atul's bollywood song a day- with full lyrics

Archive for the ‘Lyrics contributed by readers’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chandrasena”(1959) was directed by Babubhai Mistry for Basant Pictures. The movie had Mahipal, Girija,Paul Sharma,B.M.Vyas,Krishna Kumari etc in it.

Today (30 june 2015) is the 87th birth anniversary of Kalyanji Veerjee Shah(30 june 1928- 24 august 2000).

Kalyanji worked solo as a music director for a few movies before he was joined by his younger brother Anandji and together them formed the famous musical duo of Kalyanji Anandji.

Here is a song from “Chandrasena”(1959) on this occasion. This song is sung by Lata. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Prakashchandra.


Song-Zara sa muskuraa doon to rasta bhula doon (Chandrasena)(1959) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics(Provided by Prakashchandra)

zaraa saa muskuraa doon
toh rastaa bhulaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
toh rastaa bhulaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
oon ooo oon

kuchch likhaa hai aankhon mein
kaajal kaa hai bahaanaa
kuchch likhaa hai aankhon mein
kaajal kaa hai bahaanaa
kuchch likhaa hai aankhon mein
kaajal kaa hai bahaanaa
jo jaane woh ho ghaayal
jo samjhe woh deewaanaa
aankhon mein aankhein daaloon
aankhon mein aankhein daaloon
toh duniyaa dikhaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
toh rastaa bhulaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
oon oon oon

lachakti ye chaandi
nikhartaa ye sonaa
lachakti ye chaandi
nikhartaa ye sonaa
lachakti ye chaandi
nikhartaa ye sonaa
kehte hain jisko duniyaa
hai meraa woh khilaunaa
chaahoon jise mitaa doon
chaahoon jise mitaa doon
chaahoon jise banaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
toh rastaa bhulaa doon
nigaahein neechee kar loon
toh duniyaa jhukaa doon
zaraa saa muskuraa doon
oon oon oon


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 22
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Six films in all, from 1958 to 1960.  That is how long his career lasted.  As a solo music director I mean.  After this six films, the brothers opted to work as a duo, a combination that lasted his lifetime, creating phenomenal music for more than 250 films.

Remembering Kalyanji on the anniversary of his birth today (30 June).

Originally from Kundrodi in Kutch, Gujarat, the brothers moved to Bombay with their father.  Here, he setup a small general merchant shop.  The duo’s first music teacher was a person who knew next to nothing about music.  He was a tenant, and in lieu of not being able to pay rent, he offered to teach music to the kids.  Not much would have come from this training, but it did sow seeds of a passionate interest in the mind of the brothers.  By the time 1950s came around, these two young men in their early twenties, had set up a musical group named Kalyanji Virji and Party, and started doing musical shows.

Came 1954 and with it came the film ‘Nagin’. The ‘been’ music, played on the instrument ‘clavioline’, took the entire country by storm.  This music, played by Kalyan ji and Ravi, both assistants to Hemant Kumar, established their credentials, in an industry wherein the names of assistant music directors are not even known in most cases.  In fact the ‘been’ music was released on a separate 78 rpm gramophone record (N51432), which carries the names of Kalyanji and Ravi Shankar.

Kalyanji had to wait for four years though, to get his first independent break.  1958 saw the release of ‘Samrat Chandragupt’, and the listeners got to hear the now famous music of “Chaahe Paas Ho Chaahe Door Ho”.  In the three years till 1960, five more films came with music from this talented new comer – ‘Post Box 999’ (“Mere Dil Mein Hai Ik Baat”, “O. . . Neend Na Mujhko Aaye”), ‘Bedard Zamaana Kya Jaane’ (“Naina Hain Jaadu Bhare”, “Kyun Miley Tum Hum, Bewafa O Sanam”, “Door Kahin Tu Chal, Dil Rahaa Hai Machal”), ‘Ghar Ghar Ki Baat’ (“Le Ke Haathon Mein Haath Chalen Saath Saath”, “Ye Samaa Ye Khushi, Bolo Jee Bolo Jee”), ‘O Tera Kya Kehna’ (“Dil Le Ke Jaate Ho Kahaan”, “Majnoo Ke Chhilke Chor Hain Ye Dil Ke”) and ‘Delhi Junction’ (“Naam Tera Leke Mohey Chhede Hai Zamaana”, “Zaalim Zamaane Ne Itna Sataaya Hai”).  Interesting to note that his brother Anandji and the future duo of Laxmikant Pyaarelal were his assistants in these films. These films must be the very first six films that he contracted for.  Then in 1959, he decided to go it together with his brother.  In that year itself, the films ‘Madaari’, ‘Chandrasena’ and ‘Satta Bazaar’ were released, which carried the credit for music director as Kalyanji Anandji.

