Archive for the ‘Post by Arunkumar Deshmukh’ Category
Sachchaai ka sooraj nikla
Posted on: February 24, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Dadasaheb Phalke chose the subject of a Mythological story to make his first full length silent film “Raja Harischandra”-1913, because people could readily identify with such stories. The fact that his hunch was correct is borne out by the fact that religious and mythological films, as a group, continued to outnumber the other types of films for the next 40-50 years.
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Om Jai Jai Mahadev
Posted on: February 23, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This year (2014) the Mahashivratri day falls on the 27th February and it will be celebrated with lots of religious fervour throughout India.
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Dil naache aur gaaye jawaani
Posted on: February 22, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the early phase of film making, it was difficult to get good looking female actors from educated or respected Indian families for working in films. It was becaused working in movies was considered a job ‘below one’s dignity’ at that time by most Indians. For Silent films, many Anglo Indian and Jew girls became Heroines because for them acting was like any other vocation.
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Jeewan hai sangraam bande
Posted on: February 20, 2014
- In: Actor-Singer song | Arun Kumar Mukherji songs | Balwant Singh solo song | Balwant Singh song | Debut song of artist | Devika Rani songs | Guest posts | Lyrics by Nitin Shah | Lyrics contributed by readers | Miss Meera (Muriel Alexander) songs | Multiple version song | Post by Arunkumar Deshmukh | Song of 1938 | Songs of 1930s (1931 to 1940) | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the early days of films, it was almost a tradition for the film people to invite or encourage their friends and relatives to join the industry. There could be two motives, One-to give opportunities to the dear ones and Two-to include them in the line so that their own position gets strengthened. Thus, the early artistes-at least the majority- were one way or the other connected to each others in the film line. Those days,Industry too needed people in various branches of film making as it was growing fast and social inhibitions still restricted the entries of people from respectable families.
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Tum kaun ho rajkumari
Posted on: February 16, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
My Primary education was in Urdu language. Hyderabad being a Muslim state, learning Urdu had a definite advantage, but there were schools in English, Marathi, Telugu, Kannada and even Hindi mediums as well in Hyderabad and the treatment to all other languages than Urdu was equal by the Nizam Government. This was because Hyderabad was a Trilingual state, consisting of 8 Telugu speaking Districts, 5 Marathi speaking Districts and 3 Kannada speaking districts, plus the rulers were Urdu speakers. From 5th standard I changed to Marathi Medium and continued till end of schooling. English, Marathi and Hindi were my favourite subjects, but Maths and Geography were my sworn enemies.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Film making had started in India in early 1900s and many enthusiastic lovers of making images were doing a lot of work in this field. By the time the First Talkie Film came in 1931, there were quite a few film producing centres engaged in making silent films, like Bombay, Calcutta, Lahore, Poona, Kolhapur, Bangalore, Madras, Hyderabad etc. However,Bombay, Lahore and Calcutta were the three main centres ones where the bulk of movies were was made. In those days, India was vertically divided into two parts-Calcutta on the Eastern part and Lahore and Bombay on the Western part for Hindi films. Madras,Bangalore and Hyderabad were busy in making southern language films.
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Jaago aayee usha
Posted on: February 13, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Writing about old films and old songs is not an easy job. Particularly,if you are writing about Debut Films and Debut songs,it is a Herculean task to find out which is the real Debut song/Film. This is because, as I always say, we are a poor nation as far as recording film history is concerned. There are conflicting claims made by Internet sites and so called experts. Even books are not reliable, as I found recently. Therefore, it is very difficult to verify any information.
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Mere haath mein tera haath rahe
Posted on: February 7, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The second song in the series “Debut or First film songs ” is from the First Hindi/English film KARMA-1933. It is sung by the ‘First lady of the Indian Cinema and the First winner of the prstigious Daqdasaheb Phalke Award- DEVIKA RANI.
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