Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6287 Post No. : 19460

There have been two Hindi movies with the title “Ustaad Pedro” that were released in 1951 and 1971 respectively.

These two movies had the same title because they were produced by the same man viz Sheikh Mukhtar and he had played the title role in both the movies. One can easily guess that this story line was close to his heart so he decided to repeat the same story line with the very same movie title. Seeing that there was a 20 year gap between the two movies, the actors in the 1971 necessarily had to be different.

“Ustaad Pedro”(1971) was produced by Sheikh Mukhtar and directed by Chaand for Time Life Films, Bombay. The movie had Sheikh Mukhtar, Meena Roy, Jeewan, Padma Khannaa, Asha Nadkarni, Kundan, Raka, Shyam Kumar, Helen, Junior Mehmood, Master Dingu, Sadiq, Hameed, Kaku, Fazlu, Bihari, B A Baghi, Anil Dutt (new face) etc in it. One can notice that the lead actress in this movie was someone called Meena Roy. Few people have any idea who she was. In contrast, the lead actress of “Ustaad Pedro”(1951) was a famous actress of her time viz Begam Para.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6287 Post No. : 19459 Movie Count :

5136

‘The Gold Medal’ (1984) was produced by Sham Behl under his banner, Time Films and was directed by Ravi Nagaich. The cast included Jeetendra and Raakhi in the lead roles supported by Shatrughan Sinha, Premnath, Bindu, Faryal, Jaishree T, David, K N Singh, Raja Pranjpe, Sundar, Janakidas, Keshav Rana, Jagdish Raj, Gulshan Bawra. Brahm Bhardwaj, Prabhu Dayal, Madhumati etc. Dharmendra made a ‘priceless’ appearance in the film as an union leader. The film belongs the genre of ‘James Bond’ type of spy thriller in the Indian setting.

The film seems to be in the making for a long time. It is said that the film was planned sometime in the second half of 1960s with Rajendra Kumar and Saira Banu in the lead roles. Incidentally, film’s producer, Sham Behl (elder brother of producer, Ramesh Behl) is the brother-in-law of Rajendra Kumar. Later, the lead pair was changed to Jeetendra and Raakhi and shooting of the film commenced in 1969.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6287 Post No. : 19458

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Happy Birthday to Shailendra Singh)
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“Alibaabaa Marjinaa-1977” , a fantasy movie, was directed by Kedar Kapoor for ‘Sargam Pictures, Bombay’. It was passed by the Censor Board on 26.10.1977. The cast of this movie has Prem Krishan, Tamanna, Pinchoo Kapoor, Amrish Puri, Paintal, Viju Khote, Sajjan, Murad, Ram Mohan, Sharat Saxena, Rajan Kapoor, Keerti Kumar, Birbal, Jugnu, Pardesi, Chandu Allahabadi, Ghanshyam, Urmila Bhatt, Ritu Kamal, Madhu Chauhan, Sushma Pandit, Uma Dhawan and others. Javed Khan, Jagdeep and Shakti Kapoor had made special appearances in this movie.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6286 Post No. : 19457

Mukesh and his NFS – 06

I was in a bit of dilemma, whether to include this post under Composers or NFS series.

I settled for NFS because Mukesh strangely has no film songs for the composer but has 4 NFS. We are talking about composer Iqbal.

Well, it is easy to jump to conclusion that it is Iqbal Qureshi. However, Iqbal and Iqbal Qureshi are two entirely different composers working almost during the same period.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19456

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet #
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Today is the last day of the ten-day long ‘Durga Pooja Utsav’ or ‘Navraatree festival’ of this year 2025. The effigies of the demon Ravana are being burnt all over the country to celebrate the victory of Good over the evil. The ten day long staging of Ram Leela will also come to an end today.

Ram Leela is performed in many parts of our country. I was thinking of the past decades from the mid-eighties onwards and I realised that many changes have taken place in the presentation of Raamleelaa thanks to the advancement of technology with time. This can be noticed when the scene on the stage changes from one part to other, where the set up is required to be changed. In olden times the curtains were rolled down to change the backdrop of the characters performing on stage. My guess is that this would have undergone a sea change nowadays where we have technology to help us.

