Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1959


Today (1 august) is the birth anniversary of Meena Kumari ( 1 august 1932- 31 march 1972). It is unimaginable to realise that she did not even reach the age of 40 ! She achieved so much in her brief stay in this world and she went on to become a legend.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Of the several signs that I am losing it now, one of the surest signs has got to be when I forget the anniversaries of people or events close to my heart.

I normally pride myself on remembering dates – in fact I surprise my friends sometimes when I mention dates of events or anniversaries that they don’t expect me to remember. These are dates that have just stuck in my mind when I first came across them, e.g. 18th May 1974 being the famous date of the Pokhran nuclear explosion . Or, 24th October 1945 being the date the United Nations (U.N) came into existence. (18th May also happens to be the birthday of one of the favourite cricketers from my childhood days – B.S. Chandrasekhar. And 24th October also happens to be the birthday of our dear memsaab (of memsaabstory.com). So see, it isn’t all that difficult to remember dates! 🙂
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In late 1950s and for much of 1960s, Mehmood and Shubha Khote were paired together as part of extensive and often irritating comic side plot. But Shubha Khote was not always paired with Mehmood. I find it interesting to note that she was paired opposite Jagdeep in “Barkha” (1959). Jagdeep, a natural comic somehow did not seem to have any flair for non comic roles including romantic roles, serious roles etc. As a result, most movies with Jagdeep in non comic roles failed miserably at the box office.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Before she burst on to the Bollywood scene with C.I.D. (1956) and Pyaasa (1957), Padma Bhushan Waheeda Rehman starred in two movies each in Telugu and Tamil including, as the second heroine, in the D. Yoganand directed Anjali Devi-A. Nageswara Rao starrer 1955 Telugu production Jayasimha. It was later dubbed in Hindi by P. Ramesh Naidu and released as Jai Singh in 1959.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another fun song from the film “Minister”. Two months ago the post another song “Aji Biwi ko ghar pe bitthla ke” from this film appeared in the blog. The song I am discussing now will be the third song from this film. This is a “telephone song” sung by Mohammed Rafi and Asha Bhosle. Music is by Madan Mohan and Lyricist is Rajendra Krishan. Unfortunately, I dont recognise the two actors who are lip synching this song. The song is funny enough, just like “mere piyaa gaye rangoon”. Bhagwaan Dada is seen only briefly during the song. Telephone songs have their own appeal as the the singers are required to be on the opposite ends of the line. But in this song, though it starts in a telephone booth and ends there too, the protagonists are singing it with each other and roaming around outdoors.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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