1960 saw the arrival of ‘Chhalia’.  ‘Himalay Ki God Mein’ came in 1965, followed by ‘Jab Jab Phool Khile’ in the same year. The duo had made a place for themselves as a musical force to be reckoned with in the industry.
(PS: Thanks Nitin ji for the corrections.)

This song is another of the lilting memories from the radio listening days.  The video clip shows the song being performed by Nishi, as she is serenading and trying to please Pran, who apparently is very ready and willing to be pleased by a beautiful maiden singing to him.  The film is produced by RL Sharma for the banner of Nigaaristan (India) Films, Bombay, and is directed by Mohammed Husain.  The cast of actors includes Ajeet, Shakeela, Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc.  The six songs are written by PL Santoshi, Prem Dhawan, Farooque Kaiser and Gulshan Bawra.  This song is from the pen of PL Santoshi.  The singing voice is that of Lata Mangeshkar.

The video clip seems to be made from a TV transmission, and from a reel set that is either heavily edited or it is originally damaged.  The video clip is 45 seconds shorter than the audio clip (made from the 78 rpm gramophone record), for the same two antaraa song.

The melody and the instrumentation are both very attractive.  Listening to this song is definitely going to strum the strings of your heart.
Enjoy.

Video (missing words)

Audio (complete)

Song – Tere Mukhde Ki Dekhi Jhalak Jab Se (Delhi Junction) (1960) Singer – Lata Mangehskar, Lyrics – PL Santoshi, MD – Kalyanji Veerji Shah

Lyrics

tere mukhde ki dekhi jhalak jab se
tere mukhde ki dekhi jhalak jab se
meri laage
na sainyyaan
palak tab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se

pyaar mein tere
jaadu bharaa hai
chain jiya ka loot liya hai
pyaar mein tere
jaadu bharaa hai
chain jiya ka loot liya hai
bolungi tera julm sab se
jaa ke bolungi tera julm sab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se

jaam nazar ka
chhalka chhalka
dard hai dil mein
halka halka
jaam nazar ka
chhalka chhalka
dard hai dil mein
halka halka
ho gayin hoon teri balam kab se
main to ho gayin hoon teri balam kab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se
meri laage
na sainyyaan
palak tab se
tere mukhde ki dekhi jhalak jab se

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

तेरे मुखड़े की देखी झलक जब से
तेरे मुखड़े की देखी झलक जब से
मेरी लागे
ना सैंय्यां
पलक तब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से

प्यार में तेरे
जादू भरा है
चैन जिया का लूट लिया है
प्यार में तेरे
जादू भरा है
चैन जिया का लूट लिया है
बोलूंगी तेरा जुल्म सब से
जा के बोलूंगी तेरा जुल्म सब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से

जाम नज़र का
छलका छलका
दर्द है दिल में
हल्का हल्का
हो गईं हूँ तेरी बलम कब से
मैं तो हो गईं हूँ तेरी बलम कब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से
मेरी लागे
ना सैंय्यां
पलक तब से
तेरे मुखड़े की देखी झलक जब से



This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zakhmee”(1975) was produced by Tahir Hussain and directed by Raja Thakur for T V films Pvt Ltd. The movie had Sunil Dutt, Asha Parekh, Rakesh Roshan, Reena Roy, Tariq, Helen, Johnny Walker, Imtiyaz, Jankidas, Yunus Parvez, Habib, Madhup Sharma, Shyam Kumar, D.S.Rana, Abhimanyu Sharma, Iftekhar, Agha, Piloo.J.Wadia, Babul, Gulam Hussain, Khursheed Khan, Jerry Raja, Babu Bhai, Navin Kumar, Sujata Rubener, Shahzada Malik, Vikrant, Vijay Kant, Shahid Bijnori, B.Chandrashekhar, Kamal Kapoor, Baby Pinky, Usha Thakur, Ruhi Khan, Tahir Hussain etc in it.

