Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6208 Post No. : 19168

Dance Dance was produced and directed by Babbar Subhash and had music by Bappi Lahiri.

The film starred Mithun Chakraborty, Smita Patil, Mandakini, Shakti Kapoor, Amrish Puri, etc.

“Dance Dance” is a musical drama centered on the aspirations, trials, and tragedies faced by a brother-sister duo who dream of making it big in the world of music and dance. The film explores themes of ambition, revenge, exploitation in showbiz, and the enduring bond between siblings.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6208 Post No. : 19167

Today’s song is from a dubbed film Ek Tha Raja-1951.

I consider myself a mixture of south and marathi culture. From childhood, I grew up in an atmosphere which was truly cosmopolitan – in Hyderabad state. Exposure to south customs and following a Marathi lifestyle. My paternal grandparents stayed with us. My father, uncles and aunts addressed my grandmother as ‘Amma’, a typical way of calling mother in southern style. However, I called my mother as “Aai”, like a Marathi kid !

To be a multilingual person is good. Knowing more languages-not just knowing, but speaking many languages has its own advantages. I had the built in advantage of having been born in a Multilingual state of Hyderabad. Starting with Urdu, I soon learnt Marathi(Mother tongue), Hyderabadi and Pure Hindi, Telugu and Kannada. Because of my father, I learnt Sanskrit, but could not master it, though I am well conversant in it. After coming to Bombay,I learnt Gujarati so well that I can read Gujarati papers, books and E Mails etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19166

Decoit films have been an important genre of Hindi films for a long time. Perhaps, the first talkie film in this genre was ‘Daaku Mansoor (1934) which was directed by Nitin Bose with K L Saigal in the title role. But, after going through the synopsis, the film appeared to be more of a costume drama than a decoit film though the story involved a decoit.

The genre of decoit films started attaining prominence during 1950s and 60s, probably in the background of the stories that were circulated in the newspapers about the prominent decoits of Chambal valley and elsewhere. The newspapers sensationalised the dread decoits like Gabbar Singh, Maan Singh, Mohar Singh, Putli Bai etc on their daring dacoity and the fear they instilled in their area of operations. Such news became the inspirations for many Hindi films such as ‘Mother India’ (1957), ‘Ganga Jamuna’ (1961), ‘Jis Desh Mein Ganga Behti Hai’ (1962), ‘Mujhe Jeene Do’ (1963) etc. This trend continued in the 1970s with films like ‘Mera Gaon Mera Desh’ (1971), ‘Khotey Sikkey’ (1973), ‘Kachhe Dhaage’ (1973), Sholay’ (1975), ‘Ganga Ki Saugandh’ (1978) etc. In recent years, ‘Paan Singh Tomar’ (2014) and ‘Sonchiraiya’ (2019) were made with decoit stories.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19165

Today’s song is from the Cult film Ram Rajya-1943.

This is one film which I must have seen many times. I was too young when it was released, but in its “n’th run during the 1949 to 1954 period, I led the groups of seniors in the family to see the film several times. My friends used to laugh at me and ask if I was not bored. Honestly, I was never tired of seeing this film.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6206 Post No. : 19164

‘Poonam’ (1981), was directed by Harmesh Malhotra and starred Raj Babbar, Poonam Dhillon, Shakti Kapoor, Madan Puri, Pinchoo Kapoor, Kalpana Iyer, etc.

Three songs from this movie have already been posted. This will be the fourth out of seven songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6206 Post No. : 19163

Today’s song is from the Mythological film Navratri-1955.

Made by Bhagyodaya Pictures, Bombay, it was directed by Raman B. Desai. It was produced by R.U.Patel and Natwar Shyam. The music was by the king of Melody – Chitragupt, ably assisted by Dilip Dholakia. The cast of the film was Nirupa Roy, Manahar desai, Sapru, S.N.Tripathi, Lalita Pawar, Kumkum etc. Songs were by G.S.Nepali (6) and Bharat Vyas (2).

Two major actors, who featured in many religious films in Hindi were Manhar Desai and Shahu Modak. You may be surprised to know that both were Christians. Actors who were not Hindus and doing Hindu Gods’ roles in Hindi films, is not new. I remember, there was an actor, Syed Hasan Ali Zaidi aka Mijjan Miyan, with New Theatres, Calcutta. He did the role of Bhakta Pooran in a film with this title in 1933. Just before the release of the film, there were communal riots in Calcutta.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6205 Post No. : 19162

#the Decade of Sixties – 1961 – 1970 #
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The holy month of Shrawan, when Lord Shiv is worshipped has already started in the northern part of our country. Today is the first Monday of the ‘saawan’ month of this year. Monday is the day associated with Lord Shiva. Devotees of Lord Shiva make offerings to Lord Shiva offer their prayers to him.

On this occasion here is a ‘shiv-stutee’ song from the movie ‘Been Kaa Jaadoo-1963’.

“Been Ka Jaadoo-1963”, a comstume drama, was directed by N. Rajesh for ‘S.A. Films, Bombay’. From the little information available about this movie in HFGK Vol-IV (1961-1970), we kinow that the movie had Mahipal, Helen, Kammo, Tiwari, Mohan Choti and Ulhas in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6205 Post No. : 19161

Today’s song is from the film Naulaakha Haar-1953.

Making films on folklore – well known or less known – is easy, because a lot of liberties can be taken while making the film. There is no copyright or any authentic version of any folklore. The same story may circulate in different regions/states in a different garb. Film Naulaakha Haar-1953 was also based on the love story of Alha- Udal.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6204 Post No. : 19160 Movie Count :

5093

#The Decade of Seventies – 1971 – 1980 #
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(Lyricist Kavi Pradeep-27)
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#Desh Kee Mittee Kee Khushboo#

My recent posts on this blog have been mostly presentations of devotional songs. One reason is that the holy month of saawan has commenced. Devotees of Lord Shiva or Bholey Baabaa are untertaking ‘kaanwar yaatraa’ to bring the holy gangajal from the Ganga river from places such as ‘Gaumukh’, ‘Haridwar’,Gangotri, Sultanganj (Bihar). Devotees get ‘gangaajal’ from these places and then carry the water pots on a contraption called kaanvar. Devotees then offer this water at their local shrines. Some devotees carry this water to various ‘jyotirlingaas’ of Lord Shiva or specific temples of Lord Shiva and offer it there. This is an annual pilgrimage undertaken by millions specifically in the northern parts of the country (including eastern and central India and parts of Western India). The devotees travel to the temples of Shiva while chanting ‘bol bam’ throughout the journey.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6204 Post No. : 19159

Mukesh and his Actors – 07

As we draw towards the last few HF songs of Mukesh, it is becoming increasingly difficult to trace his unposted songs on the blog.

Of late, I pick up an artist (actor, co-singer, composer) and start the rigorous search on the blog to see if all the respective songs are covered. In this exercise, I am also realizing that I have myself covered the artist in one of my series in the past. 😊

Of course, I am yet to cover Raj Kapoor, Lata, Asha, and three duo-composers for whom Mukesh sang songs aplenty. The issue with such artists is that I must spend considerable time preparing the lengthy tables. However, they are quite important, and I will try to take up these marathon posts shortly. I am even contemplating breaking the songs decade-wise so that it is easy for me to cover them. Let me see what best can be done.
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