Archive for the ‘Songs of 2000s (2001 to 2010)’ Category
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6425 | Post No. : | 19943 |
Tum ko paaya hai to jaise khoya hoon
Kehna chaahoon tum se bhi to kya kahoon
Kisi zabaan mein bhi wo lafz hi nahin
Ke jin mein tum ho kya tumhen bataa sakoon
Main agar kahoon tum saa haseen
Kaayenaat mein nahin hai kaheen
Ta’areef yeh bhi to sach hai kuchh bhi nahin
How can an emotion, an achievement, a lacking, a statement, a praise, an expression of being lost, are to be expressed in a few lines? This mukhda of the song in “Om Shanti Om” is a perfect example. It says quite plainly that there are not words to be found in any language to describe you, i.e. the heroine. It is not just her beauty, the hero wants to praise. It is the essence of the person, that he is unable to describe.
In the stanza, her attributes are detailed as shokhiyon, adaayen, zulf, aanchal, roop ki chaandni etc. also dilkashi. But these words are just not enough to say what the hero wants to say. I have seen this film, but cant recall the whole story. Will have to see this once more to refresh the memory.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6390 | Post No. : | 19821 |
After that qawwali like fusion wedding song from “Bombay”, I remembered a few filmy qawwalis from the 21st century. Several of them are composed by ARR, so there is a possibility of at least one more qawwali in that series. There is another one from the 90’s which should follow in the next few days.
After the top one “Na to karwaan ki talaash hai” many people consider “parda hai parda hai” to be second most liked and famous qawwali in Rafi Sahab’s songs. I am sceptical about this rating. I have personally always liked “pal do pal ka saathh hamaara” and “Hai agar dushman” better than the hugely popular “Parda hai parda hai”. This qawwali is performed in most of the shows of Rafi Sahab songs. That is fine, as someone remarked, that it is a more engaging one and singers enjoy performing it. That makes it a favourite for the singers too. So, it has somethings going for it. I just wish that the singers try other equally appealing and engaging qawwalis too. All of them are trying to touch the benchmark, in playback singing left by Rafi Sahab. Some say that the textbook is written, and ink dried, and they just need to open the pages and try and absorb.
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Naina thhag lenge
Posted on: December 24, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6368 | Post No. : | 19750 |
After covering songs released in 1900s (mostly from 1960s to 1980s), this becomes my first post covering a song released in the current millenium that started from 2000.
Many HF music lovers consider the golden era of HFM as finished in 1970. For me personally, it stopped in 1980. Not that post 1980 there was not good music but it was too few and far between. So if till the 70s decade, every year 7 or 8 movies out of 10 had good music, then it fell down to 4-5 out of 10 in 80s and 2-3 out of 10 during the 90. But post 2000 it became 2-3 out of every 25 movies released. These are entirely my figures from my gut feeling, I don’t attribute them to any study or report. Therefore, you have been seeing my posts from primarily the 60s to the 80s decades.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6362 | Post No. : | 19730 | Movie Count : |
5169 |
An exercise called Special Intensive Revision (SIR) of Voters’ list is being carried out in 12 states and union territories of India. It has received lots of attention in the media and it has created lots of confusion and doubts in the minds of public.
In this article, I would discuss this matter in detail so that our doubts and confusion on this matter get cleared.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6356 | Post No. : | 19707 | Movie Count : |
5165 |
I have a list of ‘Yaad” songs to post. This being a classic “yaad” song, with the oft repeated line “Teri Yaad Saathh hai”. This song is unforgettable in many aspects. Over the years, I have wanted to post this one. Whenever Raahat Fateh Ali Khan’s voice is heard, this is the song I remember every time. So consistent is the association.
After visiting UK and London in 2021, I looked up this song but could not find the link with such visuals which are here in the full audio version. Video clip is small with the song playing in the background, when Rishi Kapoor visits India and taking his wife and daughter Katrina Kaif around and they visit all the important places of worship, mostly in north India and the trip ends with the Taj Mahal visit. In the full audio version, the whole films scenes and story is related in partly present and flashback. I have seen the film 2-3 times. It makes a good watch, light romance and decent songs.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6351 | Post No. : | 19685 |
The last “Sarfaroshi ki tamanna” posted in the blog is this. That’s the ARR composition of the famous ghazal by Bismil Azimabadi.
