Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1980s (1981 to 1990)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is her 700th song post in the blog.

Blog Day :

6365 Post No. : 19740 Movie Count :

5171

Hullo Atuldom

21st December is the birthday of an actor who made his debut in films in 1986. Though the first film he signed was ‘Tan Badan’, first film for which he started shooting was ‘Love 86’ in June of 1985. ‘Ilzaam’ (release date 28th February 1986) & ‘Love 86’ (release date 14th February 1986) released before his firstsigned ‘Tan Badan’ (release date 25th April 1986).

He was born as the youngest of 5 children and was given the pet name ‘Chi-Chi’ (meaning little finger). His father was former actor Aroon (alias Arun Kumar Ahuja) and singer-actress Nirmala Devi was his mother. He belongs to an ethnically mixed family, as, through his father, his grandfather was Punjabi while his grandmother was Sindhi, but he himself identifies more with his Punjabi side. His paternal side ancestry can be traced to Gujranwala in undivided India & his maternal side had its roots in Varanasi, U.P.

Aroon (Arunkumar Ahuja) came to Mumbai (Bombay back then) to become an actor in the late 1930s. He is best known for appearing in Mehboob Khan’s Aurat (1940). Aroon’s professional career as an actor lasted for 15 years, from 1939 to 1954. In these years, he worked as a hero in 30 films. He produced one unsuccessful film which caused financial loss. The family, living in a bungalow on Mumbai’s Carter Road, moved to Virar, a northern Mumbai suburb. Hence, he wanted his children to be educated before associating with films.

Did I mention that I am writing about Govind Ahuja whom Hindi film fans know as Govinda. He saw ‘Disco Dancer’ (1982), which inspired him to practise dancing for hours. He then made and circulated a promotional VHS cassette to all producers. He was offered jobs in a some commercials. He was offered the role of Abhimanyu in the popular mythological serial Mahabharat (1988) during its casting and he even had auditioned for it. But he was signed by his uncle Anand (born Uday Narayan Singh, we have seen him in a few Hrishikesh Mukherjee films- for example in ‘Golmaal’ as one of Amol Palekar’s friends) for ‘Tan Badan’ which became Govinda’s debut in Hindi Films. And, this actor, Govinda, went to on entertain film goers for the last 39 years. He has seen a lot of ups-n-downs in his career but has been majorly admired for his dancing & comic timing; I would like to add that he is very good in emotional as well as actions scenes. He is still very active and may he continue to do so.

For today’s post I would like to present a song from his first released film (as per date of film releases):- “Love 86”. It was directed by Esmayeel Shroff & produced by Pranlal Mehta. It had Tanuja playing mother to Neelam & Farha (she had not started adding Naaz to her name then). Tanuja’s estranged husband was played by Shafi Inamdar, Asrani played her secretary. Satish Shah & Ravi Baswani played bumbling cops. Rohan Kapoor (singer Mahendra Kapoor’s son) & Govinda played young men who have taken to petty crimes to survive. The young brigade encounter each other, fall in love & manage to keep meeting with lots of help from the father of the girls; the mother opposes as she wants the girls marry brothers from wealthy families so that the girls can stay together in the same family. The movie is a love story so all will be well in the end.

The film had six songs penned by S. H. Bihari (3), Santosh Anand, Sameer & Prem Pandit (one each). Suresh Wadkar, Shailendra Singh, Shabbir Kumar, Kavita Krishnamurthy, Mohammad Aziz, Hemlata & Anuradha Paudwal were the playback singers used.

Today’s song happens when the boys have managed to hoodwink the mother & get permission to go out on a drive with the girls. The bumbling cops, who have been suspended because of the antics of the boys are on the trail of the couples, in disguise of course!

Before I conclude the post I would like to thank my daughter for my first encounter with this blog, through this song post. This opened a whole new world for me, where I could raise ‘farmaishes’ and post my two-bit knowledge as comments.

Atulji, the man behind this blog was kind enough to post one of my mails to him, which had the lyrics of a song from ‘Taxi Taxi’ & I progressed from a commenter to a lyrics contributor, with these songs:-

Jeewan mein hamsafar milte to hain zaroor,

Laayee kahaan hai zindagee

Atulji’s action of converting another mail of mine, which was for the birthday of child actor,(turned adult) Master Satyajeet’s birthday, into this post made me a guest poster on the blog.

