Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Ae chaand ki zebaayi
Posted on: March 2, 2013
“Chhoti Si mulaaqaat” (1967) was a production of “Our Movies”, Calcutta. It was produced by Uttam Kumar and directed by Alo Sarkar. The movie had Uttam Kumar, Vyjyanti Mala, Tarun Bose, Shashikala, Rajendra Nath, Pratima Devi, Veena, Badri Prasad, Sulochana Chatterjee, B B Bhalla, Radheshyam, S Hussan, Vishi Kapoor, Ratan Gaurang, Praveen Paul, Sundeep, Pinky etc in it.
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Mausam hai bada mastaana
Posted on: March 2, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As I had mentioned earlier, the makers of Tarzan films always wanted to include something special in their films to enhance its credibility and acceptibility. In this process they would not stop anywhere, what if the story is senseless and unbelieveable ? They averred that the audience of ” C ” grade films does not come to the Theatres to quench his literary Thirst, but to get ‘paisa vasool’ stories, which satisfy his basic instincts. So no stones are left unturned to bring out that kind of stuff.
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Na mukhda mod ke jaao
Posted on: March 1, 2013
“Chhoti Si Mulaaqaat” (1967) was an “Our Production”, Calcutta presentation. It was produced by Uttam Kumar and directed by Alo Sarkar. The movie had Uttam Kumar, Vyjyanti Mala, Tarun Bose, Shashikala, Rajendra Nath, Pratima Devi, Veena, Badri Prasad, Sulochana Chatterjee, B B Bhalla, Radheshyam, S Hussan, Vishi Kapoor, Ratan Gaurang, Praveen Paul, Sundeep, Pinky etc in it.
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Naadaan ki dosti jee ka jalan
Posted on: February 28, 2013
“Sapnon Ka Saudaagar” (1968) was a Screen Gems production. The movie was produced by B Ananthaswami and directed by Mahesh Kaul. The movie had Raj Kapoor, Hema Malini, Jayant, Tanuja, Achala Sachdev, David Abraham, Durga Khote, Nadira, Rupesh Kumar, C S Dubey, Satyendra Kapoor etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Sometime back I had written that the producers of Tarzan Films always tried to add some kind of masaala to their basic story to make it different and appealing. Today’s film TARZAN AUR JADUI CHIRAG, is easily the Top ranking masaala film in the Tarzan series which included a variety of characters and actors in the film. More about it later…
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“Mohabbat Zindagi Hai”(1966) was a Roop Chaaya Production movie. It was directed by Jagdish Nirula. The movie had Dharmendra, Rajshree, Madhavi, Chand Usmani, Sunder, Badri Prasad, Deven Verma, Manorama, Mehmood etc in it.
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Ye kaisa gham sajna
Posted on: February 27, 2013
“Pyaasi Shaam”(1969) was a Kewaljeet production movie. It was directed by Amar Kumar. The movie had Sunil Dutt, Sharmila Tagore, Feroz Khan, Dhumal, Sunder, Feroz Khan, Vimal Ahuja, Anjali Kadam, Manmohan Krishna, Kamal Kapoor, Birbal, Om Prakash etc in it.
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“Sapnon Ka Saudaagar”(1968) was produced by B Ananthaswami and directed by Mahesh Kaul for Screen Gems. The movie had Raj Kapoor, Hema Malini, Jayant, Tanuja, Achala Sachdev, David Abraham, Durga Khote, Nadira, Rupesh Kumar, C S Dubey, Satyendra Kapoor etc in it.
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More naina saawan bhaadon
Posted on: February 27, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Many poet-saints were born across India between the 14th to 16th centuries. I recallthe names of a few of them mainly because films were made on their lives. They were Guru Nanak, Sant Kabeer, Sant Gyaneshwar, Sant Tukaram, Narsinh Mehta, Chandidas, Purandara Dasa, Kanaka Dasa, Arunagirinathar, Appiah Dikshitar etc. These saints wrote poems in praise of Gods. Some of them even composed music for their poems. In eastern India, there was a poet-saint Vidyapati Thakur (also known as Maithili Kavi Kokil or simply Vidyapati) who was born in the 15th century in Madhubani, Bihar. He wrote poems in Maithili dialect in praise of Lord Shiva but also wrote love lore on Radha-Krishna in keeping with the popularity of Lord Krishna in this region. Over a period of time, his poems and love lore spread across whole of eastern India. His influence over Bengal was so much that at one point of time, many including me thought that he was a poet-saint belonging to Bengal.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The imagination of Indian film story writers is truly very fertile. In fact it runs wild when they have to invent some novel theme for the usual “Ghisa-Pita” story like Tarzan.
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