ARR has one more composition of the same ghazal yet to be posted in the blog. I am planning to post that also in due time.
I know I have said this before too, that the relevance of Urdu poetry is a growing force, in our world. It is taken to one level by the connoisseurs, who treat it with reverence. And it has the vivacity to make a commoner want to reach out and learn the nuances of Urdu. People who have no connection or inclination towards classical poetry of any genre or language, are known to have “Takiya kalam” in Urdu. It is not just the poetry that has survived the test of time, it is the idioms and phrases, rooted in the culture of the society, the gunga-jamuni Tehzeeb and the ‘Mu’atabar” sounds, which made Gulzar say:
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Saathhiyaa hmmm Saathhiyaa hmmm
Posted on: December 1, 2025
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6345 | Post No. : | 19663 |
A R Rahman – The Musician of 21st Century – 7
The revival of the series on A. R. Rehman is beginning with this post. The last post in the series was this song.
I apologise for my tardiness in leaving the series like this for 2.5 years. None but myself to be blamed for not taking the targets/tasks seriously. Maybe that is the reason none of my series appear in the list of series posted in the blog.
Koyi nai, I plough on doggedly. Not that it is a hard task to find ARR gems, sometimes forgotten in decades old fog. Take the songs of “Saathiya” for instance.
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Boley choodiyaan
Posted on: October 11, 2025
- In: "choodi" song | "Get together" song | Alka Yagnik Song | Amit Kumar songs | Amitabh Bachchan songs | Celebration Song | Guest posts | Kavitha Krishnamurthy Songs | Post by Peevesie's mom | Song sung by three or more singers | Songs of 2000s (2001 to 2010) | Songs of 2001 | Udit Narayan Song | Yearwise breakup of songs
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6294 | Post No. : | 19484 |
October 10th was being celebrated as Karva Chauth in many parts of India, with the main festivities being in North India & many parts of Western India. Googling about the festival gave me the following knowledge
Karwa Chauth 2025 Date And Tithi Details
• Chaturthi Tithi Begins: October 9, 2025 – 10:54 PM
• Chaturthi Tithi Ends: October 10, 2025 – 07:38 PM
• Karwa Chauth Puja Muhurat: October 10, 2025 – 05:57 PM to 07:11 PM
• Upavasa (Fasting) Time: October 10, 2025 – 06:19 AM to 08:13 PM
• Moonrise: October 10, 2025 – 08:13 PM
The moonrise marks the end of the fast, when women look skyward through a sieve, offer prayers, and take the first sip of water from their partner’s hands – a moment symbolic of blessings, affection, and renewal.
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Mahaganapatim manasaa smaraami
Posted on: September 18, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6271 | Post No. : | 19409 | Movie Count : |
5132 |
Today, September 18, 2025, is the 75th birthday of Shabana Azmi which is an important milestone in anyone’s life. I thought that on this occasion I should write an article on a film in which, in my view, Shabana Azmi has accepted a challenging role and has given a brilliant performance. The film I am covering in my article is ‘Morning Raaga’ (2004), a predominantly English language film in which Shabana Azmi’s role is that of a Carnatic vocalist.
‘Morning Raaga’ (2004) was produced by K Raghavendra Rao and was directed by Mahesh Dattani, a well-known personality in English theatre. The film was later dubbed in Telugu language with the title, ‘Raagam’ (2006). The cast included Shabana Azmi, Prakash Kovelamudi, Perizaad Zorabian, Lillete Dubey, Nasser, Ranjani Ramakrishnan, Vaishali Bisht, Shashi Sudigala, Sheela Naidu, Shaleen Sharma, Elahe Hiptoola etc. Prakash Kovelmudi is the son of Producer K Raghavendra Rao who is a producer-director, screenplay writer and an actor in his own right.
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