Since that post in September 2012, I have slowly moved to a few hundred posts. Here are the songs that accompanied my century posts:-

Century post Song Movie (Year) Date Remarks
100th post Har aadmee ko biwi ka ghulaam hona chaahiye Hiraasat (1987) 6 November 2015 Remembering Sanjeev Kumar on his death anniversary
200th post Langee mirchee main Kolhapur kee Ashaanti (1982) 19 November 2017 For Zeenat Aman’s birthday
300th post Mannu Bhai motor chalee pam pam pam Phool Khile Hain Gulshan Gulshan (1978) 4 August 2019 For Kishore Kumar’s birth anniversary
400th post Hey suno meree baat chalo mere saath Ye Gulistaan Hamaara (1972) 3 December 2020 Remembering Dev Anand on his death anniversary
500th post Aa meree jaan main tujhmein apnee jaan rakh doon Chaandni (1989) 24 February 2022 Tribute to Lata Mangeshkar
600th post Hulchal machaa dee toone hulchal Main Solah Baras Ki (1998) 3 December 2023 Remembering Dev Anand on his death anniversary

I must also mention that I have come across many knowledgeable film lovers who are store houses of knowledge after I became a regular follower of the blog. I should thank Atulji for making me a part of this elite world which I love to call Atuldom. I have learnt to enjoy songs for the singing, writing & composition after becoming an Atulite; before 2009 I associated songs with the images accompanying them. I know the background stories with the songs, along with finding versions of some popular songs that I would have otherwise overlooked as being vintage or pre-historic songs; I would like to mention the Ashok Kumar sung version (as an example) of ‘ek chatur naar’ here which I would have labelled pre-historic. 🙂


Song-Aa mohabbat ko koi naya naam den (Love 86)(1986) Singers-Kavita Krishnamurthy, Mohammad Aziz, Lyricist-S H Bihari, MD-Laxmikant Pyarelal
Both

Lyrics

pyaar kee had se
aage nikal aaye hum
aa aa mohabbat ko koi ee naya naam den
aa aa mohabbat ko koi naya naam den
pyar kee had se
aage nikal aaye hum

aa aa ibaadat ko koi ee ee naya naam den
aa aa mohabbat ko koi ee naya naam den
aa aa aa aa

ye nigaahen uthheen
wo fasaane baney
aankh ke bol
kab kisee ne sune

dil se dil mil gaya
ab zamaane se kya aa aa
aa aa izaazat ko koi naya naam den
aa mohabbat ko koi naya naam den
aa aa aa

jab se toone chhua
ik nasha sa chha gaya ho
jab se toone chhua
ik nasha sa chha gaya ho
dard mein zindagee ka
maza aa gaya
dhadkanon ko naheen
dhadkanon se gila aa aa

aa shikaayat ko koi naya naam den
aa mohabbat ko koi naya naam den
aa aa aa aa

tere daaman kee khushboo se mehkee rahoon
bin piye hee sada ladkhadaaya karoon oon
kabhee main tere dil ko sataaya karoon
kabhee maim tere dil ko jalaaya karoon
dekh kar bhee tujhe an-dekha karoon oon
aa sharaat ko koi naya naam den
aa mohabbat ko koi ee naya naam den
pyaar kee hadd se
aage nikal aaye hum
aa mohabbat ko koi ee naya naam den

aa ibaadat ko
koi naya naam den
aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6365 Post No. : 19739

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-5

My previous post in this series had a duet song sung by Lata Mangeshkar and Suresh Wadkar for the movie ‘Palay Khan-1986’. Incidentally, in this post we again have a duet song by the same singers, but coming from the pen of another lyricist.

This song is from the movie “Apne Apne-1987” which was directed by Ramesh Behl for ‘Rose Movies’. It was passed by Censor Board on 05.03.1987. Ramesh Behl, who directed this movie, was also the producer of this movie. The cast of this movie included Jeetendra, Rekha, Karan Shah, and Mandakini, with Satish Shah, Atlee Brar, Dan Dhanoa, Sushma Seth, Bina, Babli, Anjana, Ghanshyam, Chandu, Pandurang Boloor, Lata, Sheela, Leena, Mina, Tina, Rupa, Omi Chopra, Surendra, Rahi, Vasu, Iqbal, Rakesh, Reshma Aurora, Anthony, Prakash, and Kader Khan. Hema Malini had a special appearance in this movie. This movie was written by Aziz Qaisi. Sunder Shetty was the editor of this movie.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6364 Post No. : 19736 Movie Count :

5170

‘Aurat Pair Kee Jootee Naheen Hai’ (1985) was produced by B K Adarsh and was directed by Prithviraj Chatterjee. The cast included Marc Zuber, Deepti Naval, Gulshan Grover, Sachin, Satyen Kappu, Anjali Sen, Goga Kapoor, Jagdeep, Brahm Bhardwaj, Shivraj, Dulari, Vikas Anand etc.

