Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for April 2013


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

From the day Radio Transmission started in India for public, on 1-4-1930, till the record players and Tape recorders became popular, Radio was the only source of entertainment “Home Delivered” to indian Music Lovers.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

What makes a song beautiful? Is it its lyrics, its music, the instrumentation or the vocal quality? The best songs have all four in common, but some songs that we like can be for even one of the above reasons. A lot of people like to proclaim that the current set of songs do not have the same quality as older songs. I do not even know when the time period for new songs does begin and which songs get classified as old.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

An exceptionally private person, Suman Kalyanpur hardly gives an interview to anyone. What you read about her is generally surmised from little known facts and rumors. She is also a very simple and unassuming person. She very well knew that her voice uncanningly sounded exactly like Lata’s and as such she was called in as a substitute when Lata was either abroad or unwell or had fallen out with a singer or a composer, as was often the case, from time to time. She was considered as poor man’s (producers’) Lata. Not being appreciated for her real talent, which was exceptionally brilliant, her grudge was apparent and she hardly went out to beg for singing assignments to any composers.
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“Naach Utthe Sansaar” (1976), easily confused with “Naach Uthha Sansaar” (1978) was a Regal Theatres Production. It was produced by Mahmood Sarosh and directed by Yakub Hasan Rizvi. The movie had Shashi Kapoor, Hema Malini, Simmi, Aruna Irani, Rajendranath, Leela Mishra, Ramayan Tiwari, Bhushan Tiwari, Chandrima Bhaduri, V.Gopal, Sheikh, Roopesh Kumar, Rajan Haksar, Jankidas etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

pujaari husn ka hoon main
na deewaana jawaani ka

I heard these lines in the inimitable voice of Mohammed Rafi yesterday on Radio Rafi. I was looking for details regarding this song in the Database at mohdrafi.com, so not paying much attention to the radio playing. As the words of the poem registered, it caught my attention. I managed to catch the last line in the audio clip “pujaari husn ka hoon main”.
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Everyone is aware that a movie called “Milan” was released in 1967. What is less known is that the same year also saw a movie called “Milan Ki Raat” as well. Like “Milan” (1967), this movie too had the same lyricist and the same music director. 🙂
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Films can be classified on the basis of many points. For example, B&W and colour films, Original or copied film, on the basis of Language or country, with songs or without songs etc.(My friend says there can be only one classification- Good or Bad films ! )
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