Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhonsle


“Mahal” (1969) , not to be confused with “Mahal” (1949) was a Roopkala Pictures production. It was produced by Mahipat Ray Shah and directed by Shankar Mukherji. The movie had Dev Anand, Asha Parekh, Farida Jalal,D K Sapru, Azra,Abhi Bhattacharya, Kamal Mehra, Sudhir, David Abraham, Sunder, Siddhu, Rajan Haksar, Ratnamala, Pratima Devi, Naina, Ram Singh, R P Kapoor, Manju, Uma Dutt, Nadir, Rehana Vakil, Murad etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the olden days, Radio Ceylon was the catalyst of that kept the memories of old gems of 1930s and 1940s and even early 1950s alive in the minds of listeners. However, one cannot underestimate the contribution of Vivid Bharati in popularising the gems of latter 50s and 60s among the Hindi film songs. In fact, some of the songs from the films which failed miserably in the box office survived in the memories of listeners thanks to Vivid Bharati. I can recall a few such songs that I became aware of because they were often played on Vivid Bharati : tum jo huye mere hamsafar (1958), ye hawa ye fiza ye samaa (1958), baithhe hain rehguzar par dil ka diyaa jalaaye (1959), bahaaron se poochho mere pyaar ko tum (1960), nigaahein na phero chale jaayenge ham,(1960), tum jo aao to pyaar aa jaaye (1962). These are the only teasers and there are many more such songs already covered in this blog.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have felt like writing after many days. Many reasons for the long absence. But I just had to write when I remembered this particular song. First because of the unusual pairing –Rajesh Khanna Reena Roy, second I found that this was a different Naushad song ( I do not know if he has given music to any Rajesh Khanna movie. IMDB says this is the only one) And then lastly it was very popular during my growing up years.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The imagination of Indian film story writers is truly very fertile. In fact it runs wild when they have to invent some novel theme for the usual “Ghisa-Pita” story like Tarzan.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Dev Anand’s dedication and commitment to the medium and the industry is well visible to all. Past the seventies when the box office appeal had shifted to the likes of Amitabh Bachchan, Dharmendra, Shashi Kapoor, Jeetendra, Sanjeev Kumar, and Vinod Khanna etc., he continued to be at the helm of film making, and continued to produce and direct films with an uncanny regularity, all the way till his departure from this world. Majority of his later films did not attract much critical or commercial attention, but nonetheless, that did not deter him from his work and his passion.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Zehreela Insaan”(1974), Rishi Kapoor’s second release flopped badly at the box-office. Prakashchandra, a dedicated contributor to this blog, has commented on it here. This film was also the first one to have Rishi-Neetu pairing. Rishi Kapoor has two heroines to romance in this film. The first is Moushumi Chatterjee, whose father marries her off to somebody else. His sadness at the loss is short, he meets another girl at his college with whom he falls in love with. The song yeh silsila pyaar se chalaa marks the beginning of this tempestuous love story.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering (belatedly) Vijay Anand on the anniversary of his passing away (23 Feb, 2004).

Really very few artists and film makers in the industry have been as versatile as Vijay Anand has been. Active in the industry since the early 1950s, Vijay is the youngest of the three Anand brothers. He did have an advantage of two elder siblings, Chetan Anand and Dev Anand, having made a place for themselves in the industry, when he also decided to take the plunge. And under the umbrella of his illustrious seniors, he had the opportunity to delve and develop a multi faceted career. In a career that spans more than five decades, Vijay Anand, or Goldie as he was known to his friends, made his mark as a screenplay and dialogue writer, as a director, as a producer, as an editor, and as an actor. His works are limited, given the span of his career, but the quality of his work speaks for itself. The films he has directed are outstanding, and he is acknowledged as the best director for picturization of songs, in the Indian film industry. In this aspect of film making, which is supremely significant given the musical nature of Indian cinema, he is without a peer.
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