The VCD of the film is available on one of the video sharing platforms but with a poor quality of video. It is obvious from the title of the film that it is a feminist film. Before watching the film, I read the synopsis of the story which gave me an impression of tackling the feminist subject in an amateurish way. But a ghazal in the film forced me to watch the film. I am happy that despite a poor quality of video, I have watched the film in one sitting and felt satisfied the way the theme was handled in a matured way without the additional doses of songs and sub-plots. The story of the film was written by B K Adarsh and probably it was his first film (out of about 15 films he produced) which tackled an important social issue. Unfortunately, the film failed badly at the box office.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6363 Post No. : 19733

#the Decade of Eighties – 1981 – 1990 #
————————————————————————

In this post I am presenting a song from the movie ‘Beqaraar-1983’. It was directed by V.B. Rajendra Prasad for ‘Jagpati Art Pictures, Madras’. V.B. Rajendra Prasad was also the producer for this movie and he also wrote the screenplay of this movie. This movie was passed by the Censor Board on 01.08.1983. The cast of this movie has Ashok Kumar, Sanjay Dutt, Mohnish Behl, Padmini Kolhapure, Supriya Pathak, Om Shivpuri, Satyen Kappu, Asrani, Mohan Choti, Tez Sapru, Chand Usmani, Poornima, Dulari, Seema, and Yasmeen Khan, Sangeeta Behl, Tulsi Devi, Kirti Singh, Aslam Farshauri, Manmood Khan, Master Manoj, Master Dambu and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 1000th song post in the blog during the year 2025.

Blog Day :

6362 Post No. : 19729 Movie Count :

5168

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-4

In the series of Pancham’s duet compositions from the eighties-nineties, today we introduce a duet song from the movie ‘Palay Khan-1986’.

This movie ‘Palay Khan-1986’ also makes its debut on the blog today.

This movie was produced by Skahti Samanta and directed by Ashim Samanta for Untied Producers & Shakti Films. It was passed by Censor Board on 03.12.1986. It had Jackie Shroff, Poonam Dhillon, Farha Naaz, Suresh Oberoi, Shakti Kapoor and Anupam Kher. They were supported by Sushma Seth, Puneet Issar, Satyen Kappu, Dinesh Thakur, Mac Mohan, Roopesh Kumar, Bob Christo, Kamal Kapoor, Tom Alter, Manek Irani, Zubeda, Rasinder Singh, Tito Singh, Mahender Tyagi, Tarana, Shivangi, Gurvinder, Abhishek Ahuja and others. Preeti Sapru made a guest appearance in this movie and actor Raza Murad had a friendly appearance in this movie.
Read more on this topic…


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6357 Post No. : 19712

Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)

तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया

पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया

मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया

ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया

मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया

सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया

प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया

ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया

तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया

ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया

क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया

रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया

आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया

हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया

———————————————————————-

Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.

“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6357 Post No. : 19711

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-3

Today’s Pancham’s duet composition is from the movie ‘Laavaa’ or ‘Lava-1985’. This movie was directed by Ravindra Peepat for ‘Meera Enterprises, Bombay’. This was Ravindra Peepat’s debut as a director. ‘Lava-1985’ was produced by Smt Balbir Kaur. The cast of this movie included Asha Parekh, Dimple Kapadia, Raj Babbar, Rajiv Kapoor, Madan Puri, Rajendra Nath, Narendra Nath, Sashi Saxena, Sudhir, Geet Khanna, Anees Bazmee, Pradeep Suri and others. Kulbhushan Kharbanda, Vikas Anand, and Rama Vij had a friendly appearance in this movie.

‘Lava’ had eight songs including one three part song, which has already been posted on this blog earlier. Anand Bakshi was the lyricist for all the songs in this movie and music was composed by Rahul Dev Burman. The playback singers for this movie are Asha Bhonsle, Manmohan Singh, Kishore Kumar, Shailendra Singh, and Lata Mangeshkar.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 600th song post of Chitragupta in the blog as a music director.

Blog Day :

6357 Post No. : 19710 Movie Count :

5167

In this article, I am presenting a song, ‘suno aye duniyawaalon ek naya paighaam laaya hoon’ from an incomplete film, ‘Naya Mandir’ (1961). It was directed by Kishore Sahu. It had Manoj Kumar, Mala Sinha and Mehmood in main roles. I came to know of this song on the audio album of ‘Film Hi Film’ (1983). Unfortunately, this song seems to have been deleted from the VCD of the film available on one of the video sharing platforms. Since video clip of the song is available in continuation of the scene from ‘Film Hi Film. (1983), it can be construed that the song was included in the film.

Shahab Ahmed, the producer of ‘Film Hi Film’ (1983) had earlier produced ‘Cinema Cinema’ (1979). During his visit to Bombay Film Laboratory, he was astonished to see cans of more than 2000 unfinished films lying in the laboratory. Shahab Ahmed thought that a lot of efforts had gone into making these films which unfortunately remained incomplete for various reasons. So, he came with the idea of incorporating scenes and songs from a few select incomplete films to make a full-length feature film [Source: ‘…and Pran’ (2005) by Bunny Rueben].
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o

aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree

ho o
yaaree ho to aisee ho

arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai

duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se

is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar

arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar

gokul ashtmee ka tyohaar
aao aaj manaayen yaar

hey galee galee mein macha shor
aaye aaye maakhan chor

galee galee mein macha shor
aaye aaye maakhan chor

ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19696

In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.

In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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