places in Madhya Pradesh, Chattisgarh etc. In fact, one can see them in Fatehpur Sikri near Agra in UP. I recall that we (I, my wife and daughter) actually rode on a Taanga to go to Fatehpur Sikri a few years ago.
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Today (3 july) is the death anniversary of Raj Kumar. Raj Kumar made his debut as an actor in 1950s and his most productive decade as an actor was the decade of 1960s. There are actors who are remembered for songs picturised on him, but Raj Kumar is often remembered for some of the immortal dialogues picturised on her. For instance, the dialogue of “Waqt” (1975)- “ye bacchon ke khelne ki cheez nahin hai Chunar seth…”, and the “Paakeeja” (1971) dialogue’ “Aape paaon dekhe…”.
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