Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1955’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is perhaps the first ever song of S D Batish that I am discussing here. Not that I avoided his songs or his songs were not good enough for me, but may be all his popular songs were already discussed here by others and I just did not get any of his songs for my purpose. It is purely a coincidence. Actually, I have lot of respect for S D Batish, who did a marvellous job of promoting Indian Music in UK and USA. He is one of the rare people who left the film world, but continued serving the Music by turning a corner in his life.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today we are going to discuss about a song and the concerned film, which turned out to a great disappointment, despite boasting of all the ingredients that were required to make it a hit film.

The film Garam Coat-55 was made in a time when Nehru’s socialism was having a great influence on the film industry. Many IPTA workers faced the dilemma of choosing between Stark Communistic approach and socialistic pattern advocated in India. The major difference was that Nehru’s socialism never detested private business or the big private industry, but certainly a concern was voiced for the ‘Have Nots’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If I were to ask you to let me post a special song for a special anniversary that is already belated by six days, as opposed to waiting for 360 more days to post this celebration song, what would you say?  And if I told you that the anniversary is really special, extra special; then?  I have a confident feeling that you will say – ok, well, go ahead, post the special song, and tell us what the celebration is.

And now, taking this feeling of confidence further, I now know that I have your full support in posting this special song today, no matter that we are six days delayed in making this celebration.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – The Incomparable – 9
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Yes, it is that monsoon season. Monsoon has made the Mumbai city and the surrounds all “jal thal’. What came as welcome relief from the heat soon turned to a deluge, causing disruption.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In Hindi movies, stories of old movies are often repackaged and presented as new movies. There have been occasions when the same story was made into two films by the same maker. For example, Mehboob Khan made “Aurat”(1940) with Sardar Akhtar, Surendra, Kanhaiyalal and Arun Kumar Ahuja etc in it. He repackaged the story of this movie and made the blockbuster “Mother India”(1957) with Nargis, Sunil Dutt, Rajendra Kumar etc in it. Both these movies turned out to be successful. If we look at movies of recent vintage then Rajshree Productions made “Nadiya Ke Paar”(1982) with Sachin, Sadhana Singh etc in a low budget and this movie did well in rural and semi rural areas of Hindi belt. One decade later, the same movie was repackaged and presented as a tale of city slickers instead of village folks and the result was a mega hit viz. “Ham Aapke Hain Kaun”(1993).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Basics of Music part IV (playing swars on keyboard)
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After a longish break, here is the fourth article on the series “Basics of Music”. In the first three articles, we looked at notes (swars) and rhythm (taal). Then we discussed the classification of “Raag” into various categories.

In this part, we will discuss another important topic- viz. how to create swars on a musical instrument.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VELVET MAGIC-TALAT DUETS ….Song No.-9
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Today’s song is from the film Bahu-55. It is sung by Talat and Geeta Dutt.

Talat Mehmood and Geeta Dutt have sung very few duets together. This is rather surprising because both of them were in their prime and in good demand during the period from 1948 to mid 60s. The statistics in this blog shows that they have sung at least 20 duets in 16 movies (including this song). This figure is higher than the statistics available elsewhere which states that they sang only 13 duets together in 10 movies.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VELVET MAGIC-TALAT DUETS….Song No.- 8
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Today it is a male duet. Talat sings with Balbir and chorus in the film ‘Hatimtai ki Beti’-55.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #68
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The phase of Mukesh’s career in the years from 1954 to 1957 makes a very ineffectual reading.  In these four years, the number of songs sung by him in each year did not even touch the double digit numbers.  After recording 10 film songs in 1953, the numbers for subsequent years are – 6 for 1954, 9 for 1955, 7 for 1956 and 5 for 1957.  It was only in 1958 that these numbers pulled themselves back into double digits – he recorded 13 songs in 1958.  But all said and done, the equations had changed, by the time 1950s came to a close.
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