Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hemlata


Regulars may be wondering why there were no posts today so far. I was travelling today at the time when I normally post and I have come near the internet only just now. The day is still live so I will still try and make it count. Today (10th january) is the birthday of Yesudas so today we will try and discuss a few songs sung by Yesudas.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

1969 was the debut year for Bindu and Vinod Khanna was just one year into the industry (having his debut in the ‘Man Ka Meet’ (1968)). In personal life, Bindu was already a married lady by this time. As far as I can review her filmography, the film Nateeja (1969) is apparently the only film in which she has played the role of a leading lady. Having played small roles in Anpadh (1962), as the college going daughter of Mala Sinha, and a supporting role in Aurat (1967), 1969 was the year that that she arrived on the film scene with five releases to her credit, viz. Doli, Ittefaaq, Do Raaste, Aayaa Saawan Jhoom Ke and Nateeja. With a combination of both positive and negative roles, she made her mark this year, and embarked on a career that would make her famous as Mona Darling (Zanzeer, 1971). She played the oomph girl in many films (Kati Patang (1971), Hawas (1974), Imtihaan (1974) etc.), and she also did serious supporting roles in Abhimaan (1973), Chaitaali (1975), Arjun Pandit (1976) etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While Helen rules the roost as the phenomena of the dance number in Hindi films, there came a phase in the 1960s and 70s, when a number of contenders stepped in to the arena of dance item exponents. As the dance number became progressively an important ingredient of the formula, especially a cabaret, and then especially in the ‘cloak and dagger’ type of films, the demand for dance item experts increased. To fill in a void that was probably beyond the bandwidth of Helen’s availability, the opportunities were taken up by actresses whose names became synonymous with sizzling dance numbers on the screen, and they made a place for themselves in the B/C grade films. The leaders in this group of actresses are Bela Bose, Faryaal, Lakshmi Chhaayaa, and JaishreeT. In their own right, these dancers have carved out a niche in the annals of Hindi films dance item.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Fareb (1968) is a social drama, produced under the banner of Shri Om Productions, Bombay and directed by Jugal Kishore. The movie is regarded as a B/C grade production with the star lineup that includes Dev Kumar, Faryal, Maruti, Bela Bose, N Ansari, Heeralal, Rajan Haksar, Kundan, Sushma, besides others.
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“Kaanch Aur Heera” (1972) was a B grade movie produced by Sudarshan Chitra and directed by Charandas Shokh. The makers of this movie must have been great believers in winning lottery or stock market riches, seeing that they had staked the future of their movie on names like Pankaj and Shaheen. Yes, they were the lead actors in this movie. Other in the cast were Rajan Haksar, Kamal Kapoor, Manmohan etc.
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It is the day of Raakhi festival (Raksha bandhan) today and we saw in one song that a man was lamenting the fact that he did not have a sister of his own. But it is not necessary for a man to have a real sister of his own for the purpose of rakhi. Indian mythology is full of tales of unrelated men being sent rakhi by women and they fougtht to protect the honour of their rakhi sisters. Hindi movies too show girls tie rakhi on the wrists of strangers and they prove to be more loyal that their real brother.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Vasant Desai had a fairly long stint of thirty plus years in the film industry, and yet his total assignments as a music director are less than fifty. It is said that he did not take up or did not get many assignments because of his style. His style is deeply rooted in the classical and folk traditions, and he maintained that style throughout his career. In the 60s and 70s, his assignments are few and far between, and yet, with each outing as a composer, he has left an indelible mark.
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Here is a song that wears many hats. this song is a romantic/love song. In addition, this song is also a jeep song, and also an “elephant” song. Yes, the protagonists of this song, viz Jeetendra and Aparna Sen are expressing their love for each other while driving on a jeep and also while riding an elephant.
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Like most music lovers, I tend to know only about the better known songs from most movies and I am often in the dark about songs that failed to make it big. Often, one can come across special songs even among these forgotten songs.
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