Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Sudhir’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have so far seen three films produced and directed by Roop Kishore Shorey – ‘Ek Thhi Ladki’ (1949), ‘ Dholak’ (1951) and ‘Ek Do Teen’ (1953) and I relished them wholeheartedly. He was known in his hay days as ‘King of Comedy’ as most of his films were based on light situational comedies. There was no gaudiness in his comedy films as the comedy emanated from a ‘self goal’ that is, the characters in his films laughed on themselves rather than taking pleasure in laughing on others.
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“Gauri” (1968) was a Sivaji Films pvt Ltd production. It was produced by Shivaji Ganeshan and directed by A Bhim Singh. the movie had Nutan, Sunil Dutt, Mumtaz,Urmila Bhatt,Sanjeev Kumar, Leela Misra, Rajendranath, Laxmi Chhaya, Asheem Kumar, Umesh Sharma, Shivraj, Randhir, ShyamLal, Sheikh, Rajendra Dara, Om Prakash etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was looking up the list of anniversary names on google. Well, of course, I wanted to find out what the 75th anniversary is celebrated as. Now, the fact that 25th is Silver and 50th is Gold, is well known, and well established. Beyond that, going to 75th and on to 100th, I find differing opinions. Many folks would refer to 100th as the Diamond Jubilee, with no specific preference for the 75th. Then again, there are folks who want to celebrate the Diamond Jubilee at the 75th itself going to non specific things like ‘Diamond+Pearl’ Jubilee for the 100th. I am not much convinced with this sequence. Then I found one reference where the 75th anniversary is referred to as Platinum Jubilee. Now this I would think, is a better reasoning. We keep the Diamond for the 100th, and celebrate the 75th as Platinum – more expensive than Gold, but less expensive that Diamond. Makes sense?
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pandit Narendra Sharma came to the film industry after having excelled in the field of academics and Hindi Literature as an author, teacher, editor and publisher. His songs have a simplicity, yet they are woven with such chaste choice of words from Hindi language. Listening to his poetry and his writings from films is like a shower of fresh flowers – soft, fragrant and very pleasing to the heart and mind. The sounds of “Yashomati Maiyyaa Se Bole Nandlala”, (‘Satyam, Shivam, Sundaram’, 1978) or “Bhanwre Ne Khilaaya Phool Phool Ko Le Gayaa Raaj Kunwar” (‘Prem, Rog’, 1982), or “Tum Aasha Vishwaas Hamaare” (‘Subah’, 1982) are very endearing to the heart. And even before, looking at the earlier decades, the songs like “Mann More Huaa Matwaala” in the voice of Suraiyya from the film ‘Afsar’ (1950), and “Kahaan Udd Chalen Hain Mann Praan Mere” from the film ‘Bhaabhi Ki Choodiyaan’ (1961) come from his pen.
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I discovered the songs of “Mad Bhare Nain” (1955) recently and I was surprised to know that so little was known about this movie.

Not any longer. Our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh has now shared up the details of this movie. Here is what he has to say about this movie:
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The sheer fusion of the poetry – in verse and in melody, is absolutely astounding in this creation. And folks familiar with Khayaam Sb would not expect any less, and especially when the film is ‘Shankar Hussain’ (1977).
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