People born before nineties who would have attended Raamleelaa shows in their town or villages must have been witness to funny situations arising during the plays because of various reasons such as forgetting the dialogues, or disruptions due to sudden power-cut etc. These unplanned events during the show would have created situations of laughter and comedy for the audiences.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19455

#the Decade of Forties – 1941 – 1950 #
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The song being presented in this post is from the movie ‘Ahinsa Path’ from the year 1949. Very less information is available about this movie. HFGK Vol-II (1941-1950) lists six songs of this movie, but there is no information on its cast and director.

As per Geet Kosh “Ahinsa Path-1949” was a movie presented by ‘Aruna Productions, Bombay’. Harish Bharadwaj was the composer for this movie. The six songs are sung by Poornima Chatterjee, Harish Bharadwaj, Sahana Maitra and chorus. Lyricist’s name for the songs is not known except for one song which has been covered earlier on this blog. Some sources on internet mention Aruna BA as lyricist for the song under discussion.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19454

Hullo Atuldom

Wishing all the followers of the blog a Happy Dassehra. Happy Vijayadashmi. A day which is the culmination of the Sharada Navaratri. Navaratri means nine nights & Vijayadashmi is the 10th day when all the festivities reach a finale.

Much of North India would have had Raam-Leela as part of the festivities & we will witness Ravan-Dahan on the 10th day.

In West India we have the Devi installed in the form of Ambemaa with Aarthis, Garba & Dandiya forming the part of celebrations. Recently, I learnt that the Dandiya-sticks are representative of the weapons that were used by Ambemaa (Durga Maa) in her battle against the Rakshasaa “Mahishasura”.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19453

“Hamaari Beti”(1950) was Produced and directed by Shobhana Samarth for Shobhana Pictures,Bombay. It was the launch vehicle for Nutan , Shobhana Samarth’s eldest daughter into film world. The movie had Nutan, Shekhar, Baby Tanuja, Moti Lal, Shobhana Samarth, Veera, David, K N Singh, Randhir, Agha, Pramila, Kukku, Ameerbai, Nandani, Master Ratan etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19452

‘Manzilein Aur Bhee Hain’ (1974) was produced by Johny Bakshi and was directed by Mahesh Bhatt who also wrote the story. The dialogues were written by the veteran theatre personality, Satyadev Dube. The cast included Kabir Bedi and Prema Narayan in the lead roles supported by Gulshan Arora, Purnima, Sudhir, Mac Mohan, Mukesh Bhatt, Shah Durrani, Kirti Kumar, Viju Khote, Ranvir Raj, Uma Dutt etc. Both Johny Bakshi and Mahesh Bhatt made their debuts as producer and director, respectively. Both had known each other while working for Raj Khosla as Assistant Director/Production Controller.

The film was completed in 1972 but ran into problems with Censor Board for about 15 months. In an interview, Mahesh Bhatt revealed that for Censor Board, the film’s two fugitives’ polyandrous relationship with a woman who is their partner in crime amounted to undermining the institution of marriage. Finally, the film got the Censor Certificate on August 13, 1974, as an ‘Adult’ film with cuts. The film had a limited theatrical released on September 27, 1974. The VCD of the film I watched, has a 2016 Censor Certificate with major cuts to make it fit for public viewing under parental guidance. The theme of the film is that there are alternative paths to becoming a criminal who lives under the constant fear of death.
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This article is written by Dr PradeepKumar Shetty, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19451

We know that S D Burman sang about 150 Bengali NFSs in the beginning of his career. Most of them became very popular. In Hindi, the number is about 25. We have 5 of them on the blog.

Today on the occasion of Gandhi Jayanti, here is a lesser known SDB song. I couldn’t get much detail. Looks like it must have been recorded in the year 1948, in the days following Mahatma Gandhi’s assassination. However some sources on internet mention the year as 1960 for this. Also this seems to be album containing more songs and titled as ‘Gun Dhaam Hamaare Gandhi jee’. I would request knowledgeable readers to throw more light on this song and its details please.
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