Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘qawwali’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The mention the word ‘qawwaali’ to a Hindi film buff, and 95 out of 100, the response will be the humming sounds of ‘Ye Ishq Ishq Hai Ishq Ishq. . .’. As a poetry form, qawwali originated in Persia and traveled to the subcontinent, during the emergence of the Sufi philosophers in the 12th and 13th centuries. In its original form, its intent is to sing the praises of Allaah, the Almighty, Prophet Muhammad, and other saints. The art was exclusively performed at places of religious worship and at dragaahs (mausoleums) of revered saints and teachers. The poetry is implicitly intended to be spiritual in its context, and its central themes are love, devotion and longing (of man for the Divine).
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This song is a long pending farmaish for this blog. This song is “Haseenon ki adaayen”, aka “haan ye bholi soorat waale” from “Chaar Din” (1949). This song has been giving me lots of troubles. For one, this song has not one , but two parts. And secondly, each of the part is supposed to have three singers each and as per credits, only one singer is repeated in the other part of the song. But I can clearly notice that these parts have more than three singers singing in them. Moreover, more than one common voice can be heard in both the versions.
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Hindi movies can sometimes educate us on the existence of rare art forms. For instance, how many of us know about the art form called “Charbait” ? I came to know about this term thanks to this song from “Shankar Hussain” (1976).
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“Barsaat Ki Raat” (1964) was a movie that only had qawwalis in it, and the movie, riding on these qawwalis went to to become an all time hit movie. Inspired by the success of this movie, a B grade movie maker tried to emulate the movie by making another movie on the same theme. This movie maker in fact went one step ahead and named his movie “Qawwali ki raat”! What an inspired title ! 🙂
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This article is written by Raja, a fellow enthusiast of Hindi movie songs and a regular contributor of articles to this blog.

Up until about a year ago, I knew just one song of the movie “Ustadon Ke Ustad” (1963). This was the famous Rafi saab song “sau baar janam lenge”.
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The movie “Barsaat Ki Raat” (1960) was a movie that was a qawwali bonanza as this movie consisted mainly of one awesome qawwali following other. After the huge success of this movie, other movie makers tried to ape its success formula by coming with movies with similar theme. One of these movies was called “Qawwali Ki Raat” (1964) thus leaving no ambiguity about the fact that it was inspired from “Barsaat Ki Raat” (1960).
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