Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Chitra Singh


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6357 Post No. : 19712

Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)

तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया

पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया

मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया

ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया

मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया

सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया

प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया

ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया

तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया

ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया

क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया

रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया

आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया

हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया

———————————————————————-

Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.

“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5607 Post No. : 18084 Movie Count :

4918

While discussing the films, ‘Gharaonda’ (1977) and ‘Dooriyaan’ (1979), the name of Bhimsain gets noticed. Both these films were produced and directed by him whose specialisation was in animation films. His foray into feature film was a journey into uncharted waters for him. In the event, both these films became cult-classics. Thereafter, he made only one Hindi film, ‘Tum Laut Aao’ (1983) and bid goodbye to Hindi films. He devoted rest of his life in improving the standard of animation films in India. I have come across about a dozen of videos on the development of animation films in India and all of these mention about the contributions Ram Mohan and Bhimsain in the field of animation films in India.

Remembering Bhimsain Khurana (24/11/1936 – 17/04/2018), a devoted animation filmmaker whose 87th birth anniversary falls today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3965 Post No. : 15047

Songs Repeated in Hindi Films – 2
– – – – – – – – – – – – – – – – – –

One of the most iconic songs of Saigal Sb. A song that is a definitive representation of Hindi film music of the 1930s. That incomparable rendition by Saigal Sb under the music direction of RC Boral was recorded live for the film ‘Street Singer’ (1938). Recorded more than eight decades ago, this remains a signature piece for time immemorial. The vision of Saigal Sb, leaving his home, just carrying his harmonium with him, walking with a slow measured pace, and singing this thumri – it is one of the lasting images of Hindi cinema. That version of the thumri from the ‘Street Singer’ can be viewed here – “Baabul Mora, Naihar Chhuto Hi Jaaye“.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Last year, I had presented a pair of hamradeef ghazals of Jigar Moradabadi and Mirza Ghalib wo jo rootheen to manaana chaahiye sung by Mukesh and Talat Mehmood, respectively as a duet making them into one combined ghazal. The main features of hamradeef ghazals are that they have the same ‘qaafiya’ (rhythmic patterns), the same ‘baher’ (meter) and the same radeef (the last word in the second line of each she’r).
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I first heard this private song of Jagjit Singh and Chitra Singh, in the film ‘Hero’ (1983). In a scene in the film Meenakshi Sheshadri is seen moping around and listening to this song on a cassette player. Just a few lines are heard before the scene continues on, but later on we got to hear the whole song in a cassette of this duo’s ghazals. I do not remember the name of the collection. It may have been ‘classic collection’ .
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In most Hindi movies, the actors lead reel lives that has little resemblence to real life of normal people. And it was widely believed (and the myths are further perpetuated by people) that movie watchers used movies to live their fantasies and so they wanted to relive their fantasies in the movies instead of being reminded of their day to day life. And that explained the larger than life characters in Hindi movies.
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