Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category

“Dulaari” (1949) is a movie which is today fondly remembered as the movie that helped Rafi break into the big league with the song Suhaani raat dhal chuki. Till then, Rafi’s style of singing had few takers in the Hindi movie music and with this movie it became the new style of singing. It was a paradigm shift which few people at that time may have realised. In fact the management term “Paradigm Shift” itself was not coined at that time.
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“Samadhi” (1950) is a movie which was produced by Filmistan. Ramesh Saigal was its director. Starcast of the movie included names like Ashok Kumar, Nalini Jaiwant, Badri Prasad, Mubarak, N. Kabir, David Abraham, Kanta Kumari, Shyam, Kuldip, Colin Pal, S. L. Puri, Shashi Kapoor etc.
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“Chaandni Raat” (1949) is a Taj Mahal Pictures presentation. It was directed by M Ehsan. Starcast of the movie included names like Shyam, Naseem, Cuckoo, Jilloo Maa, Ulhas, Parvin, David Abraham etc.
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“Baabul” (1950) was a Sunny Art Production. This movie was produced and directed by S U Sunny. The movie had Dilip Kumar, Nargis, Munawwar Sultana, Amar, A. Shah, Jankidas etc in it.
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“Mahal” (1949) is a landmark movie in several ways, including its music. We in this blog have discussed as many as four songs from this movie.
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Here is another song of the genre “how come this song was not posted earlier”. 🙂 And like always, my excuse is the same. I thought this song was already discussed but I was wrong.
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“Patanga”(1949) was a Varma Films production. It was directed by H S Rawail and the starcast had names like Shyam, Nigar Sultana, Cuckoo, Yakub, Gope, Purnima, Randhir, Mohana, Ramesh Sinha, Shyama, Raj Mehra etc in it.
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As many as nine songs from “Barsaat” (1949) have been discussed in this blog. This movie was arguably one of the biggest musical blockbusters of all time and it marked unarguably the greatest debut by any music directors in Hindi movies.
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“Rattan” (1944) was a movie whose songs were based on folk music instead of classical music as was the norm those days. That helped ordinary folks to identify with and connect with the music of this music. The result was unprecedented. The producer of this movie earned more money through the music rights than through the screening of the movie.
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“Barsaat” (1949) was the movie that announced the arrival of Shankar Jaikishan as a music director of note, and they dominated Hindi movie music world for the next two decades.
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