Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anand Bakshi’


“Haathi Mere Saathi” (1971) was produced by Chinnappa Dewar and Sandow M M. A and directed by M Thirumugam. The movie had Rajesh Khanna, Tanuja, Sujit Kumar, David Abraham, Krishnakant, Randhir, Devar, Naaz, Abhi Bhattacharya, K N Singh, Mehmood Junior, Tinku etc, not to forget a few elephants.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is a Rafi-Lata duet from the film Phandebaaz (1978). The music director is R. D. Burman and lyricist is Anand Bakshi. The film was a comedy, which I have seen on T.V. long back. Only thing i could remember is the song ‘Abhi barah nahin baje hain’. The film stars Dharmendra and Moushmi Chatterjee as hero and heroine along with Prem chopra, Helen, Bindu, Ranjeet as the gang of villians. One song of the film is posted in the blog Abhi gyaarah nahin baje hain . This should be the second song.
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“Haathi Mere Saathi” (1971) was the most memorable movie of its time as far as kids of that era were concerned. The theme song from the movie viz. Chal chal chal mere saathi was easily the most popular song from the movie as far as kids were concerned. The other song from the movie, viz. Duniya mein rehna hai to kaam karo pyaare came next. Other songs from the movie were non kid songs and were “less” popular as far as kids were concerned.
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“Paraaya Dhan” (1971) was produced and directed by Rajendra Bhatia. The movie had Rakesh Roshan, Hema Malini, Balraj Sahni, Krishnakant, Ajit, Rajni Gupta, Rakhee Gulzar, Jayshree T, Om Prakash, Abhi Bhattacharya, Raj Mehra, Chaman Puri, Yashodhara Katju, Shivraj, Achla Sachdev etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering RD Burman on his 74th birth anniversary today.

RD Burman, the prince of the music composers in the 1970s and 80s, his music is considered to be the most significant factor behind the exceptional success of Asha Bhosle and Kishore Kumar in those decades. Starting his career with ‘Chhote Nawaab’ (1961), he has no other film to his credit as a music director till 1965, when he scored the music for ‘Bhoot Bangla’ and ‘Teesra Kaun’. But the phenomenal launch to his career would be in 1966, when he scored the songs for Nasir Hussain’s ‘Teesri Manzil’ – there was no looking back after that. If we take 1965 as the true starting point in his career, then from that year to 1994, when he passed away, he had scored music for more than 330 films. In an active career of three decades, that makes for an average of more than 10 films in a year, which is an extraordinary pace for a single person.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A long time ago there was a song “Bachpan ke din bhula na dena” (Deedar 1951). Then there was “Bachpan ke din bhi kya din thhey” (Sujata 1959). Well we generally remember everything that happens in our life (good bad or ugly). But the good things of life we definitely do not forget and say “These are a few of my favourite things” (The Sound of Music – I only know the 1965 movie). Now all these movies mentioned above were before my time but the songs I have referred to from them are true to every one I suppose.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One day, I was searching for something in the Hindi Film Geet Kosh (HFGK) by Harmandir Hamraz ji. While skipping through pages, I noticed a very peculiar thing. I sat up and started from the beginning all over again. I began from films of 1947 upto 1980 and confirmed what I had noticed.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last song from the film Ajanabee. This is one of the lesser known songs from this movie. From its sound it hardly seems to be from Pancham except at times during the interludes. A common situation in Indian films for songs is where the lovers reach a village or a tribal camp on one of their rendezvous. Once there, they are persuaded by the locals to participate in their dance and song item. Sometimes the pair starts imagining themselves in the situation of the leading pair singing and dancing.
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