Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1974’ Category


“Kasauti” was a movie with Amitabh Bachchan and Hema Malini in the lead. The movie flopped badly. But there was one song in this movie that became very popular those days. It was the song ” Hum bolega to bologe ki bolta hai”. It was sung by Kishore Kumar. But it was not picturised on Amitabh, the hero of the movie, but on Pran, the erstwhile villain who had turned a new leaf into a character artist those days. In this song, he dons the garb of a gurkha.
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I had listened to this song quite often in Radio Ceylon “aaphi ke geet” programme , which was a farmaishi programme catering to listeners from Jhumri Tilaiyya and elsewhere. But I do not think this song became particularly popular in Binaca geetmala or with those plying records on loudspeakers during those days of 1974. In fact, I was not even aware which movie this song was from.
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In 1970s, Rajesh Khanna was the reigning male superstar whereas Hema Malini was the dream girl. But the two hardly paired with each other. Rajesh Khanna was mainly paired with Mumtaz and Sharmila Tagore, whereas the pairing of Dharmendra and Hema Malini was taken for granted those days.
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Usha Khanna, the sole female music director in Bollywood movies in the last 50 years remained confined to lesser movies for most of her career. But every once in a while, she tended to rise above the mediocrity of the movies she gave music in.
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We tend to discuss great songs from the past and go overboard discussing about the great message, great quality of melody, music, lyrics, voice etc contained in the songs. Here is one such song which has absolutely no pretentions of any kind about being a great song. It is a totally timepass song. This song was supposed to be there just to raise a few laughs in the movie. It indeed does so, but it has managed much more than that.
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It is one Mukesh song that is not really a sad or maudlin song. It is more like a song that reminisces about the past and takes stock of days gone by. The protagonists have tender feelings for each other, but they are too diffident to express themselves.

One can notice that the language used in this song is textbook Hindi, rather than textbook Urdu that has been the traditional lingua franca of Bollywood songs. And this attempt of Yogesh has proved very effective.
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Blog Day :

50 Post No. : 73 Movie Count :

68

Younger music lovers of Bollywood music may not have heard of music director Shamji Ghanshamji. And very little information is available on him in internet.

Readers may have noticed that I have used the word him, and not they for Shamji Ghanshamji. Yes, it was one single individual, who had named himself that way, perhaps to give his name an appearance similar to that of Kalyanji Ananadji.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

39 Post No. : 39 Movie Count :

38

This song is from circa 1970s, picturised on Sanjeev Kumar and Sharmila Tagore on a hill station. Do you say “mausam” ? Think again.

This song is from a movie that was released one year prior to “mausam”. Lata Mangeshkar is indeed the female singer, but the male singer here is Kishore Kumar, and the music director is R D Burman. For the record, R D Burman could do no wrong in those days. But the same could not be said about the makers of the movies in which he gave music.
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