Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘qawwali’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

What to say about this qawwaali. . . what a gem, what a superb, almost impromptu presentation, and the lyrics, gosh, such wonderful, impactful, crisp, and short, with a punchline in each antaraa that spontaneously evokes the reaction, ‘waah waah kyaa baat hai’, ‘kya misra maaraa hai. . . kamaal hai.’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Reviving a wonderful qawwaali from one of those not so well known films, and yet a gem of a composition and a fabulous presentation. The film is Mujrim Kaun Khooni Kaun (1965). It is a social drama produced under the banner of Pratima Pictures, Bombay and it is directed by Ramneek Vaidya. The star cast includes Jairaj, Indira aka Indira Billi, Heeralal, Sapru, Shammi, Bela Bose, Asit Sen, Raj Mehra, Brahm Bhardwaj, Gopal Sehgal, Shyam Kumar, V Gopal, Mirza Musharraf, Sherry etc. The lyrics for this film are written by three poets viz., Anjum Jaipuri, Akhtar Romani and Naqsh Lyallpuri. This particular qawwaali is written by Akhtar Romani. The music composition is by Baabul – another one of the unsung talents that have produced absolutely A class music, but never really got their due recognition in the industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About two weeks ago, I had posted the qawwaali ‘Waaqif Hoon Khoob Ishq Ke. . .’ from the film Bahu Begum (1967). As promised, here is the second qawwaali from the same film, that is another wonderful specimen of Roshan Saab’s compositions.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Another wonderful song, actually a qawwaali, that I discovered recently to be composed by Usha Khanna. The singer of this qawwaali is Jaani Baabu Qawwaal. When I had heard this qawwaali many year ago, and associating the name of Jaani Baabu with it, I had presumed this to be non-film offering, since Jaani Baabu is a professional mainstream qawwaali singer. Only recently, as I was selecting songs composed by Usha Khanna, for posting on this blog, I came across once again this wonderful qawwaali on YouTube, and then realized that it is actually from the film Do Khilaadi (1976).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this post I present a qawwaali written by Sahir Saab. In the string of qawwaalis, I had some time back posted the iconic qawwaali from the film Kaala Samunder (1962), with the mukhdaa (title) “Meri Tasweer Le Kar Kyaa Karogey Tum” . There is one more qawwaali from the same film, not as well known, and is somewhat rare and obscure. But then, bless this YouTube that I am able to trace this qawwaali finally.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The general impression of a qawwaali is that is sung by a group of singers and musicians together. Either it is one group that is presenting, with one or two lead singers, a number of other singers providing the chorus, and some members of the group are playing the musical instruments. Or it is a presentation by two groups composed as described above, who may be competing with each other, in presenting ideas about a specific theme. This latter variation is called ‘baitbaazi’ .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the search for the qawwaali form of music in Hindi films, I come across two wonderful qawwaalis from the film Bahu Begum (1967). I present the first one in this write up.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Besides being an exceptional production in terms of characterizations and performances, the epic Mughal-e-Azam (1960) created by K Asif, was a musical bonanza too. Of the twelve brilliant creations by Naushad Saab and Shakeel Badayuni, eight are already posted on this blog. Here is the ninth musical offering from this film – a wonderful qawwaali in the tradition of baitbaazi, by Shamshad Begum and Lata Mangeshkar. The setting of this qawwaali is as follows.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A qawwaali that is true to its art form, a naatiyaa kalaam, presented in the honor of an un-named saint. Apparently, it is a some celebration at the dargaah of a departed saint. The words tell about the divine powers of just being there, and requesting in humble supplication, and the desires and aspirations will be fulfilled.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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