Today (29 june 2015) is the death anniversary of Gauhar Kanpuri (1 october 1932- 29 june 2002). Gauhar Kanpuri made his debut as a lyricist with “Pyaar Ki Baazi”(1967) with one song in it (not yet in the blog). Then he penned one song each in by now forgotten movies like “Us Raat Ke Baad”, Shivbhakt Baba Balaknath”(1972), “Kora Aanchal”(1973), “Nanha Shikari”(1973), “Ek Hans Ka Joda”(1975) etc.

“Nanha Shikaari”(1973) was the debut movie of Bappi Lahiri as a music director. They struck good friendship and they then forged a fruitful collaboratin with each other for the next two decades.

“Zakhmee”(1975) was the turning point in the careers of Bappi Lahiri and Gauhar Kanpur both. The music of this song caught the imagination of music lovers. This movie had popular songs such as Jalta hai jiya mera, Abhi abhi thi dushmani, Aao tumhe chaand pe le jaayen and Aali re aali re Holi.

The golden era of HFM was coming to an end and Bappi Lahiri was one of the main persons responsible for that. Nevertheless, one still came across some nice song even in those days. And I find that several of such memorable songs of those days were penned by Gauhar kanpuri though not too many people (including I) were aware of this fact. For example, songs like Jhoomta saawan dekho aaya (Do Khilaadi)(1976), Teri chhoti si ik bhool ne saara gulshan jala diya (Shiksha), Tumhe geeton mein dhaaloongaa (Saawan Ko Aane Do)(1979) etc were penned by Gauhar Kanpuri.

Gauhar Kanpuri wrote some 300 songs in 120 movies. Though a lyricist of recent vintage by the standards of this blog, very little information is available about Gauhar Kanpuri on line. In fact, this writeup on Gauhar Kanpuri may be the most comprehensive and informative article available on internet. :)club dance song.

As a tribute to Gauhar Kanpuri, here is the fifth and final song from “Zakhmee”(1975). This song is sung by Rafi, Kishore Kumar, Bappi Lahiri and chorus. the song is picturised as a club dance song. It is picturised on Rakesh Roshan, Tariq, Reena Roy and many others.

Gauhar Kanpuri is the lyricist. Music is composed by Bappi Lahiri.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Zakhmee”(1975) joins the list of movies that have all their songs covered in the blog.

Audio

Video

Song-Nothing is impossible (Zakhmee)(1975) Singers-Kishore Kumar, Rafi, Bappi Lahiri, Lyrics-Gauhar Kanpuri, MD-Bappi Lahiri
Male chorus
Female chorus
All Chorus
(Rafi+Kishore Kumar)

Lyrics(Provided by Prakashchandra)

ae nothing is impossible
babbaa babbaaa baabbaa baaa baaa baaaaaaaaaa baabaaa
aahaa haaa haaaa aaa hhaaa
baabbaa baaabbaaa baabbaa
aa haaa haaa haaa aaa haaa

yyaaa yyaa yaa yaaa yyaaayyaa
yyaaa yyaa yaa yaaa yyaa
yyaaa yyaa yaa yaaa yyaa
yyaaa yyaa yaa yaaa yyaa

nothing is impossible
waa waa waa waa waaa waa waa (roo rooo rooo roo)
kehtaa hoon main sach bilkul
waa waa waa waa waaa wwaaawa (roo rooo rooo roo)
nothing is impossible
waa waa waa waa waaa wwaaawa (roo rooo rooo roo)
kehtaa hoon main sach bilkul
waa waa waa waa waaa wwaaawa (roo rooo rooo roo)

hey ae ae ae ae aen aen
aao yaaron dance karein

waa waaa waaa waa waaawwa
rhythm pe romance karein haaa hhhaaaa
waa waa waa waa waaa wwaaawa
aao yaaron dance karein
waa waa waa waa waaa wwaaawa
rhythm pe romance karein
waa waa waa waa waaa wwaaawa
naacho meri jaan
waa waa waa (roooo rooo
ae come on come on
rooo rooo rooo ro roooo rooooo

nothing is impossible
waa waa waa waa waaa wwaaawa (roo rooo rooo)
kehtaa hoon main sach bilkul
waa waa waa waa waaa wwaaawa (roo rooo rooo)
nothing is impossible
waa waa waa waa waaa wwaaawa (roo rooo rooo)

hhaaa hhaaa hhhaaa hhhaaa hhaa hhaaa hhhaaa

hey ae ae
hey hey ae ae
hooo ooo hooo huh
hhaaa aaaa

roooooo roooooo
laa roo roo
laa roo rooo
rooo rooooooo
laa roo roo
laa roo rooo

naachen lay pe ae
goraa kaalaa
har dilwaali
har dilwalaa (aaaaaa)
aaaa…aaaaa…aaaa
aaj to yaaron
josh mein aao
patthar pighlein
aissey gaao

