Archive for the ‘Rafi solo’ Category
Akele hain chale aao
Posted on: October 18, 2008
“Raaz” was a Rajesh Khanna movie produced in 1967, before he had become a superstar. In those days, Rafi used to be the playback singer for male lead, and that is indeed the case in this movie.
This song “akele hain chale aao” has been sung by Rafi as well as Lata. Personally, I like the Rafi version more.
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Akele akele kahaan jaa rahe ho
Posted on: October 16, 2008
Shammi Kapoor, who started his career with a whimper in 1950s, began to create waves in 1960s, beginning with “kashmir Ki kali”, and ever since, all his subsequent movies saw him playing similar roles in movies with similar story lines.
One common thread in all these movies used to be lilting music, typically sung by Rafi with gusto.
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Usha Khanna, the sole female music director in Bollywood movies in the last 50 years remained confined to lesser movies for most of her career. But every once in a while, she tended to rise above the mediocrity of the movies she gave music in.
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“Gopi” was one of the last movies with Dilip Kumar as the hero. In this movie, Dilip Kumar sings a few philosophical songs. This song “sukh ke sab saathi” is perhaps the best known of the songs of this movie.
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When one talks of tragic actors, what are the names that come to mind ? Guru Dutt and Meena Kumari ? It may be news for people, but in the first decade of their career viz 1950s, they were both known for playing positive, energetic ,bubbly characters oozing with zest for life.
The crown for being the first major tragedy queen of that era should rightfully belong to Nutan. She played quite a few memorable tragic roles in movies. She in fact played a tragic role as early as in 1955 in a movie called “Seema”.
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This song is one of the oldest in this blog, and one of the most cherished one. Noorjahan makes her debut in my blog with this song. Rafi figures in this song too. This was one of the earliest hit filmy song of Rafi.
Except this song and singers, most other things about this song have been largely forgotten. This movie was called Jugnu ( I only knew a Dharmendra- Hema Malini movie of this name in 1970s). The lyricist is someone called Tanvir Naqvi, a namesake of the current Pakistani new ball bowler. Music director was someone called Feroz Nizami.
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As a small kid, I had heard about three monkeys of Gandhiji that symbolised- “bura mat suno, bura mat dekho, bura mat kaho.” So when I actually heard a song with the same lyrics, I naturally liked this song. It became one of my favourite songs of that era.
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The dashing Joy Mukherji, a Shammi Kapoor clone ( I do not call him poor man’s Shammi Kapoor, that title is reserved for Vishwajeet) sings a piano song in his home production “Humsaaya”. The movie itself was a failure, but this song survived and was the saving grace for this disaster of a movie.
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This song is one of the earliest hits of Rafi. It came about in 1949 in a movie called Dulari and it went a long way in establishing Rafi as the most sought after male playback singer for the next two decades. This song was such a refreshing change from the usual songs of that era which used to be songs influenced by K L Sahgal’s singing style. Rafi’s singing in this song set the tone for the modern way of singing playback songs in Bollywood which continues to be followed to this date.
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Pukaarta chala hoon main
Posted on: September 13, 2008
The tune is typically O P Nayyar, and the storyline is tailormade for Shammi Kapoor. But Shammi Kapoor was not available to act in all the movies. Movie makers those days had Shammi Kapoor clones to choose from. One was the tall and dashing Joy Mukherjee, and the other was the pint sized Vishwajeet.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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