Archive for the ‘fun timepass song’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 26
– – – – – – – – – – – – – – – – – – – – – – – – – –
‘प’
“पढ़े लिखे कुछ खास नहीं पर नाम है मिस्टर वाई”
This song has been waiting in the wings, since the day I posted “Thandi Thandi Hawaa Mujhe Chhede Yahaan”, as part of the ‘Missing Films of 1960s’ series. At first I had shortlisted this Rafi Sb’s song for that post. But then on second thoughts, I changed it and saved this song for the Rafi Sb series. Good choice, I think. This song fits in well on the ‘प’ letter position.
Read more on this topic…
Aagre Se Odhni Mangaa De Balma
Posted on: July 22, 2016
- In: "Naughty" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | Lyrics contributed by readers | Mukesh songs | Post by Sudhir | Shamshad Begam songs | Shamshad Begam-Mukesh duet | Songs about a place | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
= = = = = = = = = = =
The Voice of Mukesh #70
– – – – – – – – – – – – – –
The film industry has seen many stars, who, by logical analysis, should not have been. Let me mention the names of four male singers, who have become legends now – Saigal Sb, Rafi Sb, Mukesh, and Kishore Kumar. Besides all four of them being singers who have rendered songs that have become timeless in their essence and popularity, there is one more common thread that runs through their lives. None of these four had any recognized formal training in classical music. And yet, their voice, their renditions, the emotional alchemy contained therein – has an element of something that can only be attributed to providence.
Read more on this topic…
- In: "Dholak" song | Dance song | Devnagri script lyrics by Sudhir | Duet | fun timepass song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Question-Answer song | Rafi - 'अ' से 'ह' तक | Rafi songs | Rare song | Series of articles | Shamshad Begam Rafi duet | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1951 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 21
– – – – – – – – – – – – – – – – – – – – – – – – – –
‘ढ’
“ढोलक को खूब बजाओ, जानी को खूब नचाओ”
Today’s alphabet letter has been the most elusive to locate. Statistically, ‘ढ’ is one of the lesser used letters, and so, the songs starting with words starting with this alphabet are comparatively fewer in number. As I was poring through the song lists from various sources, the search always ended with just three songs starting with ‘ढ’. And incidentally, these three are well known songs, and are already posted on our blog. The search through the lists, whether from Geet Kosh or other sources, is sometimes a problem, because at times a leading couplet appears in the beginning, and ‘mukhda’ of the song appears in the later part of the title. Searching for such words in the title is a difficult and tedious task. But after some extra effort I was able to identify this song. Then I went back into the Geet Kosh again, and confirmed that the ‘mukhda’ of this song indeed starts with the word ‘ढोलक’.
Read more on this topic…
- In: "Mela" song | "Taqraar" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
Read more on this topic…
Bhaabhi aayi
Posted on: May 15, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from the film Subah ka tara-54, a Rajkamal film by V. Shantaram.
V.Shantaram is one of the most respected Directors and Producers of India. His life story is truly a “Rags to Riches” story. Born at Kolhapur, V. Shantaram ( 18-11-1901 to 27-10-1990), spent his childhood doing hard work for survival. He could hardly study upto Matriculation. From work in a Cinema Theatre to work in a Drama company to work in a Cinema company- he did considrable amount of menial jobs in the film industry in his early days..
Read more on this topic…
Ghar Se To Kat Chuka Pattaa
Posted on: March 3, 2016
- In: Devnagri script lyrics by Sudhir | Free Spirit Song | fun timepass song | Guest posts | Happy song | Lyrics contributed by readers | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 13
– – – – – – – – – – – – – – – – – – – – – – – – – –
‘घ’
“घर से तो कट चुका पत्ता”
As I search for songs of Rafi Sb, I continue to find unheard and obscure gems, that make one wonder – where have these songs been hiding so far. And more importantly, continue to marvel more and more at the versatility of Rafi Sb’s voice and the depth of his emotional connect with the intent of the song. When I picked out this song and heard it, the one word that flashed in my mind was ‘free spirit’. This song is meant to be a freewheeling song of a wanderer, who has no roots. As the song progresses, the mind catches the attention of the feeling of lightness one experiences, as the sounds of Rafi Sb’s voice sink into the mind. The sound is coming almost as if from the skies, light as the wind. It carries a plucky feeling of a carefree heart that is joyous in its rootlessness. I am so enchanted by the emotional expression in this song that today I actually went ahead and created a new category – ‘Free Spirit Song’.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 12
– – – – – – – – – – – – – – – – – – – – – – – – – –
‘ग’
“गरज़ हो तो नखरे दिखाती है बीवी”
The voice of Rafi Sb has played in the back for umpteen actors, all the way from mid 1940s the 1980s. But there are two actors who screen performances have a very special connection with Rafi Sb. Not difficult to guess, I am sure. Yes, Shammi Kapoor is one, and Johnny Walker is the second.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 3
– – – – – – – – – – – – – – – – – – – – – – – – – –
‘इ’
“इधर भी हसीना, उधर भी हसीना “
There is one name, and one person, in the immediate family of the child Mohammed Rafi, that probably gets mentioned in the margin lines of the story of his early years. However, this person was instrumental, and played a most significant role in recognizing the talent of this child, and endeavored to provide him opportunities for listening to and learning from some of the greatest masters of that time. The name is Hamid and he was the elder brother to Mohammed Rafi.
Read more on this topic…
Lo Mil Gayi Degree Pyaar Ki
Posted on: October 5, 2015
- In: "Degree" song | Comedy song | Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Kishore Kumar songs | Lyrics by Sudhir | Lyrics contributed by readers | Mukesh and his composers | Mukesh songs | Post by Mahesh Mamadapur | Ram Kamlani song | Rare song | Series of articles | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 4 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mukesh and his Composers – 9
————————————————
“Houston, we have a problem.”
This famous quote from the Hollywood film ‘Apollo 13’ (1995) pertains to the problem on board NASA’s unsuccessful mission to the moon. Though there is a different version to the line from NASA’s actual transcript, the phrase has now become part of everyday language for reporting any kind of problem.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments