Archive for the ‘Actor-Singer song’ Category
Jai bolo Siyaawar Raam ki
Posted on: May 24, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA-GOLDEN 50s (Pushp-2)
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Culture and Religion have a close relationship. The commonest points of Religion, followed by a majority for time immemorial, becomes culture of the nation. Raas Garba, Ganesh Utsav, Diwali celebrations and Indian Calendar New Year days in respective regions are no more a matter of Religion by now. They have become the cultural heritage of the country. A good example is Holi or lighting done on Deepavali or touching the feet of the elders…all these constitute Culture, though its roots are traceable to religion.
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Kya hai naari ki shaan
Posted on: May 24, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Majhdhaar” (1947) was a Minerva Production and it was directed by Sohrab Modi. The movie had Surendra, Khursheed, Sadiq Ali, E Tarapore, Baby Tabassum, Rafiq Ghaznavi, Surekha etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Hamrahi” (1945) had RadhaMohan Bhattacharya, Rekha Mitra, Binata Bose Heeralal, Ramesh Sinha, Boken Chatte, Amita Bose etc in it.
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Bhool ja ae dil wo baaten bhool ja
Posted on: May 18, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naatak” (1947) was produced by AR Kardar under the banner of Kardar Productions, and it was directed by SU Sunny. The movie had Suraiyaa, Amar, Sofia, Kanwar, Sham Kumar, Pratima Devi, Nazir Bedi, Amir Ali, Suleiman, Murtaza, Nazir Ahmed, Nawab etc in it.
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Mera chaand aa gaya mere dwaare
Posted on: May 18, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Majhdhaar” (1947) was a Minerva Production and it was directed by Sohrab Modi. The movie had Surendra, Khursheed, Sadiq Ali, E Tarapore, Baby Tabassum, Rafiq Ghaznavi, Surekha etc. in it.
Read more on this topic…
Jaag ae sone waale koi jagaane aaya
Posted on: May 10, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Tadbeer” (1945) was produced and directed by Jayant Desai. THis movie had K L Saigal and Suraiyya in lead roles. Others in the movie included Mubarak, Jillobai, Rehana, Salvi, Gharpure, Raja Joshi, Shalini, Shashi Kapoor (senior) etc.
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Gaaye jaa tu apna geet
Posted on: May 10, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40s (Episode No. 13)
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Today Mumbai (erstwhile BOMBAY) boasts of being the only place where Hindi films are made, but in the initial stages of Film-making, it was not so. There were other centres too, which made Hindi films like Calcutta, Poona, Kolhapur, Madras, Hyderabad, Bangalore, Lahore and some odd towns as well. Out of all these,the most famous and the biggest-qualitatively- had always been CALCUTTA.
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Piya piya rat ke main ho gayi papeeha
Posted on: May 9, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Samrat Chandragupta” (1945) was produced and directed by Jayant Desai. The movie had Ishwar Lal, Renuka Devi, Nayam Pally, Suraiya, Mubarak, Sulochana Chatterjee etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Main Kya Karoon” (1945) was directed by Sudhir Sen for Flora Films, Bombay. The movie had Shah Nawaz, Suraiya, Pahari Sanyal, Hansa Wadkar, Bikram Kapoor, E Bilimoria etc in it.
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Aankhon mein muskuraaye jaa
Posted on: May 7, 2014
- In: "Aankh" song | Actor-Singer song | Dance song | Guest posts | Meena Shorey song | Menaka Bai songs | Post by Arunkumar Deshmukh | Series of articles | Sheela songs | Song sung by three or more singers | Songs of 1940s (1941 to 1950) | Songs of 1943 | The vibrant 40s | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40S (Episode No. 12)
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Initially, when the Talkie films started, most of the actors and actresses of the silent era, who could speak Hindi/Urdu and sing a little got entry into these films. Soon many Anglo-Indian girls and actors like master Vithal, who could not speak Hindi properly, leave aside singing, had to be excluded from Talkie films.(Master Vithal who was selected as the Hero for India’s First Talkie film,”Aalam Ara”-1931, based on his looks,Physique and his silent film credentials-over the capable Mehboob Khan- gave such pathetic performance in his Hindi/Urdu dialogues that he had to be shown as Unconcious almost throughout the film to hide his poor diction of Hindi/Urdu dialogues.)
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