naacho meri jaan
roo roo rooo rooo oo ooo
hey ae come on come on
roo roo rooo roooo roo roo rooo

nothing is impossible
bbaa bbaa baaa bbaaa
kehtaa hoon main sach bilkul
bbaa bbaa baaa bbaaa bbbaaa
nothing is impossible
rooo rooo rooo roo rooooo rooo

hhhaaa hhhaaa hhhaaaaa hhaa hhhaaaaa hha hha hha

yaa yaaa yaaa yyyaa yyaaa yyaaa yaa yaaaaaaaaa
aei
yaa yaaa yaaa yyyaa yyaaa yyaaa yaa yaaaaaaa

boyz and girls
yaa yaaa yaaa yyyaa yyaaa yyaaa yaa yaaa
ladkon aur ladkiyon (yaaa yaaa yaaa yaaa)
come on come on (yaaa yaaa yaaaaa)
let`s dance please
hee heee (yaa yaaa yaaa yyyaa yyaaa yyaaa yaa yaaa)

naach rahi hai ae
duniyaa saari
chhupp chhupp kyun hai ae
ye bechaari
ahhaaa hhaa hhaaa

oyye hoyye hoyye hoye
oyye hoyye hoyye hoye
hhee hee hee hheee

pehle iss ko
mood mein laao
saaz ki lay ko
aur badhaao
buck up

naacho meri jaan
roo roo roo roooo oooo
hhaaa hhaaa aaa
come on come on

hey
nothing is impossible
nothing is impossible
kehtaa hoon main sach bilkul
kehtaa hoon main sach bilkul
hoyye
aao yaaron dance karein

aao yaaron dance karein
rhythm pe romance karein
rhythm pe romance karein
naacho meri jaan
naacho meri jaan
ae come on come on
come on come on
o o come on come on
come on come on

baby

haa haaa hhaa hhhaaaa hoo hoo
(whistling & cheering sound)

(Musical piece)


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 9
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What an enchanting and rare piece of music this one is.  Coming from the 1935 film ‘Raaj Mukut’, this song is part of the history that is eight decades old now.  Of the fourteen songs that are listed for this film in the Geet Kosh, only this one is so far traceable and available.

The lyrics are from the pen of Pt Shiv Kumar, and the music is by Gobindrao Tembe.  Incidentally, Gobindrao Tembe is also the director of the film, that has been produced under the banner of Shalini Cinetone of Kolhapur.  The list of actors is given as K Vasudev, GS Tembe, SD Joshi, VM Garde, Aslam Lodhi, Sundari, Ameena, Tanibai, D Dudhale, Vinayak Kale.  The singer’s name is not identified in the Geet Kosh listings.  In 1935, playback singing had not yet taken the front seat in song recordings.  The songs were filmed live in the voices of the actors themselves.  It could be any other actor listed above.  A name GS Tembe appears in the list, but I am not certain if this is the same person as Gobindrao Tembe.  I request other knowledgeable readers and friends to please add more information on this.

The more I am discovering about Gobindrao Tembe, I find him to be a multifaceted artist and creator, who was very active in theatres, films and classical music.  He is acknowledged as an excellent performing artist, as well as a talented director and a manager, who produced and directed numerous stage and film productions, and also acted in them.  He was closely associated with the All India Radio, and produced many plays and music programs for them.  Following is a brief bio-sketch for him, taken from the website Indianetzone.com.

Govindrao Tembe was a Marathi composer who is a prominent actor and also a playwright. He was born in Kolhapur to a family closely associated with Shahu Maharaja in 1881. Govindrao Tembe held several jobs as clerk, lawyer, and circus manager before joining the Kirloskar Natak Mandali as male lead. Bal Gandharva, Ganesh Bodas, and Tembe left Kirloskar to form the Gandharva Natak Mandali in 1913. For quite some time this company reigned supreme in Marathi theatre and much of the credit goes to Tembe as the first ‘music director’. He was responsible for composing apt classical tunes and training the singers. His acting in Deval’s versions of Sanskrit material, as Charudatta in Mrichchhakatik and Pundarik in Shapa sambhram, also won critical acclaim. After 1915 the Gandharva Mandali in turn split up, and Tembe set up his Shivraj Natak Mandali, named after Shahu Maharaja’s son, prince Shivaji. It staged old plays as well as its own productions, among which Vasudevshastri Khare’s Chitravanchana i.e. ‘Deceived by a Picture’ in 1917 and Krishnakanchan i.e. ‘Dark Lustre’ in 1917, and a translation of Manishankar Trivedi’s Siddha-sansar or ‘Successful Life’ did extremely well. Tembe trained Shankarrao Sarnaik and Dattopant Pethkar, who are its two main artists. With Rajarambapu Purohit and Dada Ladu on harmonium and tabla, and the Painter brothers for stage settings, Shivraj was very popular, both in south and north India. However, it closed down after ten years.

