Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Actor-Singer song’ Category


Yesterday Peevesie’s mom made her debut as a lyrics contributor by sending the lyrics of a song from “Taxi Taxie” (1977). The movie may be of recent vintage, but little information is available about this movie. That is where we can always log on to our inhouse encyclopaedia and get all the details. Here is what our walking encyclopaedia Mr Arunkumar Deshmukh has to say about this movie:-
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Nagendranath Sanyal, more famously known as Pahari Sanyal, was born on 22nd February, 1906, in Darjeeling. Being born in the hilly region, he got the nickname as Pahari, a name that stuck for the rest of his life. His school education was completed in Lucknow. After completing his schooling, he enrolled in Benaras Hindu University, in engineering course. But his destiny and his interest dictated otherwise. He dropped engineering studies and joined classes for Hindustani classical music at Morris college in Lucknow. He learnt both classical vocal music and also instrumental music.
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“Rattan” (1944) was a movie whose songs were based on folk music instead of classical music as was the norm those days. That helped ordinary folks to identify with and connect with the music of this music. The result was unprecedented. The producer of this movie earned more money through the music rights than through the screening of the movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of hindi movie music and a regular contributor to this blog.

Janaury 31st is the death anniversary of Suraiyya who was India’s greatest female singer-actor of the post-partition period. While reading her profile and biography, I felt that her life had twists and tales worthy of making a full length feature film. For instance, her romantic involvement with Dev Anand, a dominating maternal grandmother who, apart from deciding her filmy career, played a spoilsport in her romantic relationship and finally her decision to quit films to live a life of seclusion, can be some of the ingredients for a cinematic presentation. Suraiyya’s life cycle can best be described in some of her own renditions like Laayi khushi ki duniya (Vidya) , Tere nainon ne chori kiyaa mera chhota sa jiya pardesiya (Pyaar ki jeet) and Raste pe ham khade hain dil e beqaraar le kar (Rajput) to Ye kaisi ajab daastaan ho gayi hai(Rustam Sohrab)(1963) and finally to Rahiye ab aisi jagah chal kar jahan koi naa ho (Mirza Ghalib) .
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This article is written by Sudhir, a fellow enhusiast of Hindi movie music and a regular contributor to this blog.

Greetings to all on the occasion of Basant Panchmi today.

Basant, the season of spring, is a season of new beginning, a season of rejuvenation and a season of arrival of happiness. It is the season of rebirth and bloom, the season of new love. In the Hindu tradition, Kaamdeva is the god of love and desire. As per the Rig Veda, the goddess Vasanta (Spring) is a companion of Kaamdeva. The weapon ascribed to Kaamdeva is a bow and arrow – the bow being made of sugarcane, stringed with honeybees, and the arrows are made of the fragrant flowers of spring. In the Hindu mythology, the season of spring is the season for love and amorous relationships. The first encounter of enchantment between Shakuntala and King Dushyanta is in Vasant ritu, the season of spring.
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