Archive for the ‘Songs of 1980s (1981 to 1990)’ Category
- In: Century post by Guest poster | Century songs for the blog | Duet | expression of love | Feelings of heart | Guest poster century song | Guest posts | Kavitha Krishnamurthy Songs | Mohammad Aziz song | Mohammad Aziz-Kavita Krishnamurthy duet | One singer singing for two actors | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1986 | Uncategorized | Yearwise breakup of songs
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is her 700th song post in the blog.
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Blog Day : |
6365 | Post No. : | 19740 | Movie Count : |
5171 |
Hullo Atuldom
21st December is the birthday of an actor who made his debut in films in 1986. Though the first film he signed was ‘Tan Badan’, first film for which he started shooting was ‘Love 86’ in June of 1985. ‘Ilzaam’ (release date 28th February 1986) & ‘Love 86’ (release date 14th February 1986) released before his firstsigned ‘Tan Badan’ (release date 25th April 1986).
He was born as the youngest of 5 children and was given the pet name ‘Chi-Chi’ (meaning little finger). His father was former actor Aroon (alias Arun Kumar Ahuja) and singer-actress Nirmala Devi was his mother. He belongs to an ethnically mixed family, as, through his father, his grandfather was Punjabi while his grandmother was Sindhi, but he himself identifies more with his Punjabi side. His paternal side ancestry can be traced to Gujranwala in undivided India & his maternal side had its roots in Varanasi, U.P.
Aroon (Arunkumar Ahuja) came to Mumbai (Bombay back then) to become an actor in the late 1930s. He is best known for appearing in Mehboob Khan’s Aurat (1940). Aroon’s professional career as an actor lasted for 15 years, from 1939 to 1954. In these years, he worked as a hero in 30 films. He produced one unsuccessful film which caused financial loss. The family, living in a bungalow on Mumbai’s Carter Road, moved to Virar, a northern Mumbai suburb. Hence, he wanted his children to be educated before associating with films.
Did I mention that I am writing about Govind Ahuja whom Hindi film fans know as Govinda. He saw ‘Disco Dancer’ (1982), which inspired him to practise dancing for hours. He then made and circulated a promotional VHS cassette to all producers. He was offered jobs in a some commercials. He was offered the role of Abhimanyu in the popular mythological serial Mahabharat (1988) during its casting and he even had auditioned for it. But he was signed by his uncle Anand (born Uday Narayan Singh, we have seen him in a few Hrishikesh Mukherjee films- for example in ‘Golmaal’ as one of Amol Palekar’s friends) for ‘Tan Badan’ which became Govinda’s debut in Hindi Films. And, this actor, Govinda, went to on entertain film goers for the last 39 years. He has seen a lot of ups-n-downs in his career but has been majorly admired for his dancing & comic timing; I would like to add that he is very good in emotional as well as actions scenes. He is still very active and may he continue to do so.
For today’s post I would like to present a song from his first released film (as per date of film releases):- “Love 86”. It was directed by Esmayeel Shroff & produced by Pranlal Mehta. It had Tanuja playing mother to Neelam & Farha (she had not started adding Naaz to her name then). Tanuja’s estranged husband was played by Shafi Inamdar, Asrani played her secretary. Satish Shah & Ravi Baswani played bumbling cops. Rohan Kapoor (singer Mahendra Kapoor’s son) & Govinda played young men who have taken to petty crimes to survive. The young brigade encounter each other, fall in love & manage to keep meeting with lots of help from the father of the girls; the mother opposes as she wants the girls marry brothers from wealthy families so that the girls can stay together in the same family. The movie is a love story so all will be well in the end.
The film had six songs penned by S. H. Bihari (3), Santosh Anand, Sameer & Prem Pandit (one each). Suresh Wadkar, Shailendra Singh, Shabbir Kumar, Kavita Krishnamurthy, Mohammad Aziz, Hemlata & Anuradha Paudwal were the playback singers used.
Today’s song happens when the boys have managed to hoodwink the mother & get permission to go out on a drive with the girls. The bumbling cops, who have been suspended because of the antics of the boys are on the trail of the couples, in disguise of course!
