Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sometimes the directors of Hindi films will put across really strange scenarios, that one does not really expect to see in the films, especially in the formula or near formula films that are a hallmark of the Indian film industry. Now, think of Helen, and the very first thing that will come to mind is a dance song. In a variety of dance forms, whether that be a folk dance (a handful), a classical (very very few indeed), a fun song (very many) or a cabaret dance (a huge number), when one sees Helen on the screen, she is singing a song, and dancing. Some time back on a particular post, we came across a Helen dance song in which she is not singing herself, someone else is. In response, others readers identified more such songs where Helen did not sing, while she was dancing on the screen.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The mention of the title “Roop Ki Rani Choron Ka Raja” would immediately bring to mind the 1993 film starring Anil Kapoor and Sridevi. But no, we are talking about an earlier incarnation of this title, well almost 32 years earlier. Even though the year was 1961, and even though the lead pair of Dev Anand and Waheeda Rehman were well established in their careers, yet this film, ‘Roop Ki Rani Choron Ka Raja’ (1961) failed to make an impact on the box office. And now, when one mentions this name, people do not readily connect to the earlier film. In other words, it has become an obscure entity, that many people do not remember now.
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There have been quite a few Rafi songs where Rafi has sung with such high energy levels that the listeners are left gasping for breath literally. To this day I keep wondering how a singer can sing with such high energy level throughout in a song lasting well over three minutes and sometimes more. Songs of “Junglee”(1961), “Rajkumar”(1964),”Prince” (1967),”Saawan Bhaadon”(1970) etc readily come to mind as songs whose energy levels could have lit up a few households if harnessed properly.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When I saw the caption of this song, “tere pyaar mein dildaar” I thought I recognised this song. When I started to play it, it turned out to be a Lata Mangeshkar song, while I thought it might be a Shamshad Begum sing a composition by O. P. Nayyar from 50’s. It has a very old worldy feel to it. Actually it is from the Film “Mere Mehboob” and it is composed by Naushad. It goes without saying that it is written by Shakeel Badayuni. This is a kind of song, which keeps going on and on in the head long after you have heard it. I heard this song yesterday, after a very long time. It has three long stanzas in rapid speed. I made doubly sure that it was not posted. This should one of the last 2 songs from the film posted here, if earthmusic.net information is correct.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another song from the Film “Aradhana” which I like a lot. Actually in this genre of songs my favourite is “mere ghar aayi ek nanhi pari” from “Kabhi Kabhi” which is already posted, and the post in written by Lalitha ji.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There was a time when Hindi film industry regularly churned out films based on mythological stories. These films were produced mostly by small time producers with small budget though a few of such films were also produced under big banners like Ram Rajya (1967) by Prakash Films.
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“Dastak” (1970) was a movie on a theme that called for mature audience, But Indian audience, media as well as the censors were not mature at that time. Such movies were regarded as obscene and were given A certificates. Instead of attracting mature audience to the movie halls, such movies attracted immature audiences hoping to find some titillating scenes in the movies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I do not know as to why I suddenly remembered Sanjeev Kumar (real name Haribhai Jariwala) today early in the morning when I was preparing for my morning walk. His anniversary dates were nowhere near and I have not seen any of his films and video clips for a long time. As it is, my ‘area of operations’ on YT are mainly confined to the watching/listening of video/audio clips pertaining to the period between 1940-1960, straying sometime up to late 60s and most of his his songs does not fit in to my preference. Probably, this was a reminder to me from Sanjeev Kumar donning a white suit and trouser in true suspense film style echoing “old man, have a peep at me too sometime”.
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“Aao Pyaar Karen” (1964) was a Filmalaya Production. It was produced by S Mukherji and directed by R K Nayyar. The movie had Joy Mukerji, Saira Banu, Shyam Chatterji, Rajendranath, Madhvi, Merlyn, Sanjay, Brijmohan, Manavendranath, Jayant M. Shah etc in it.
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