Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Guest posts’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 7
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(1974 – Solo)

This is turning out to be a very endearing and a very wonderful revisit to the songs that used to be ‘by heart’ in the school days and radio listening days. I have somewhere the notebooks stashed away, in which I and my sister used to pencil in these songs. Even Atul ji has acknowledged it. In a personal response in email, he mentioned that these are the songs that he had written in his notebook, next to cricket scores of important test matches. 🙂 These songs from the 1970s, generally introduced to our nascent minds and memories over the radio, are some of the dearest treasures ensconced in our hearts. In most cases, the familiarity was just with the song, without any details of films and other credits. That information would come later. First, it was simply the song that made its way inside and has simply been there since.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Diwani-1947. It is sung by Gyan Dutt and Sunanda Kkamath-both making their debut on this Blog as singers. Read the rest of this entry »


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Aah, eighty one sonorously musical years. Well, almost all of them, :). Greetings and best wishes Asha ji, on this personal fabulous milestone in the journey of life.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten – Song no. 6
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It is G. M. Durrani’s Death Anniversary on 7th September. So this duet by G. M. Durrani and Geeta Dutt is presented as a tribute on this occasion. G. M. Durrani and Geeta Dutt is a rare combination, only 8 duets are posted so far in the blog.

Famous simply as G. M. Durrani(1919-1988), I have wondered what is the full name. Now I find that it is Ghulam Mustafa Durrani. With the surname of Durrani, it was easy to guess his pathan ancestry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 6
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(1973 – Duet)

The duet selection for 1973 is composed by an old time stalwart – OP Nayyar. The music from the film ‘Taxi Driver’ made quite a splash on the radio waves, when it was released, especially the Krishan Kalle number “Pyaar Karte Ho Yaar, Karke Darte Ho Yaar” and the peppy Asha Bhosle number “Baalam Harjaai, Jaa Main To Aankh Milaa Pachhtaai”. This duet was also famously heard on the radio frequently.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 5
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(1973 – Solo)

Seventies was the decade of change, from the very subtle to sweeping transformations. The stars of the sky since 1950s, started to age and lose their glow and popularity. A new crop of youngsters was taking their place. Fortunes were changing, and so was the face of Hindi film music. Through the 50s and 60s, if Johnny Walker was in a film, then it was almost certain he would have a song. ‘Anand’ (1971) changed that. Issabhai Suratwala, the middle aged theatre company owner, went through this poignant tale with a role that had no opportunities for a song. Then, the number of Shammi Kapoor starrers as a hero began to fade. By the time ‘Manoranjan’ (1974) was released, Shammi was now a ‘fat’ character actor. Although still retaining the twinkle, the smile and the crack of humor, the appearance of a bulky posture and a accentuating beard was really a far cry from ‘Yahoo’. And the most significant departure came when in 1971, ‘Jaane Anajaane’ was released. The solo “Jaane Anjaane Log Miley, Par Koi Milaa Na Apna” performed by Shammi on screen carried the playback voice of Kishore Kumar. I remember now, in the ‘Filmfare’ magazine, a photo was published of the recording, showing Kishore Kumar and Shammi Kapoor, with the caption – ‘Shammi with his new ghost voice’. At that time, I did not understand the meaning of these words, as I do now.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mythological films have been an important part of Indian films since long and this was evident from the fact that there was hardly any production house that did not make a Mythological film. The period of 1940 to 1965 can be called an age of meaningful religious films. In this too, the 1950 to 1960 period was the peak period for this genre. Later on the production of such films dwindled and these days, of course, one has to make efforts to find such a film, with a large magnifying glass !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Mammo’ (1994), ‘Sardari Begum’ (1996) and ‘Zubeida’ (2OO1) were films of Muslim trilogy directed by Shyam Bengal. The main feature of these three films was that they were all woman oriented films based on real life stories. These films belonged to what is labelled as parallel cinemas. I have watched all the three films. Why these films are called trilogy? Let us go through in brief, the stories of each of the main characters in these films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 4
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(1972 – Duet)

Here is the duet that I have selected from 1972. Another peerless and lovely memory from the radio listening days. A song that is softly composed and softly rendered in a leisurely pace. Asha Bhosle accompanies Rafi Sb in the singing. The film is ‘Parchhaaiyaan’, the lyrics are by Majrooh Sultanpuri and the music composition is by RD Burman. On screen, this song is performed by Vinod Khanna, a new comer heroine, Reshma. A name that I am not familiar with at all. Apparently she appeared in not many films. Given the on screen presence, it is likely she did not make any lasting impressions at all.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 3

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(1972 – Solo)

Coming to the 1972 installment of this series. The song that I have selected is in the same genre as yesterday’s solo. Yesterday, it was “Ye Shor Hai Gali Gali, Ke Wo Jawaan Ho Chali”, telling about a young lass stepping into the age of youth. The song today tells the same story, this time about a girl named Reshma.
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