Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Actor-Singer


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zevraat”(1949) was produced and directed by Habib Sarhadi for Habib Productions, Bombay. This forgotten “social” movie had Meena, Masood, Yakoob, Jayant, Shanta Kunwar etc in it.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is the birth anniversary of Ashok Kumar, one of Hindi film industry’s legendary actors. It is ironic that it also happens to be the death anniversary of his younger brother, Kishore Kumar, another of the industry’s legends.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KRISHNA LEELA (1946) was produced under the banner of Geetanjali Pictures, Bombay and it was directed by Debaki Bose. The star cast included Kanan Devi, Paresh Bannerjee, Ranjit Roy, Suprova, Debi Mukherjee, Hiralal, Kamal Mitra, Gokul Mukherjee etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aadaab Arz”(1943) was directed by Virendra Desai for Amar Pictures, Bombay. The movie had Nalini Jaiwant, Karan Dewan, Anand Prasad, Kamla Chatterji, Pratima devi, Dulare, Mukesh (the singer), Nagendra, Noorjanaa, Sulochana Chatterji, ansari, Hadi, Munshi Khanzar, Jamu Patel, Chanda Bai, Preeti Majumdar, Kumar, Pesi Patel, Bhim Bhai, Afghan Sando, Tara Bai, Mis Mohini etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a privilege for those who were associated with India’s first talkie ‘Alam Ara’ (1931). Whenever the definitive history of Indian film industry is discussed, the names of Ardeshir Irani, Master Vitthal, Zubeida, Prithviraj Kapoor, W M Khan would surely find place in it. However, there were some lesser known persons associated with the first talkie. Sarvottam Badami was one of the lesser known persons who was associated with the first talkie as assistant to Ardeshir Irani in sound recording. I found his filmy career interesting.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Samaaj ko badal dalo’-47- a relatively unknown film. The song is a chorus song, sung by Rafi, Arunkumar Mukherjee and Manna Dey. HFGK does not mention the names of singers, but I got these names from the Rafi songs Excel sheet, corroborated by Muvyz.com and Wikipedia also. The song is composed by Khemchand Prakash. The film is produced by Prakash Pictures of the Bhatt brothers, who had become famous due to their epic films on Mythology like Bharat milap and Ramrajya etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are two beautiful songs rendered by G M Durrani in ‘Nayi Kahaani’ (1943). Fortunately, video clips of both the songs are available. In the first of the two songs, neend hamaari khwaab tumhaare kitne meethhe kitne pyaare a boy suddenly gets up from the group of musicians and start singing sargam in a ‘rapid fire’ mode and then sits down for the song to continue. He sings sargam in his own voice. Again, in hamen kya ab khizaan jaaye na jaaye , the boy gets up during the musical interlude of the song and starts conducting the orchestra. These are the ‘scene stealer’ situations in the songs which, I am sure, must have remained in the minds of the audience when they came out of the theatre after watching the film. The boy was actor-singer Balakram.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Prahlad Keshav Atre, popularly known in Maharashtra as Acharya Atre (1898-1969) was a multi-talented personality of Maharashta. He was a writer, a playwright, a poet, an educationist, a journalist, a politician and producer-director-screen play & dialogue writer. During his association with Hindi films, Acharya Atre produced films like ‘Charnon Ki Daasi’ (1941), ‘Raja Rani’ (1942), ‘Vasantsena’ (1942), ‘Tasveer’ (1943), ‘Dil Ki Baat’ (1944), ‘Parinde’ (1945) and ‘Dulha’ (1946) under the banner of Atre Pictures.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Baburao Patel, the fiery editor of ‘Filmindia’ magazine ( later known as ‘Mother India’) was associated with Hindi film industry since 1931. During 1931-35, he directed 5 films – “kismet’ (1931, Silent film), ‘Sati Mahananda’ (1933), ‘Maharani’ (1934), ‘Bala Joban’ (1934) and ‘Pardesi Saiyaan’ (1935) . However, with the starting of his monthly film magazine ‘Filmindia’ in 1935, Baburao Patel appeared to have taken a long sabbatical from Hindi film industry to concentrate on his editorial work. He again joined Hindi film industry in 1944 as producer and director of the film ‘Draupadi’ (1944), to promote Susheela Rani as actor-singer. This was followed by another film ‘Gwalan’ (1946).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am aware that Begum Para and Paro Devi are two different actresses. There is no same name confusion. Yet momentarily, I tend to get confused with the names of these two actresses. If someone to ask me as to which one of these two actresses was in the film ‘Neel Kamal’ (1947), I may have to think for a while before giving the correct answer, that is Begum Para.
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