Archive for the ‘Rafi-Asha Bhonsle duet’ Category
One of my major sources of discovering “new” songs is the farmaishes that I get from my readers. These farmaishes have enabled me to enrich my knowledge of old movie songs considerably and that has enabled me to share those gems with my readers.
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Saawan aaye yaa naa aaye
Posted on: October 8, 2010
“Dil Diyaa Dard Liyaa” (1966) was a movie that was just before my time. I had got an opportunity to watch this movie for free a few years later but I passed over that opportunity because the movie,the actors as well as the storyline of this movie were not quite the cup of tea of kids my age. “what is this ? These movies cannot think of anything other than pyaar. There are more to life than pyaar, such as maar dhaad (fights) etc.”- The leader among us pre-teens opined and the rest of us readily agreed and walked off after some time.
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I have posted as many as seven songs from “Kashmir Ki Kali” (1964) and one may be excused for assuming that there may not be any more songs left to be posted from this movie. But then one would underestimate the calibre of music directors of those era, if one made such an assumption.
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Dekh hamen aawaaz na denaa
Posted on: September 28, 2010
I thought that I had already posted this song. But when I looked at the farmaishes of the readers then I realised that I had yet to post this song.
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Nutan played a tragedy role in “Seema” (1955) and with that she stole a march over Meena Kumari in the race for becoming the first tragedy queen of Hindi movies.
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Ye rang bhare baadal
Posted on: September 25, 2010
I am always on the look out of rail songs. Once I had collected a list of about 25 rail songs from Hindi movies and I thought that I had covered just about all the songs that were there on that genre.
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There are people who think that Asha Bhonsle mostly sang light songs (cabarat etc) and she did not sing “serious” songs or song based on classical raagas. Of course that is not correct. Most songs in Hindi movies are indeed based on some Raag. The singers and music directors, whether they are trained or not follow the framework of raagas, unless it is a western song that they are composing.
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