Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for September 2016


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 53
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1971 colored social film ‘Ek Thi Reeta was produced by International Films, Bombay and was directed by Roop K Shorey. I am not repeating the star-cast as they were presented in all earlier six songs.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in atuldom

Its been a while since I wrote a post for the blog. No that is not so. I have made notes in my mind by the dozen in the last couple of months and typed out two of them sent it across to the Head of the Posting Department of our blog. Unfortunately they didn’t get posted as the Head of the department was awaiting a special post by his trusted Lieutenant for what is now being termed as “artificial” milestones (as Atulji likes to call them) but a special is a special and other things can wait for them is my opinion. I hope I can hear or rather see nods in agreement of my point of view.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are two beautiful songs rendered by G M Durrani in ‘Nayi Kahaani’ (1943). Fortunately, video clips of both the songs are available. In the first of the two songs, neend hamaari khwaab tumhaare kitne meethhe kitne pyaare a boy suddenly gets up from the group of musicians and start singing sargam in a ‘rapid fire’ mode and then sits down for the song to continue. He sings sargam in his own voice. Again, in hamen kya ab khizaan jaaye na jaaye , the boy gets up during the musical interlude of the song and starts conducting the orchestra. These are the ‘scene stealer’ situations in the songs which, I am sure, must have remained in the minds of the audience when they came out of the theatre after watching the film. The boy was actor-singer Balakram.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chal Chal Re Naujawaan”(1944) was directed by Gyan Mukherji for Filmistan Limited, Bombay. The movie had Ashok Kumar, Naseem Bano, Jagdish Sethi, V H Desai, Motibai, Rafiq, Navin Yagnik etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 12400th song post in the blog.

Songs to Tickle Your Memory – 35
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इकतारा बोले॰॰॰ तुन तुन
क्या कहे ये तुमसे॰॰॰ सुन सुन
बात है लंबी मतलब गोल
खोल ना दे ये सबके पोल
तो फिर उसके बाद
इकतारा बोले॰॰॰ तुन तुन

There is an interesting aside related to this iconic song from the 1970 film ‘Yaadgaar’. This song was originally written as a romantic song with the lines

रात अकेली साये दो
हुस्न भी हो और इश्क़ भी हो
तो फिर उसके बाद

It was selected by Manoj Kumar for his seminal classic ‘Upkar’. Eventually, this song somehow could not be fitted into the storyline. The song remained in suspended state, till Manoj Kumar revived it three years later, got it modified into a song of social messaging, and included it in his film ‘Yaadgaar’. After spending two and a half decades practically in the wilderness in the industry, here came the first major super hit for the song writer. This surely must be a record of some sorts.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #71
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This voice has such an alluring appeal. No matter what the song may be, Mukesh ji’s voice has the quality to enliven the song with the depth of his soulful emotion. The words come alive with his rendition. Listen to any of his songs, whether they have been popularized on account of association with successful films and actors, or they belong to obscure, unheard and unsuccessful films. His songs from many such films have remained obscure and unheard. For songs of Mukesh, the unexplored era is primarily in the 1970s.  There still are many songs sung by him, that have to find their place on this blog. Many of them are unfamiliar and obscure, and some are familiar but unheard for long.
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This article is written by Avinash scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, while we add one more movie of ‘1951’ on the blog, we also add one more movie under the category of ‘movies having same title’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There was a time when we used to discuss songs on the occasion of anni9versaries of artists. That practice is no longer as common now a days as used to be the case. Things are slow in the blog at the moment, but one should not be surprised if we soon pick up pace once again. At this juncture my time is being taken up in other matters. Not that I have not spent time on the blog. I have spent good amount of time in background work, and the results of that may have escaped the attention of most. Some of the result of my work is available on the blog for those who may have noticed it (like for instance Sudhir Ji and Mr Sadanand Kamath, for instance). Then there are other background work whose results are not reflected yet in the blog, but they are there with me and they will enable me to go about futute posying of songs in a more systematic and streamlined manner.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Prahlad Keshav Atre, popularly known in Maharashtra as Acharya Atre (1898-1969) was a multi-talented personality of Maharashta. He was a writer, a playwright, a poet, an educationist, a journalist, a politician and producer-director-screen play & dialogue writer. During his association with Hindi films, Acharya Atre produced films like ‘Charnon Ki Daasi’ (1941), ‘Raja Rani’ (1942), ‘Vasantsena’ (1942), ‘Tasveer’ (1943), ‘Dil Ki Baat’ (1944), ‘Parinde’ (1945) and ‘Dulha’ (1946) under the banner of Atre Pictures.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Baburao Patel, the fiery editor of ‘Filmindia’ magazine ( later known as ‘Mother India’) was associated with Hindi film industry since 1931. During 1931-35, he directed 5 films – “kismet’ (1931, Silent film), ‘Sati Mahananda’ (1933), ‘Maharani’ (1934), ‘Bala Joban’ (1934) and ‘Pardesi Saiyaan’ (1935) . However, with the starting of his monthly film magazine ‘Filmindia’ in 1935, Baburao Patel appeared to have taken a long sabbatical from Hindi film industry to concentrate on his editorial work. He again joined Hindi film industry in 1944 as producer and director of the film ‘Draupadi’ (1944), to promote Susheela Rani as actor-singer. This was followed by another film ‘Gwalan’ (1946).
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