Archive for the ‘Devnagri script lyrics by Sudhir’ Category
Sukh Swami dev
Posted on: March 3, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
During the early 50s, whenever there was any function, or a marriage or Upnayan ceremony in some relative’s place, I alongwith all my cousins used to have a field day. Such functions were usually held during summer vacations,so there was no tension of Exams or studies. There were about 15-16 of us, both boys and girls put together. One favourite game that we used to play was called ” Bhendya “. This was similar today’s ‘Antakshari ‘. In those times our game consisted of only Marathi songs-Bhavgeets or cinema songs.
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Son bhanwar udd jaayegaa
Posted on: February 28, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A most versatile character actor. Well, not completely feasible, given his short stature and a thin voice. And yet, he has successfully played a variety of roles on the screen that cover the spectrum from very negative to the very positive. A face that always carries a perennial melancholia seeped into his poignant eyes. The lasting sad elder of the Hindi film screen – Manmohan Krishan.
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- In: Asha Bhonsle solo | Asha Bhonsle songs | Bhajan | Devnagri script lyrics by Sudhir | Guest posts | Lyrics by Nitin Shah | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Rare song | Shiv bhajan | Songs of 1950s (1951 to 1960) | Songs of 1954 | Theme song | Title song | Yearwise breakup of songs
- 6 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contribtor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Greetings to all readers,on this auspicious day of MAHASHIVARATRI-2014.
For the devotees of Shiv Shankar Bholenath ji, this day is very important. This was the day (rather the night ), when Shiv ji married Parvati ji and Shiv and Shakti came together. This festival is celebrated with religious fervour all over the world by Shiva devotees. Fasting during the day and Jagran in the night is usually the programme on Mahashivratri.
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Tumne ye kya sitam kiya
Posted on: February 24, 2014
- In: Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Ghazal | Guest posts | Lyrics contributed by readers | NFS | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1970 | Talat Mehmood NFS | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
- 22 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9500th song post in the blog.
OK, so it is 9500 today. Goodness, the Doppler effect that I discussed, oh just three short weeks ago, seems to be working just as told. The actual pace of posting songs is fairly normal and consistent. And yet, it seems we are speeding up, and will be reaching the magic number, faster than we thought we would get there.
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Mehbooba meri mehbooba
Posted on: February 17, 2014
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Movie not mentioned in HFGK | Post by Sudhir | Rafi solo | Rafi songs | Rare song | Song from unreleased movie | Song not figuring in HFGK | Song unlisted in HFGK | Songs of 1960s (1961 to 1970) | Songs of 1964 | Unreleased songs of Madan Mohan | Unutilised Madan Mohan compositions | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #11 – The Reveries of Love
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(Note: It is a little strange to start an article with a Note. 🙂 But I felt it is necessary. This series has seen a lot of delays and long gaps between individual episodes. All of it is my own doing. Partly it is availability of time, and partly it is the writing about the subject itself.
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Aayee ritu saawan ki
Posted on: February 17, 2014
- In: Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Bhupinder Singh songs | Devnagri script lyrics by Sudhir | Ghazal | Guest posts | Lyrics contributed by readers | Multiple version song | Post by Bharat Upadhyay | Rare song | Semi Classical song | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs
- 11 Comments
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Genius of Jaidev
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Four songs from the 1977 film ‘Alaap’ has been already posted in this blog. this one second in my series will be the fifth one. I am not repeating the details of that film here, but will describe the scene depicted in the presentation.
Tawayaf Sarjubai, acted by Chhaya Devi, sings a soulful bandish in Raag ‘Desh’. She is remembering, in flashback, the pain of a prince of some state, Rajasaheb, acted by Sanjeev Kumar, who had just lost his beloved wife. Many tawayafs were patronized by princes for their singing talents during that period.
Jaidev , unlike the MDs of that era, utilized unknown or rarely heard singers as far as Hindi films are concerned. This duet is by two performing artists, Fayyaz (well known Marathi stage artist) and Bhupinder. (well known non-film gazal singer) I am sure this song will bring tears in the eyes to the sensitive souls and lovers of good music. May I invite you all to listen to this creation and wet the eyes with me?
PS-The audio of the solo version of the song is now uploaded by Sudhir ji alongwith the Devnagri lyrics. The two versions are identical except for one extra line repeated in the duet version at the end.
