Archive for the ‘Post by Sadanand Kamath’ Category
Raat ki mehfil sooni sooni
Posted on: March 16, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
After reading my own article on a song from NOOR JEHAN (1967) ‘ sharaabi sharaabi ye saawan ka mausam’ on this blog, I felt guilty for bypassing, in my view, the most beautiful song of this film ‘ raat ki mehfil sooni sooni’ sung by Lata Mangeshkar. In fact the very purpose of ascertaining whether this song was in my VCD or not was a precursor to write an article on this song. But somehow I was carried away by the availability of the video clip of the Suman Kalyanpur song. So I sat down for deciphering the lyrics of ‘raat ki mehfil sooni sooni’ which was not a difficult task due to the clear audio and impeccable diction of Lata Mangeshkar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I am not a keen watcher of period movies but do buy VCDs/DVDs of such movies mainly for watching the fabulous songs. Recently, I watched NOOR JEHAN (1967) with a view to ascertaining whether the VCD contained the only Lata Mangeshkar song ‘ raat ki mehfil sooni sooni’ in it. In this process, I saw the entire movie. As I expected, the song was excluded from the VCD. In fact, it is said that this song was not included in the original print of the film. Despite some mindless cuts in the VCD version affecting the continuity of the screen play and the bad quality of video, I did not feel a total let down by the film. The story which I knew from the history books was interesting one from the point of view of cinematic presentation. The film was shot on lavish sets and outdoor locations in keeping with the period movie theme.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I just cannot believe that a song of 40s which I had completely forgotten over four decades, suddenly started rolling in my mind last month when a group of a political party workers came to my house to canvass for their party candidate from my area for the municipal election last month. The song was‘nagari meri kab tak yuhin barbaad rahegi’ from MAN KI JEET (1944).
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Achcha jee maaf kar do
Posted on: March 12, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Born with a silver spoon’ is a phrase which has often been used with reference to a person born in a rich family. It would not be out of place if If I coin a similar pharse ‘born with the golden Hindi film songs’ with reference to Bharat Bhushan and Pradeep Kumar. They were blessed with the best of the songs of the golden era by picturising on them. There was not much to talk about their acting capabilities but they were so lucky in their filmy career that they paired with some of the most prolific heroines with their impeachable acting capabilities. No doubt, most of their films became the box office hits. They are known today even to the new generation mainly because of the songs they got to sing on the screen rather than for their acting ability.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Talat Mehmood had sung most of his duet songs mainly with Suraiyya, Geeta Dutt, Lata Mangeshkar, Asha Bhonsle and Sudha Malhotra. I get a feel of an affinity between the singers on the one hand and the actors on the screen on the other hand when I listen to Talat Mehmood-Geeta Dutt duets. This combination is pleasing to my ears and gives credence to what is intended in the lyrics. The song which comes to my mind in this context is ‘armaan bhare dil ki lagan tere liye hai’ from JAAN PEHCHAAN (1950).
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Mere dil ko jiski talaash thhi
Posted on: March 10, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are some songs which I feel are better heard than watched. The evergreen song “aapki nazron ne samjha pyar ke kaabil mujhe” was one of my favourites and I had pinned great hopes on its video clip. I was disappointed the moment I watched the video clip of this song. Even now whenever I listen to this song on the audio clip, Darmendra’s expressionless face comes before my eyes which act as a speed breaker in the smooth flow of an otherwise melodious song.
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Jeene ka agar andaaz aaye
Posted on: March 8, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ravi’s debut film was Vachan (1955) but I first came to know about him through the songs of Chaudhvin Ka Chaand) (1960). He was music director for many successful films like Gumrah (1963), Waqt (1965), Khandaan (1965) Do Badan (1965), Kaajal(1965), Phool Aur Patthar (1966), Aankhen (1968) to quote a few. He was one of the popular music directors of Hindi films produced in the South. He wrote the popular song ‘cat mane billi’ for Dilli Ka Thug (1958). From 70s onwards, his musical assignments started declining and by later part of 80s, he was almost retired from the Hindi film industry. With his demise, we have lost one more veteran music director of the golden era of Hindi filmsongs.
May his soul rest in peace.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my earlier stage of baptism to Hindi film songs of the golden era, whenever I came across some new songs I liked, I would want to know the name of the film, singers and themusic directors ( in that order) of the concerned songs. I never enquired about who wrote these likeable songs. One song that made me to know the name of the lyricist was “main zindagi ka saath nibhaata chala gaya” from HUM DONO(1961). This song virtually introduced me to a great Urdu poet and lyricist Sahir Ludhianvi. I feel shy to reveal here that though I liked those iconic songs of PYAASA (1957) but that did not trigger my brain to enquire as to who wrote those melancholic and the soul searching songs. As I came to know later, those songs were written by Sahir Ludhianvi.
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Kuchh yaad rahe to sun kar jaa
Posted on: March 7, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
One of the remembrances of my childhood days of early 50s was a song ‘kuchh yaad rahe to sun kar jaa’ which my mother used to sing quite often. It would not be an exaggeration to say that I grew up with this song. Those days, I did not remember the beginning line of this song but one line from this song – ‘tu haan kar jaa yaa naa kar jaa’ remained embedded in my mind. I had no inkling at that time that it was a filmy song.
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Ye khushi ka samaa
Posted on: February 24, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Talat Mehmood ( 24-02-1924 – 09-05-1998) and the song ‘ tasveer teri dil mera behalaa naa sakegi’ are synonymous. I was under the impression that this song was from a film. But after getting hold of a 78 rpm record ( N.16767) of this song in early 70s, I realised that it was a non-filmy song. I came to know much later that this was one of the top selling gramophone records issued in early 40s and this song brought Talat Mehmood to the limelight as a singer in Hindi film industry.
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