Govindrao Tembe entered the renowned film company, ‘Prabhat’, as an actor-singer and music director. Making a big impact in 1932 he played the heroes of Maya Machhindra and Ayodhyecha Raja i.e. King of Ayodhya. He went back to Kolhapur and joined Shalini Cinetone where he scored the music for classic films like Usha and Pratibha in 1937. He established his own movie company, Natraj, in partnership with Durga Khote and Parshwanath Altekar, among others. His cinema career was characterized by his versatility as actor, director, music director, scriptwriter, dialogue writer, lyricist, and producer.

Govindrao Tembe wrote several plays based on mythological stories, which served as metaphors for the contemporary scenario of the Swadeshi i.e. nationalist movement. They include Patvardhan in 1924, Tulsidas in 1924, and Vatsalaharan i.e. ‘Vatsala’s Abduction in 1929. He adapted Oscar Wilde’s The Importance of Being Earnest as Gambhir ghatana i.e. ‘Serious Business’ in 1930. He also wrote a series of articles on women and the stage, where he argued how theatre would benefit from actresses.

Govindrao Tembe was a disciple of classical maestros just like Bhaskarbuwa Bakhle and Alladiya Khan. He left an indelible imprint on the development of the light-classical music idiom in Maharashtra. He was an excellent harmonium player who popularized the instrument banned by All India Radio as antithetical to classical music and gave it prestige. His Majha sangit vyasanga i.e. ‘My Musical Pursuits’ in 1939 documents the history of music in Maharashtra. He also wrote extensively on attempts to create post-Sangitnatak classical khayal in Marathi, problems of notating Indian music, and about the harmonium as well. Govindrao Tembe died in the year 1955.

Besides the above piece, I also located here  at the website titled ‘Vijay Parrikar’s Library’, a very detailed and a moving obituary for this magnificent artist.  This obituary makes a very compelling reading.  (After the page loads, click on ‘About Gobindrao Tembe’.)

Listen to this wonderful creation from eighty years ago – marvel and enjoy.

Song – Chalaawo Na Teer e Nazar Jaate Jaate (Raaj Mukut) (1935) Singer – [unidentified male voice], Lyrics – Pt Shiv Kumar, MD – Gobindrao Tembe

Lyrics

chalaawo na teer e nazar jaate jaate
chalaawo na teer e nazar jaate jaate
dikhaawo na apna hunar jaate jaate
dikhaawo na apna hunar jaate jaate

raqeebon ke ghar aap jaayen to jaayen
raqeebon ke ghar aap
raqeebon ke ghar aap jaayen to jaayen
idhar bhi nazar ho udhar jaate jaate
idhar bhi nazar
idhar bhi nazar ho udhar jaate jaate
idhar bhi nazar ho

abhi tak to jaanaa. . .
aaaa aaa  aaaa haa. .aan haa. .aan
abhi tak to jaana hi jaana hua hai
abhi tak to jaana . . jaana hua hai
ke jaayega dard e jigar jaate jaate
ke jaayega dard e jigar jaate jaate
. . . . . jaate

tujhe bhi khabar hai nigaahon ne teri
haa. . .an te. . .ri
haa. . .aan. . .aan
khabar hai nigaahon ne teri
tujhe bhi khabar hai nigaahon ne teri
hazaaron kiye bekhabar jaate jaate
hazaaron kiye
hazaaron kiye bekhabar jaate jaate
hazaaron kiye bekhabar jaate jaate
chalaawo na teer e

qazaa thehr qaatil ki makkaarion ke
qazaa thehr qaatil ki makkaarion ke
zaraa dekhte aankh bhar jaate jaate
zaraa dekhte aankh bhar jaate jaate
zaraa dekhte aankh bhar jaate jaate

chalaawo na teer e nazar jaate jaate
dikhaawo na . . . hunar jaate jaate
dikhaawo na apna hunar jaate jaate
chalaawo na teer e nazar jaate jaate