Before I conclude the post I would like to thank my daughter for my first encounter with this blog, through this song post. This opened a whole new world for me, where I could raise ‘farmaishes’ and post my two-bit knowledge as comments.
Atulji, the man behind this blog was kind enough to post one of my mails to him, which had the lyrics of a song from ‘Taxi Taxi’ & I progressed from a commenter to a lyrics contributor, with these songs:-
Jeewan mein hamsafar milte to hain zaroor,
Atulji’s action of converting another mail of mine, which was for the birthday of child actor,(turned adult) Master Satyajeet’s birthday, into this post made me a guest poster on the blog.
Since that post in September 2012, I have slowly moved to a few hundred posts. Here are the songs that accompanied my century posts:-
| Century post | Song | Movie (Year) | Date | Remarks |
|---|---|---|---|---|
| 100th post | Har aadmee ko biwi ka ghulaam hona chaahiye | Hiraasat (1987) | 6 November 2015 | Remembering Sanjeev Kumar on his death anniversary |
| 200th post | Langee mirchee main Kolhapur kee | Ashaanti (1982) | 19 November 2017 | For Zeenat Aman’s birthday |
| 300th post | Mannu Bhai motor chalee pam pam pam | Phool Khile Hain Gulshan Gulshan (1978) | 4 August 2019 | For Kishore Kumar’s birth anniversary |
| 400th post | Hey suno meree baat chalo mere saath | Ye Gulistaan Hamaara (1972) | 3 December 2020 | Remembering Dev Anand on his death anniversary |
| 500th post | Aa meree jaan main tujhmein apnee jaan rakh doon | Chaandni (1989) | 24 February 2022 | Tribute to Lata Mangeshkar |
| 600th post | Hulchal machaa dee toone hulchal | Main Solah Baras Ki (1998) | 3 December 2023 | Remembering Dev Anand on his death anniversary |
I must also mention that I have come across many knowledgeable film lovers who are store houses of knowledge after I became a regular follower of the blog. I should thank Atulji for making me a part of this elite world which I love to call Atuldom. I have learnt to enjoy songs for the singing, writing & composition after becoming an Atulite; before 2009 I associated songs with the images accompanying them. I know the background stories with the songs, along with finding versions of some popular songs that I would have otherwise overlooked as being vintage or pre-historic songs; I would like to mention the Ashok Kumar sung version (as an example) of ‘ek chatur naar’ here which I would have labelled pre-historic. 🙂
Song-Aa mohabbat ko koi naya naam den (Love 86)(1986) Singers-Kavita Krishnamurthy, Mohammad Aziz, Lyricist-S H Bihari, MD-Laxmikant Pyarelal
Both
Lyrics
pyaar kee had se
aage nikal aaye hum
aa aa mohabbat ko koi ee naya naam den
aa aa mohabbat ko koi naya naam den
pyar kee had se
aage nikal aaye hum
aa aa ibaadat ko koi ee ee naya naam den
aa aa mohabbat ko koi ee naya naam den
aa aa aa aa
ye nigaahen uthheen
wo fasaane baney
aankh ke bol
kab kisee ne sune
dil se dil mil gaya
ab zamaane se kya aa aa
aa aa izaazat ko koi naya naam den
aa mohabbat ko koi naya naam den
aa aa aa
jab se toone chhua
ik nasha sa chha gaya ho
jab se toone chhua
ik nasha sa chha gaya ho
dard mein zindagee ka
maza aa gaya
dhadkanon ko naheen
dhadkanon se gila aa aa
aa shikaayat ko koi naya naam den
aa mohabbat ko koi naya naam den
aa aa aa aa
tere daaman kee khushboo se mehkee rahoon
bin piye hee sada ladkhadaaya karoon oon
kabhee main tere dil ko sataaya karoon
kabhee maim tere dil ko jalaaya karoon
dekh kar bhee tujhe an-dekha karoon oon
aa sharaat ko koi naya naam den
aa mohabbat ko koi ee naya naam den
pyaar kee hadd se
aage nikal aaye hum
aa mohabbat ko koi ee naya naam den
aa ibaadat ko
koi naya naam den
aa aa aa aa
Apne apne se lage hamen
Posted on: December 21, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6365 | Post No. : | 19739 |
Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-5
My previous post in this series had a duet song sung by Lata Mangeshkar and Suresh Wadkar for the movie ‘Palay Khan-1986’. Incidentally, in this post we again have a duet song by the same singers, but coming from the pen of another lyricist.
