Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anand Bakshi


“Aaye Din Bahaar Ke” (1966) was a Fimyug Production movie. It was produced by J Omprakash and directed by Raghunath Jhalanai. The movie had Dharmendra, Asha Parekh, Balraj Sahni, Nazima, Sulochana, Rajendranath, Raj Mehra, Leela Misra, Dulari, C. S. Dubey, Khurshid, Sunder, Mubarak, Madhu Apte etc in it.
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“Seeta Aur Geeta” (1972) was a Sippy Films Production. It was produced by G P Sippy and directed by Ramesh Sippy. The movie had Dharmendra, Hema Malini, Pratima Devi, Manorama, Satyen Kappoo, Karan Dewan, Kamal kapoor, Master Alankar Joshi, Ratnamala, Master Ripple, Radhika Rani, Keshav Rana, Mushthaq Merchant, Honey Irani, Roopesh Kumar, Dev Kishen, Ashoo, Asrani, Dulari, Master Ravi, Asit Sen, Harbans Darshan. M. Arora, Abhi Bhattacharya, Suresh, Deepak, M.B.Shetty etc in it.
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“Chakravyuh” (1978) was produced by Yusuf Hassan and directed by Basu Chatterji. The movie was an adaptation of Alfred Hitchcock’s “Thirtynine Steps”. The movie had Rajesh Khanna, Neetu Singh, Vinod Mehra, simple Kapadia, Pradeep Kumar, Deven Verma, Om Shivpuri, Dina Pathak, A K Hangal, Pinchoo Kapoor, Rozeena, Yunus Parvez, Asim Kumar, Amrit Lakhanpal, Master Raju etc.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Kaali Ghata'(1980) was a suspense thriller movie with Rekha having a double role. Shashi Kapoor played the male lead. Music was by Laxmikant Pyarelal and lyricist was Anand Bakshi. Actually my favourtie song in this film is “Kaali Ghata Chaayi prem rut aayi” Which is either a solo Rafi or Lata -Rafi duet. Various links are giving different description of that song. I sent the lyrics of that song long ago, but it is posted recently on the blog. Listening to the haunting music and echo sound of that song on our old Philips Radio was an amazing experience. That sound still haunts me and I have heard the song many times on FM radio too but it is not the same.
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Today (13 january 2013) is the 87th birth anniversary of Shakti Samanta (13 january 1926- 9 april 2009). Some of the most memorable Hindi movies in 1960s and 1970s were Shakti Films production. Movies like “Howrah Bridge” (1958), “China Town” (1961), “Kashmir Ki Kali” (1964), “An Evening in Paris” (1967), “Kati Patang” (1970), “Amar Prem” (1971) were Shakti Samanta’s movies.
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I had heard this song “rang le aayenge roop le aayenge” many times during its days in 1970s. This song was quite a popular song of its time, but all this while I was not aware about the movie this song was from. It is only now that I have come to know that the song was from a movie called “Bhanwar” (1976). This by now obscure movie was an Evershine Pictures production. It was produced by Shyam Keswani and Nandu Mirani. Bhappi Sonie was the director. The story of this song was written by Gulshan Nanda who was a very popular Hindi language pulp fiction novelist of those days.
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The trendily titled movie “The Train” (1970) was produced by Ramesh Behl and directed by Ravikant Nagaich. The movie had Rajesh Khanna, Nanda, Rajendranath, Madan Puri, Randhir, Tuntun, Helen, Aruna Irani, Sunder, Iftekhar, Chaman Puri etc in it.
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“Ashanti” (1982) was produced and directed by Umesh Mehra. The movie had Rajesh Khanna, Mithun Chakraborty, Zeenat Aman, Parveen Babi,Amrish Puri, Shabana Azmi etc.

Today (29 december 2012) is the 70th birth anniversary of Rajesh Khanna. On this occasion, here is a song from “Ashanti” (1982).
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Today (29 december 2012) is Rajesh Khanna’s 70th birth anniversary. It is the first year in which Rajesh Khanna is no longer physically with us. But the memory of Rajesh Khanna will remain with us for a long time. People of my generation were just in the right age bracket to be out and out Rajesh Khanna fans. The fan following that Rajesh Khanna enjoyed during his heydays was unbelievable. The population of India has doubled from the time when Rajesh Khanna was at his peak, but I can say that no subsequent actor has come anywhere close to him in fan following.
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