Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Actor-Singer song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back I found myself translating a song from Achhut Kanya for Raja who is subtitling the movie for the famous DVD restorer Tom Daniel.

The movie is one of the most celebrated ones of Hindi Cinema, an early classic, and an Indo-German collaboration that starred Devika Rani and Ashok Kumar. However, what I didn’t know was that it contained a dance by Mumtaz Ali, the father of Mehmood and Minoo Mumtaz. I found Mumtaz Ali so captivating, his dancing and singing so natural and so impromptu that I went off on a google fired discovery of facts about him. As is often the case, any information on artists of this era is not easy to come by. After a day of looking high and low, I managed to unearth only one thing, that he was a scion of the royal family of Arcot.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my native place in Mangalore district (and perhaps other places in India specially in villages), it was a tradition in almost every house that all family members would assemble in the Pooja Room soon after the dusk for singing some devotional songs. In a joint family system, this tradition also worked as a means of creating bonding among large family members. After shifting to Mumbai in early 50s, with a nuclear family and a city culture, this tradition slowly got discontinued. But my mother would sing at least a couple of devotional songs every day after dusk while doing her kitchen chores. One of the devotional songs which I had often heard in my childhood was in the Konkani language, my mother tongue. I was very much impressed by the lyrics and the tune of the song.
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This article is written by Pradeep Raghunathan, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

This is my first attempt at reviewing a song, so please bear with me :). I have been glued to the blog off late and am trying hard to catch up with all the posts on the blog. I have, but hardly reached 1/3rd of the way in my journey so far. I am so looking forward to the journey of discovering these gems, thanks to our fellow members.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About a month back, I stumbled upon a song ‘aankhen to huyi band magar dard jagaa re’ from the film BEGUM (1945) sung by Ashok Kumar. Until then, I had neither heard of this song nor of the film which had Ashok Kumar and Naseem Bano in the lead roles. I liked the song so much that I must have listened to it umpteen times. The song is written by Gopal Singh Nepali and set to music by Hari Prasanna Das (H P Das) whose name also I heard for the first time. From the Indian Film Trade Data website, I observed that H P Das had given music to 10 Hindi films between 1935 and 1948 including 2-3 films jointly with Manna Dey.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my younger days, I got acquainted with some of the popular music directors of the pre-partition days mainly through listening to some of their bench-mark songs on Radio Ceylon. Khwaja Khurshid Anwar is one of those names.
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“Nikaah” (1982) was a movie which was produced and directed by B R Chopra. The movie had Raj Babbar, Salma Agha, Deepak Parashar, Asrani etc in it. Those were the days when Indians regarded “phoren” stuff and people as objects of great curiosity value, even if “phoren” only meant neighbours. Thus Pakistani and Bangladeshi artists were welcomed with open arms in Hindi movies. Runa Laila, Salma Agha, Nazia Hasan were some of the artists who benefitted as a result.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One of the remembrances of my childhood days of early 50s was a song ‘kuchh yaad rahe to sun kar jaa’ which my mother used to sing quite often. It would not be an exaggeration to say that I grew up with this song. Those days, I did not remember the beginning line of this song but one line from this song – ‘tu haan kar jaa yaa naa kar jaa’ remained embedded in my mind. I had no inkling at that time that it was a filmy song.
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