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

चलावो ना तीर ए नज़र जाते जाते
चलावो ना तीर ए नज़र जाते जाते
दिखावो ना अपना हुनर जाते जाते
दिखावो ना अपना हुनर जाते जाते

रक़ीबों के घर आप जाएँ तो जाएँ
रक़ीबों के घर आप
रक़ीबों के घर आप जाएँ तो जाएँ
इधर भी नज़र हो उधर जाते जाते
इधर भी नज़र
इधर भी नज़र हो उधर जाते जाते
इधर भी नज़र हो

अभी तक तो जाना॰ ॰आss
आss आss आss हाँsss हाँsss
अभी तक तो जाना ही जाना हुआ है
अभी तक तो जाना ॰ ॰ जाना हुआ है
के जाएगा दर्द ए जिगर जाते जाते
के जाएगा दर्द ए जिगर जाते जाते
॰ ॰ ॰ ॰ ॰ ॰ ॰ ॰ जाते

तुझे भी खबर है निगाहों ने तेरी
हाँsss ते॰ ॰री
हाँsss हाँsss
खबर है निगाहों ने तेरी
तुझे भी खबर है निगाहों ने तेरी
हजारों किए बेखबर जाते जाते
हजारों किए
हजारों किए बेखबर जाते जाते
हजारों किए बेखबर जाते जाते
चलावो ना तीर ए

क़ज़ा ठहर क़ातिल की मक्कारीओं के
क़ज़ा ठहर क़ातिल की मक्कारीओं के
ज़रा देखते आँख भर जाते जाते
ज़रा देखते आँख भर जाते जाते
ज़रा देखते आँख भर जाते जाते
चलावो ना तीर ए नज़र जाते जाते
दिखावो ना अपना ॰ ॰ जाते जाते
दिखावो ना अपना हुनर जाते जाते
चलावो ना तीर ए नज़र जाते जाते


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————–
# Bhoole-Bisre Geet # 15 # Asha Bhonsle – 2
———————————————–

‘Bandhe Haath-1973’ is a movie that I had watched in a ‘touring talkies’ in a ‘village fair’, 10/12 kms away from the colony-place where we were living at that time in 1974-75.

Since then, two things related with this movie have become embedded in my mind- one – the title song of the film ‘dekho ye mere bandhe haath’ sung by Kishore Kumar, and second is the name and face of O.P.Ralhan.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If I were to ask you to let me post a special song for a special anniversary that is already belated by six days, as opposed to waiting for 360 more days to post this celebration song, what would you say?  And if I told you that the anniversary is really special, extra special; then?  I have a confident feeling that you will say – ok, well, go ahead, post the special song, and tell us what the celebration is.

And now, taking this feeling of confidence further, I now know that I have your full support in posting this special song today, no matter that we are six days delayed in making this celebration.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————-
# Bhoole-Bisre Geet # 14 # Usha Mangeshkar-1
———————————————–

‘Samasya-1975’ was directed by Dayabhai Bhakt and it had Madhuchhanda, Pawan Dutt, Chitra Sundaram, Aatma Prakash, Sunil Dhawan, D.S.Mehta, Rakesh Jaimani, Vikas Bali, Pratibha Bhatkari, Anjali Devi and Sajjan, Jagirdar, Pallavi Mehta, Damodar Shah in Special appearance.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaari Manzil”(1949) was directed by O P Datta for Famous Pictures Limited, Bombay. This movie had Nirupa Roy, Prem Adeeb, Gope, Yashodhara Katju, Badri Prasad, Faizi, Gyani, Randhir, Raj Mehra, Mishra, Niranjan Sharma etc in it.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————–
# Bhoole-Bisre Geet # 13 # Duet-2 – Lata Mangeshkar, Manna Dey
—————————————————————

Here is a pleasant duet sung by Lata Mangeshkar and Manna Dey from the 1975 Film ‘Chaitaali’.

I do not remember this movie now, but I think that I had watched it on ‘Doordarshan’ during early nineties.

As per information available in HFGK this is a Bimal Roy Productions presentation (produced by Mrs.Monabai Roy as per info on Wikipedia), directed by Hrishikesh Mukherjee.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11200 song posts by now.

Total number of songs discussed

11222

Number of movies (All songs covered)

671

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