Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Folk song’ Category


I wonder if anyone has made a list of “Chakki” songs in Hindi movies. Present generation people may not be aware of a “Chakki”. “Chakki” was a manual rotaty grinder- a home appliance of previous generations which was used to grind grains. You poured grains on the hole near the centre of the “chakki” and rotated the “Chakki”. The grain got crushed and came out from the edges which was then collected.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Baarood’ from 1960 is a relatively better known film, probably that being a Sheikh Mukhtar film, it does get some attention. The film is a social drama produced under the banner of Super Pictures, Bombay and is produced and directed by Aspi Irani. The main star cast is Sheikh Mukhtar, Kumkum, Honey Irani, Sudhir, Veena, Heeralal, Husnbano, Mukri, Uma Dutt, Babu Rajey, Tuntun, Shakeel Nomaani, Suresh, Mantobai, Baby Ratan, Fazloo, Balaram, Andaleep.
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Munshi Premchand (31 July 1880- 8 october 1936) was a premier Hindi novelist whose novels and stories have had an enormous influence on modern Hindi literature. When I look at his literary output, I am amazed at his vision. His vision was unbelievably progressive and futuristic, especially considering the era he lived in (late 19th century to early 20th century).
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“Upar Gagan Vishaal, Neeche Gehraa Pataal” – the unforgettable sound from the film ‘Mashaal’ (1950). The words carry a thrill – they have been written by Kavi Pradeep. The music is an uplifting exuberant melody – composed by SD Burman. And voice, the sound of which will make one sit up or even stand up – such is the strong conviction and the deep exhortation that one feels on listening to it – the singing voice is the deep, strong and bass-ful voice of Manna Dey. The song that set this young singer on the path to popularity and success.
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“Pehle Aap” (1944) was one of those early movies which decided the course of action that future Hindi movie music was to take. This movie, like other movies where Naushad was the music director, had its music based on folk music, and that enabled public to readily connect and identify with this music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Saigal Saab, a person, a name – who went beyond being a legend in his own lifetime. He was an institution, with no parallel in the entire heritage of Hindi film music, during the years that he actually graced the stage of the world, or in all the years since. Having entered the cine world almost with the inception of talkies, as the stream of film music was still trying to find its feet, groping in the dark, he took this music to unprecedented heights, and left behind a benchmark that has not been equaled since he departed.
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While looking up information about Naushad, I found out that he made his debut as a music director in 1940 in a movie called “Prem Nagar”. In this movie he composed as many as 13 songs. Those are the days when actors themselves used to sing their own songs.
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This post is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor of posts to this blog

As is well-known, Aradhana was THE movie that was the turning point in Rajesh Khanna’s career. However, he did act in a few movies before Aradhana.
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