This song is from the movie “Apne Apne-1987” which was directed by Ramesh Behl for ‘Rose Movies’. It was passed by Censor Board on 05.03.1987. Ramesh Behl, who directed this movie, was also the producer of this movie. The cast of this movie included Jeetendra, Rekha, Karan Shah, and Mandakini, with Satish Shah, Atlee Brar, Dan Dhanoa, Sushma Seth, Bina, Babli, Anjana, Ghanshyam, Chandu, Pandurang Boloor, Lata, Sheela, Leena, Mina, Tina, Rupa, Omi Chopra, Surendra, Rahi, Vasu, Iqbal, Rakesh, Reshma Aurora, Anthony, Prakash, and Kader Khan. Hema Malini had a special appearance in this movie. This movie was written by Aziz Qaisi. Sunder Shetty was the editor of this movie.
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Tum na maano magar haqeeqat hai
Posted on: December 20, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6364 | Post No. : | 19736 | Movie Count : |
5170 |
‘Aurat Pair Kee Jootee Naheen Hai’ (1985) was produced by B K Adarsh and was directed by Prithviraj Chatterjee. The cast included Marc Zuber, Deepti Naval, Gulshan Grover, Sachin, Satyen Kappu, Anjali Sen, Goga Kapoor, Jagdeep, Brahm Bhardwaj, Shivraj, Dulari, Vikas Anand etc.
The VCD of the film is available on one of the video sharing platforms but with a poor quality of video. It is obvious from the title of the film that it is a feminist film. Before watching the film, I read the synopsis of the story which gave me an impression of tackling the feminist subject in an amateurish way. But a ghazal in the film forced me to watch the film. I am happy that despite a poor quality of video, I have watched the film in one sitting and felt satisfied the way the theme was handled in a matured way without the additional doses of songs and sub-plots. The story of the film was written by B K Adarsh and probably it was his first film (out of about 15 films he produced) which tackled an important social issue. Unfortunately, the film failed badly at the box office.
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Maine ye faisla kar liya hai
Posted on: December 19, 2025
- In: "Dream of Wide Awake Eyes" | "Fantasy" song | "Dream" song | Asha Bhonsle songs | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1983 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6363 | Post No. : | 19733 |
#the Decade of Eighties – 1981 – 1990 #
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In this post I am presenting a song from the movie ‘Beqaraar-1983’. It was directed by V.B. Rajendra Prasad for ‘Jagpati Art Pictures, Madras’. V.B. Rajendra Prasad was also the producer for this movie and he also wrote the screenplay of this movie. This movie was passed by the Censor Board on 01.08.1983. The cast of this movie has Ashok Kumar, Sanjay Dutt, Mohnish Behl, Padmini Kolhapure, Supriya Pathak, Om Shivpuri, Satyen Kappu, Asrani, Mohan Choti, Tez Sapru, Chand Usmani, Poornima, Dulari, Seema, and Yasmeen Khan, Sangeeta Behl, Tulsi Devi, Kirti Singh, Aslam Farshauri, Manmood Khan, Master Manoj, Master Dambu and others.
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Mere sanam tera khat milaa
Posted on: December 18, 2025
- In: "Chitthi" song | "Kabootar" song | Bird songs | Century song for a calendar year | Century songs for the blog | Duet | expression of love | Guest posts | Kabootar songs | Lata song | Lata-Suresh Wadkar duet | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1986 | Suresh Wadkar songs | Thousandth song in the blog | Thousandth song is a calender year for the blog | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 1000th song post in the blog during the year 2025.
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Blog Day : |
6362 | Post No. : | 19729 | Movie Count : |
5168 |
Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-4
In the series of Pancham’s duet compositions from the eighties-nineties, today we introduce a duet song from the movie ‘Palay Khan-1986’.
