Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category

This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ok, after quite a long time, I’m back again. And happy to be back. 🙂
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“Sharbati Aankhen” (1945) is a very obscure movie by now and little information is avaialble on this movie. The most comprehensive information on this movie is available in this blog, thanks to our own beloved inhouse encyclopaedia, Mr Arunkumar Deshmukh. Here is what he has to say about this movie:
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“Raj Nartaki” (1941) was produced by Wadia Movietones. This movie was made in Bangla, Hindi and English. This movie was publicised as the first English language movie produced in India with Indian actors. The songs though were in Hindi in the English version of the movie. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributo to this blog.

Kedar Sharma, a career that started with a paint brush, and then went on to scale exceptional heights of creative cinema, and in the process helped to start many a famous careers in the industry. The eminent showman, Raj Kapoor, revered him as his guru. Many a famous artists made their debut in his films – Madhubala, Geeta Bali, Mala Sinha, Bharat Bhushan, Tanuja etc. He was the inspiration and the encouragement for a whole generation of performers and directors in the early decades of the industry.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Lata Mangeshkar sang only 11 duets with G M Durrani. 6 out of these 11 have been sung in 1948-49. In the book ‘Lata Mangeshkar …. in her own voice – Conversations with Nasreen Munni Kabir’ (2009), she has mentioned that her first song for Naushad was a duet with G M Durrani haay chhore ki zaat badi bewafaa for ‘Chaandni Raat'(1949). At that time Durrani made some personal remarks about the necklace she was wearing. She did not like his remarks and brought this to the notice of Naushad. Knowing that she was a sensitive person, Naushad replaced Durrani and took Sadat Khan for her second duet in the same film. However, this duet was edited out from the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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“Aankh Ki Sharam” (1943) is quite an obscure movie by any standards. The little information that is available on internet suggests that the movie was directed by Balwant Bhatt and that the movie had Prithviraj Kapoor, Kaushalya, Agha, Trilok Kapoor, Moti, Gulab, Himalaya, Nalini Gupta etc in it.
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“Garib” (1942) was directed by Ramchandra Thakur. The movie had Surendranath, Veena Kumari, Rose, Agha etc in it.
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“Garib” (1942), by now a forgotten movie, was directed by Ramchandra Thakur. The movie had Surendranath, Veena Kumari, Rose, Agha etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The magic of Jagmohan’s NFS does not end, it is for ever.
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