Duet version
Solo female version
Song- Aayee Ritu Saawan Ki (Aalaap) (1977) Singers- Kumari Fayyaz, Bhupinder Singh, Lyrics-Rahi Maasoom Raza, MD- Jaidev
Lyrics
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Duet version
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aayee ritu saawan ki
piyaa mora jaaye re
aayee ritu saawan ki
bairan bijuri chamakan laagi
bairan bijuri chamakan laagi
badri taana maare re ae
aise mein koi jaaye piyaa aa
aise mein koi jaaye ae piyaa aa
tu rootho kyun jaaye re ae ae ae
aayee ritu saawan ki
tum hi anook bidesh jaaiyyaa
sab aaye hain dwaar re
aise mein koi jaaye piyaa aa
aise mein koi jaaye piyaa aa
tu rootho kyun jaaye re ae
aayee ritu saawan ki
aayee ritu saawan ki
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Solo version
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aayee ritu saawan ki
piyaa mora jaaye re
aayee ritu saawan ki
bairan bijuri chamakan laagi
bairan bijuri chamakan laagi
badri taana maare re ae
aise mein koi jaaye piyaa aa
aise mein koi jaaye ae piyaa aa
tu rootho kyun jaaye re ae ae ae
aayee ritu saawan ki
tum hi anook bidesh jaaiyyaa
sab aaye hain dwaar re
aise mein koi jaaye piyaa aa
aise mein koi jaaye piyaa aa
tu rootho kyun jaaye re ae
aayee ritu saawan ki
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Hindi script lyrics (Provided by Sudhir)
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Duet version
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आई ऋतु सावन की
पिया मोरा जाये रे
आई ऋतु सावन की
बैरन बिजुरी चमकन लागी
बैरन बिजुरी चमकन लागी
बदरी ताना मारे रे
ऐसे में कोई जाये पिया
ऐसे में कोई जाये पिया
तू रूठो क्यूँ जाये रे॰॰ए॰॰ए
आई ऋतु सावन की
तुम ही अनूक बिदेस जाइया
सब आए हैं द्वारे रे
ऐसे में कोई जाये पिया
ऐसे में कोई जाये पिया
तू रूठो क्यूँ जाये रे॰॰ए॰॰ए
आई ऋतु सावन की
आई ऋतु सावन की
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Solo version
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आई ऋतु सावन की
पिया मोरा जाये रे
आई ऋतु सावन की
बैरन बिजुरी चमकन लागी
बैरन बिजुरी चमकन लागी
बदरी ताना मारे रे
ऐसे में कोई जाये पिया
ऐसे में कोई जाये पिया
तू रूठो क्यूँ जाये रे॰॰ए॰॰ए
आई ऋतु सावन की
तुम ही अनूक बिदेस जाइया
सब आए हैं द्वारे रे
ऐसे में कोई जाये पिया
ऐसे में कोई जाये पिया
तू रूठो क्यूँ जाये रे॰॰ए॰॰ए
आई ऋतु सावन की
- In: "Sales pitch" song | Chai song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Post by Sudhir | S D Batish songs | S D Batish Sudha Malhotra duet | Songs of 1950s (1951 to 1960) | Songs of 1955 | Sudha Malhotra songs | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mera Dil Jal Rahaa Hai” – a dialogue that is delivered with a measured viciousness, with lancet eyes looking daggers at you, lips pinched and nose screwed, with both hands half raised in a dismissive directive to all and sundry – an utterance of extreme frustration and deepest contempt. This expression and this articulation, is a signature hallmark of the one and only comical-vampish-diabolical mother-in-law cum scheming aunt or sister. Yes, the one and only in her class in the Hindi film world – Erin Issac Daniels.
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Hangaama e gham se tang aakar
Posted on: February 15, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rare Performances – Things Unique and Unexpected #4
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Poets as singers may not be an uncommon expectation. Poets are known for their singing prowess in mushairas and in kavi sammelans. They are expected to present their verses in ‘tarrannum’. However, not many have ventured into singing in the films. It is quite strange, because they are the one’s who best know the words, their intent, and their meaning. They also have a fair idea about an underlying melody that hides behind the meter and rhyme that they have created. Lyricist DN Madhok was famous for providing a basic ‘dhun’ to the music directors, for every song he wrote. But still, one does not find many singing in the films in their own voice.
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Ghanan ghanan ghan garjo re
Posted on: February 13, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is my small tribute to Ustad Amir Khan (15/08/1912 – 13/02/1974) on the occasion of his 40th death anniversary which falls on February 13, 2014. He was the founder of the Indore Gharana though personally he did not like to be associated with any gharanas. He maintained that he belonged to the Hindustani gharana and other gharanas were like its sub-branches. But his disciples gave the name of Indore gharana for his unique style of rendition.
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