Archive for the ‘Rafi solo’ Category
This song is one of the oldest in this blog, and one of the most cherished one. Noorjahan makes her debut in my blog with this song. Rafi figures in this song too. This was one of the earliest hit filmy song of Rafi.
Except this song and singers, most other things about this song have been largely forgotten. This movie was called Jugnu ( I only knew a Dharmendra- Hema Malini movie of this name in 1970s). The lyricist is someone called Tanvir Naqvi, a namesake of the current Pakistani new ball bowler. Music director was someone called Feroz Nizami.
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As a small kid, I had heard about three monkeys of Gandhiji that symbolised- “bura mat suno, bura mat dekho, bura mat kaho.” So when I actually heard a song with the same lyrics, I naturally liked this song. It became one of my favourite songs of that era.
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The dashing Joy Mukherji, a Shammi Kapoor clone ( I do not call him poor man’s Shammi Kapoor, that title is reserved for Vishwajeet) sings a piano song in his home production “Humsaaya”. The movie itself was a failure, but this song survived and was the saving grace for this disaster of a movie.
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This song is one of the earliest hits of Rafi. It came about in 1949 in a movie called Dulari and it went a long way in establishing Rafi as the most sought after male playback singer for the next two decades. This song was such a refreshing change from the usual songs of that era which used to be songs influenced by K L Sahgal’s singing style. Rafi’s singing in this song set the tone for the modern way of singing playback songs in Bollywood which continues to be followed to this date.
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Pukaarta chala hoon main
Posted on: September 13, 2008
The tune is typically O P Nayyar, and the storyline is tailormade for Shammi Kapoor. But Shammi Kapoor was not available to act in all the movies. Movie makers those days had Shammi Kapoor clones to choose from. One was the tall and dashing Joy Mukherjee, and the other was the pint sized Vishwajeet.
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This movie Adhikaar (1971) may have been forgotten, but this movie had some very nice songs in it. I had already posted one song “Rekha O Rekha” from this movie. Here is another song, a qawwali from this movie, this time.
And what a qawwali ! R D Burman proves that he was not just a composer of foot tapping western tunes, he could create nice qawwalis as well. And this qawwali is just as foot tapping as any other R D Burman compositions. This must rank as one of the best qawwalis in Bollywood movies, that is for sure.
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Man re tu kaahe na dheer dhare
Posted on: September 9, 2008
Public have their own rankings for songs, but what about the elite, those who create such songs ? How do they rank songs and which are the songs that they rate the best ? A couple of years ago, an Indian magazine ( Outlook ) had taken a poll of people associated with Bollywood music industry ( singers, music directors, lyricists ) to find out their favourite songs.
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48 | Post No. : | 68 | Movie Count : |
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“Naseeb” was supposed to be a sequel of “Amar Akbar Anthony” with the same cast of brothers. But unfortunately Vinod Khanna was into following Acharya Rajneesh those days and so he had to be replaced by Shatrughan Sinha. Amitabh and Rishi Kapoor continued from the previous movie as did Pran from the previous movie as their father.
As if bringing together a big star cast of leading stars was not enough, the song “John Jaani Janardan” brings together a galaxy of other current and retired filmstars of Bollywood. In fact this song has been aped in the 2008 movie “Om Shanti Om” too, though not with the same effect.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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47 | Post No. : | 63 | Movie Count : |
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This song, which was almost forgotten by the new generation, got a new lease of life in 1980s when this song was included in a scene in “Andhaa Kanoon” where Rajnikant outsmarts his police inspector sister Hema Malini, when the latter tries to record his confessions to crimes in a hidden tape recorder. Unknown to her, Rajnikant ensures that the song “april fool banaya” replaces his confession in the tape. The finer details of how Rajnikant did that, unnoticed to everyone are not known to us mortals. Ranjikant could move faster than light, and so the detailed technical geek work involved in this may have totally eluded our limited sensory organs.
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Maine ek ladki pasand kar li
Posted on: August 30, 2008
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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43 | Post No. : | 48 | Movie Count : |
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Young kids growing up in India learn as much of their vocabulary from family members and friends as from Bollywood movies and songs. I learnt the meaning of “ladki pasand karna” for the first time when I heard my mother advising her brother (mama for me) to get married ( “Shaadi kar lo. Koi ladki pasand kar lo”).
As if on cue, this song ” maine ek ladki pasand kar li” started blaring on loudspeakers after a few days. And thanks to my newfound knowledge ( gained by overhearing my mother), I knew the meaning of the phrase “ladki pasand kar li”.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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