Archive for the ‘sad song’ Category
Dil Liya Gham Diya Kya Kiya
Posted on: July 15, 2017
- In: Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Rare song | sad song | Separation song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 33
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Unbelievable – that this song is still waiting to be posted.
This gem of a song, a forgotten favorite from the radio listening days. Such a lovely and soulful song, a wondrous melody that enhances the poignancy of the emotions contained within the words. And the words – what an ocean of feelings has been captured and bundled, just within the three phrases of the first line itself,
dil liya. . . gham diya. . . kya kiya. . .
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Roney Se Nahin Fursat Jisko
Posted on: June 26, 2017
- In: Actor-Singer song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Husn Banu Solo Songs | Husn Banu Songs | love spurned | Lover's Complaint | Lyrics contributed by readers | Post by Sadanand Kamath | sad song | Songs of 1940s (1941 to 1950) | Songs of 1942 | Vagaries Of Love | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
At the time of the release of National Studios’ film ‘Roti’ (1942) in August 1942, the production house was sold to KM Modi, a prominent film exhibitors of that time who had no interest in producing films. At that time, three films of National Studios were under the advance stage of completion. ‘Jawaani’ (1942) was one among the three films, other two films being ‘Lala ji’ (1942) and ‘Apna Paraaya’ (1942). Anil Biswas was the music directors for all the three films.
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Guzra Hua Ulfat Ka Zamaana
Posted on: June 21, 2017
- In: Biography of artists | Biography of lyricist | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Missing the loved ones | Post by Sadanand Kamath | sad song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Vagaries Of Love | Yearwise breakup of songs
- 22 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This post is 501st post by Sadanand Ji. Due to a tagging error, we all missed the event of 500th post by him (his previous post).
In the early part of the golden era of Hindi film music, there were many films which were box office disasters. These films got released but vanished from the theatres quickly. These films also got ‘erased’ from the memories of the film audience of that time except those who had interest in Hindi film history. Some of such obscure films had the treasures of melodious songs.
If I confine myself to the first half of 1950, I get quite a good numbers such obscure films having melodious songs. Some of such films were ‘Adaa’ (1951, Madan Mohan), ‘Malati Madhav’ (1951, Sudhir Phadke), ‘Ghunghroo’ (1952, C Ramchandra), ‘Nirmohi’ (1952, Madan Mohan), ‘Raag Rang’ (1952, Roshan), ‘Baaghi’ (1953, Madan Mohan), ‘Fareb’ (1953, Anil Biswas), ‘Jhaanjhar’ (1953, C Ramchandra), ‘Chor Baazar’ (1954, Sardar Malik), ‘Naaz’ (1954, Anil Biswas), ‘Rishta’ (1954, K Datta), ‘Garam Coat’ (1955, Amarnath Chawla), ‘Madhur Milan’ (1955, Bulo C Rani) etc. The list is not exhaustive.
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Mann Ko Kaise Behlaayen
Posted on: June 18, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Before the partition in 1947, two of the well-known and successful Lahore-based producers-directors were Dalsukh M Pancholi of Pancholi Art Pictures and Roop K Shorey of Shorey Pictures. After the partition, both of them had to shift to Bombay (Mumbai), having lost their assets including the studios which were burnt down during the communal riots. It took some time for both of them to re-organise their film production companies in Bombay. Roop K Shorey released his first post-partition film, ‘Ek Thhi Ladki’ (1949) under a new banner, Shorey Films. Dalsukh M Pancholi took one more year to release his first post-partition film ‘Meena Baazar’ (1950) under a new banner, Pancholi Productions.
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- In: "Broken heart" song | "Phool" song | Devnagri script lyrics by Sudhir | Feelings of heart | Lyrics contributed by readers | Missing the loved ones | Rare song | sad song | Songs of 1940s (1941 to 1950) | Songs of 1949 | Vagaries Of Love | Weather song | Yearwise breakup of songs | Zohrabai Ambalewaali solo | Zohrabai Ambalewaali song
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nisbat”(1949) was directed by S Shamsuddin for Hindustan Art Productions, Bombay. This social movie had Yakoob, Munawwar Sultana, Mirza Musharraf, S Mazhar, Baby Zubeida, H Prakash, Sofia, Jillo etc in it.
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- In: "Kaaga/Crow" song | Bird songs | Brother Sister song | Crow/Kaagaa songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Panchhi songs | Pathos | Poignant Song | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The first time I saw this film, it was on Doordarshan, and the only song that I could appreciate (given my age) was “Bibi Mendaki Ri Tu To Paani Mein Ki Raani”. Rest of the film, its emotional and familial nuances were all lost on me. Those were the days, when watching television was a privilege bestowed upon oneself by a friendly neighbor. One would go to watch television at a neighbor’s home, or hang on to the windows, if entry was not permitted. And so, the opportunity that one gets to watch a movie was in itself a treat, and an accomplishment. And one always wanted to make the most of such opportunities. Getting bored was not only not an option, but it was a thought furthest from the mind. I have this placement in front of a TV screen, and I will watch it for as long as I am allowed, whatever may be the content. The serious stuff was mostly OHT (Overhead Transmission), and the mind would remember and register the fun parts like Balraj Sahni having poori and lassi at a halwai shop in the morning before reaching his office, or singing this above mentioned song with his children on the Sunday when he is at home. But as far as watching time is concerned, it was to be religiously spent, to watch the entire film, whether I could make out more of it or not.
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Shamma Bujhne Ko Chali
Posted on: April 16, 2017
- In: "Broken heart" song | "Sacrificing in love" song | "weepy" song | Background song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Melancholic song | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | sad song | Series of articles | Shama Parwana song | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 35
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‘श’
“शम्मा बुझने को चली”
Of the many colors of Rafi Sb’s voice, probably the most touching, and the most impressive is his interpretation of the emotions of sadness. Maybe, it be so that the “. . . sweetest songs are the ones that tell of the saddest thoughts” (from the poetry of Percy Shelley, that inspired the iconic song of ‘Patita’ (1953) – “Hain Sab Se Madhur Wo Geet Jinhen Hum Dard Ke Sur Mein Gaate Hain”). And maybe, that the genuineness and honesty of expressions that go together with the unfeigned and substantive voice of Rafi Sb, it simply makes us feel the true depth of this ‘sweetness’ – a sweetness that touches a very familiar, a very dear chord within.
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- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Melancholic song | Poignant Song | Post by Sudhir | sad song | Semi Classical song | Sentimental song | Songs of 1960s (1961 to 1970) | Songs of 1967 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
As soon as he discovers that I have uploaded a new post, Arvinder ji (I should say, Dear Arvinder ji) is immediately on my case – “where are the songs that I have requested”. And so it transpires this time also. As soon as he became aware of my previous post (of Tuesday early morning), I have been getting calls and messages of all types reminding me of his list of requests for songs that are very dear, but are not easily available at this time. We had a small get together of our group yesterday afternoon. Arvinder ji was also present. And I don’t need to add much more to say how he urged me to post the songs he has requested.
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