Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1979


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th January, his birth anniversary.

A resounding voice, that brings home the feeling of echoes in the valleys and mountains. A booming voice that is the representative and the choice for the rousing songs of chivalry and patriotism. A voice that is unmatched in the annals of the industry. A voice that has probably the widest vocal range amongst the contemporary singers and is rich in the higher octaves. Likened with the famed Italian tenor, Pavarotti, Mahendra Kapoor was always called upon to render the songs that needed power and exuberance. Listening to his voice gives a strong feeling of mountains and wide open spaces full of sound and melody. His songs are remembered for their inspiring and dominant strength.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I thought that there should be at least one song of Jaidev from a film for which he got National Award for the best music direction, for discussion on the occasion of his death anniversary which is on January 6th. The ghazal is from film GAMAN (1978) – “Aapki yaad aati rahi raat bhar”. The ghazal was wriiten by Maqdoom Mohiuddin, the famous urdu poet and then a member of Communist Party of India. This has been sung by many ghazal singers but I like the way Chhaya Ganguli has sung this ghazal and also the tune and soft orchestra used by Jaidev to reflect the mood of the ghazal.
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By 1970s, Rajshree Productions had hit upon a cost effective winning formula. In their movies, they would ensure that the story and music was the king and actors were non entities. They would hire newcomers in lead roles and make them work for pittance. As for music, they would hire music directors who were prepared to work for less fee. Their standard music director throughout 1970s was Ravindra Jain, who doubled up as the lyricist too. His music was the single biggest reason for the success of these movies as far as I am concerned. personally I felt the same way that a mouse felt when he heard the music of the pied Piper. whenever I heard the music of a Rajshree Productions movie, I felt like going to the movie hall showing that movie.
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“Baaton Baaton Mein” (1979) is a movie that was not about superhuman characters, but about average day to day characters like you and me. And the depiction of their hopes, aspirations, joys, sorrows and other feelings of the characters were so natural and one could empathise with them. And when these feelings are expressed in the form of songs which are written with heart, composed with sensitivity and sung with feeling, that such songs are bound to be remembered and recalled.
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“Aatmaram” (1979) is a recent movie bty the standards of this blog, but this movie is nearly as obscure as many movies of much older vintage. The reasons are not far to seek. The movie was a smaller budget movie with actors like Shatrughan Sinha, Vidya Sinha,Bindiya Goswami,Amjad Khan etc in it. The movie was directed by Sohanlal Kanwar and the movie sank without a trace.
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When one thinks of Helen, one thinks of a cabarat song(typically sung by Asha Bhonsle) where Helen, suitably under dressed by Indian standards, performs her dance and then bows out, playing no further part in the movie. There are many Helen fans though who would like to see her in meatier roles in these movies.
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It is the day of Raakhi festival (Raksha bandhan) today and we saw in one song that a man was lamenting the fact that he did not have a sister of his own. But it is not necessary for a man to have a real sister of his own for the purpose of rakhi. Indian mythology is full of tales of unrelated men being sent rakhi by women and they fougtht to protect the honour of their rakhi sisters. Hindi movies too show girls tie rakhi on the wrists of strangers and they prove to be more loyal that their real brother.
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When India won the world cup on 2nd april 2011, it was a great feeling for millions of Indian cricket fans and they celebrated late into the nights and well into the next day and the next. The fact that the final was played on saturday and there were two days of holidays on the following days (Sunday being the normal holiday and monday being Indian calender’s new year day), people had enough time to celebrate and get over the hangover.
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When Bappi Lahiri began his career as a music director in mid 1970s, I thought that he was a music director in the sameleague as R D Burman. Considering that I, as well as the rest of India was totally in love with R D Burman’s music, that was high praise indeed.
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This post is written by Santosh Ojha, a regular contributor of posts to this blog and a fellow enthusiast of Hindi movies and its songs

It has been one of those big mysteries of Bollywood which I have not been able to fathom yet. Just why did Kala Patthar not become one of the biggest block-busters of all times! Heck, it is not even among the top 50 grossers of 1970’s (it was released in 1979)
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