This movie ‘Palay Khan-1986’ also makes its debut on the blog today.
This movie was produced by Skahti Samanta and directed by Ashim Samanta for Untied Producers & Shakti Films. It was passed by Censor Board on 03.12.1986. It had Jackie Shroff, Poonam Dhillon, Farha Naaz, Suresh Oberoi, Shakti Kapoor and Anupam Kher. They were supported by Sushma Seth, Puneet Issar, Satyen Kappu, Dinesh Thakur, Mac Mohan, Roopesh Kumar, Bob Christo, Kamal Kapoor, Tom Alter, Manek Irani, Zubeda, Rasinder Singh, Tito Singh, Mahender Tyagi, Tarana, Shivangi, Gurvinder, Abhishek Ahuja and others. Preeti Sapru made a guest appearance in this movie and actor Raza Murad had a friendly appearance in this movie.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6357 | Post No. : | 19712 |
Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)
तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया
पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया
मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया
ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया
मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया
सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया
प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया
ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया
तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया
ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया
क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया
रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया
आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया
हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया
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Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.
“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6357 | Post No. : | 19711 |
Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-3
Today’s Pancham’s duet composition is from the movie ‘Laavaa’ or ‘Lava-1985’. This movie was directed by Ravindra Peepat for ‘Meera Enterprises, Bombay’. This was Ravindra Peepat’s debut as a director. ‘Lava-1985’ was produced by Smt Balbir Kaur. The cast of this movie included Asha Parekh, Dimple Kapadia, Raj Babbar, Rajiv Kapoor, Madan Puri, Rajendra Nath, Narendra Nath, Sashi Saxena, Sudhir, Geet Khanna, Anees Bazmee, Pradeep Suri and others. Kulbhushan Kharbanda, Vikas Anand, and Rama Vij had a friendly appearance in this movie.
‘Lava’ had eight songs including one three part song, which has already been posted on this blog earlier. Anand Bakshi was the lyricist for all the songs in this movie and music was composed by Rahul Dev Burman. The playback singers for this movie are Asha Bhonsle, Manmohan Singh, Kishore Kumar, Shailendra Singh, and Lata Mangeshkar.
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- In: "Mehmood" song | Artist century song in blog | Century songs for the blog | Dance song | Duet | Guest posts | Manna Dey Rafi duet | Manna Dey songs | Movie not mentioned in HFGK | Post by Sadanand Kamath | Rafi songs | Song from unreleased movie | Song not figuring in HFGK | Song unlisted in HFGK | Songs from Unreleased Films of 1960s | Songs of 1960s (1961 to 1970) | Songs of 1961 | Songs of 1980s (1981 to 1990) | Songs of 1983 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 2 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article marks the 600th song post of Chitragupta in the blog as a music director.
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Blog Day : |
6357 | Post No. : | 19710 | Movie Count : |
5167 |
In this article, I am presenting a song, ‘suno aye duniyawaalon ek naya paighaam laaya hoon’ from an incomplete film, ‘Naya Mandir’ (1961). It was directed by Kishore Sahu. It had Manoj Kumar, Mala Sinha and Mehmood in main roles. I came to know of this song on the audio album of ‘Film Hi Film’ (1983). Unfortunately, this song seems to have been deleted from the VCD of the film available on one of the video sharing platforms. Since video clip of the song is available in continuation of the scene from ‘Film Hi Film. (1983), it can be construed that the song was included in the film.
Shahab Ahmed, the producer of ‘Film Hi Film’ (1983) had earlier produced ‘Cinema Cinema’ (1979). During his visit to Bombay Film Laboratory, he was astonished to see cans of more than 2000 unfinished films lying in the laboratory. Shahab Ahmed thought that a lot of efforts had gone into making these films which unfortunately remained incomplete for various reasons. So, he came with the idea of incorporating scenes and songs from a few select incomplete films to make a full-length feature film [Source: ‘…and Pran’ (2005) by Bunny Rueben].
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Man naaheen laage mitwaa
Posted on: December 9, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6353 | Post No. : | 19696 |
In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.
In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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