Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4178 Post No. : 15357

Commemorating Naushad Sahab’s 100th birth anniversary on 25th December 2019 :
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Naushad Sahab’s journey as a music director is an astounding journey of 65 years beginning from 1940 to 2005. This is as in active working career. Born in Lucknow on 25th December, 1919, he completed his journey of the mortal existence on 5th May, 2006, in Mumbai. He is described as a composer, music director, film producer, writer, and a poet. Also credited for being the major contributor towards incorporating Hindustani classical into film music right from the 40’s.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4178 Post No. : 15356

Mohammed Rafi : The incomparable (II) – Song No. 15
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It is very much true even today that the title of ‘Sone ki chidiya” suits India very well. This guileless person, named Mohammad Rafi is one of the genuine golden feathers of this ‘Sone ki Chidiya”

“Sona” in material terms as we all know is Gold, as in precious metal. And in our country traditionally and religiously Gold is treated as Goddess Laxmi. Other cultures in the world treat it as a precious metal and metal alone. But we in india have been revering “Gold” as much more than a costly metal. It is equated with wealth and prosperity. If a percentage of the country’s household are super rich, a bigger percentage of households are comprising of the so called middle classes and all of these people have amassed gold reserves in the families. I have seen women, mostly housewives saving up to buy gold jewelry. My own mother used to save up to years, so that she could get some small gold jewellery pieces. My mother’s savings habit has saved many a rainy day, if we believe the stories she tells of this event or that event. Many times the relatives will be in trouble and some or the other need will arise in the household and her savings or even gold jewellery was the only thing to be cashed.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4178 Post No. : 15355 Movie Count :

4278

Songs Repeated in Hindi Films – 14
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An iconic song from 1965 – absoute gem, absolutely unforgettable. “Kaanton Se Kheench Ke Ye Aanchal. . . Aaj Phir Jeene Ki Tamanna Hai” from the 1965 film ‘Guide’. Created by the greats of that era – Shailendra, SD Burman and Lata Mangeshkar. And coming from a film directed by Vijay Anand, one is assured that the picturization would be superlative, which it surely is. The song continues to sustain its beauty even after more than five decades. It is such a genuine treat both visually and aurally.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4178 Post No. : 15354

Yesterday (25 december 2019) was the birth centenary of Naushad (25 december 1919- 5 May 2006). The special occasion called for a post but my internet connection let me down and that day ended up becoming a dot day- the third such day in the year.

According to my calculations Naushad had composed music for 601 songs in 64 Hindi movies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4176 Post No. : 15353 Movie Count :

4277

Songs Repeated in Hindi Films – 13
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A great day today. The remembrance day of one of most recognized icons of the Golden Era of Hindi film music. Rafi Sb. The name says it all. It is our own compulsions that drive us to write again and again about him, but yes, the name says it all. The mere mention brings to mind spontaneously, the journey spanning four decades, and thousands of rich gems that he rendered and bequeathed to us. The one voice that makes loving this music oh so easy.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4176 Post No. : 15352

Mohammed Rafi : The Incomparable (II) – Song No. 14
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Remembering Mohammed Rafi Sahab on his 95th birth anniversary :

Someone once told me that to become cynical you first had to be an idealist and it was the loss of those ideals that created the disillusionment. But than what is an idealist if not an individual with independent thinking and with the added ability to incorporate diverse ideas. And cynicism is bound to be an integral part of any ideological theory if it seeks to negate the perceived or real concepts of injustice against humanity. Critical analysis of any ideological concepts will possibly make the ideologist a cynic if the said ideology is not perfect enough or as perfect as the ideologist wanted it to be. Cynical person is often very critical of things and situations and their repercussions. While as an idealist, will find a lot to express about the idea rather than focusing on criticism of anything else. That makes cynicism the anti-thesis of idealism. On the other hand, idealism if it seeks to unilaterally implement a social order in a given society is regressive to its intellectual and overall progress as a civilization, since it seeks no introspection and encourages narrow thoughts. Whereas a cynic will look at all things surrounding it and might even be able to look beyond it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4176 Post No. : 15351

Remembering Mohammed Rafi Sahab on his 95th birth anniversary :

Hullo Atuldom

Today’s post is for a song from the 1981 release “Zamaane ko Dikhaana Hai” which was produced and directed by Nasir Hussain. It marked the debut of Padmini Kolhapure as an adult; prior to this she had acted as a child star in numerous movies. The music department was handled by Majrooh Sultanpuri and R D Burman. The songs were play-backed by Asha Bhonsle, Shailendra Singh, Mohd. Rafi and Pancham. Nasir Hussain took a few scenes from his “Jab Pyar Kisise Hota Hain” – song on train top; runaway girl from “Caravan” and a song & dance competition inspired from “Hum Kisise Kum Nahin”. Additionally, there are multiple songs in a scene as in “Yaadon Ki Baraat” and “Hum Kisise Kum Nahin”.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4176 Post No. : 15350

Today’s song is from the film “Aankh ki sharm” (1943). This bhajan is sung by one ‘Pande ji’. I am neither aware who this singer is, nor aware of any information on him. The Music Director of this film was Vasant Desai, who was known to be a Talent Hunter ( He had discovered MD S.Purushottam and singers Desai sisters – Pramodini and Vinodini ). May be Pande ji was also his discovery. However in later films of Vasant Desai I failed to find his name again. Possibly he was a ‘one film wonder’, like many others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4175 Post No. : 15349 Movie Count :

4276

Hindi Songs in Bangla Films – 14
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‘Antony Firingee’ (1967) was a Bengali film which has attained a classic status among the Bengali films. The film was directed by Sunil Banerjee. The main cast included Uttam Kumar, Tanuja, Lolita Chatterjee, Bhanu Bandopadhyay, Asit Baran, Ruma Guha Thakurta, Chhaya Devi etc. The film was based on a real-life story of Hensman Antony, a Portuguese national, who visited Chandannagar (near Kolkata) with his father, a trader, sometime in the 19th century. However, in the film, the story has some deviation from the real story probably to give a better cinematic depiction of the characters. Let me set out first the real story which I have gathered from the on-line sources.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4174 Post No. : 15348

Today’s song is from a forgotten film Bhool-1948. The film was produced by Cinematographer and V.Shantaram’s brother V.Avadhoot – who also directed this film, as per the credits.The lyricist for all the 8 songs was Firoz Jallundhari and the Music Director was Debutant Purushottam or S. Purushottam or Purushottam Solankurkar. The banner was Rajkamal Kala Mandir. The cast of the film was Umesh Sharma, Suman, Dewan Sharar, Parshuram, k.Datey, Leela, Sunderabai, Aruna Devi and 5 child actresses called Baby Rajashree, Baby Madhura, Baby Sadhna, Baby Charusheela and Baby Sheela. Amongst these, Rajashree, Madhura and Charusheela were Shantaram’s daughters.
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